Creating the New Earth Together

Posts tagged ‘voice’

Resonance and the “Divine Matrix”


In case there is any doubt left in human hearts and minds that sound is what shapes creation, look at this picture of the hexagon pattern on Saturn’s north pole. Those familiar with Cymatics will readily recognize this sonic phenomenon. RESONANCE AND THE “DIVINE MATRIX”

Resonance is a timely theme for my blog.  I’ve been exploring working with what Gregg Braden calls the “Divine Matrix” and what others in the field of  “Quantum Healing” are calling “matrix–resonance,” a process whereby one taps into fields outside one’s own.  In this process one brings into consciousness and heart an ancient, or not so ancient, spiritual teacher and ascended master, like Jesus or Buddha, and then allows a resonance to take place with their matrix or field.  It’s the “field effect” author Joseph Chilton Pearce writes about in his book “THE BIOLOGY OF TRANSCENDENCE.”  The purpose for engaging this process could be, for instance, to raise one’s frequency to a higher level with the intention of offering the greatest possible blessing of healing.  This, according to world renown sound-healer Jonathan Goldman, constitutes a formula for healing: “Frequency + intention = healing.”

I’ve been engaging this process lately tapping into the field of the Master Jesus.  For example, I read some of his recorded words in the Gospels, especially where he is healing someone or sending healing currents to someone at a distance.  As I focus on the image of this Great Physician (not a picture someone has made, but what I imagine being in his presence would feel like, with emphasis on the feeling aspect),  I find myself entering into his matrix and resonating with his vibration, which, from the Aramaic shem, translates into name.  The name/shem/vibration of Jesus is the frequency of love, as he was and is the embodiment of the spirit of Love.  To “come in the name of the Lord,” then, is to come in the vibration of Love.   When my field resonates with his shem/name/vibration, my field becomes a healing matrix out of which all things that I bring into consciousness for healing and renewal may be made new, and I do feel the healing quality and the potency of his matrix which I then extend to my world of service and the person, for instance, with whom I am sharing attunement.  I also experience a very powerful mental focus and undeniable authority.  The meaning  of the Biblical text,  “Behold, I make all things new” comes alive  in the present moment from out of the distant past.

A great exercise would be to bring a spiritual teacher — such as Jesus or Buddha, or even more contemporary teachers such as Mother Teresa, the Dalai Lama, Deepak Chopra, or teachers that some of my colleagues in the attunement field and I know, such as Uranda and Roger de Winton —  into consciousness and then notice and name some of the essences one may feel resonating in one’s heart.  One’s field, then, would begin to take on those qualities based on resonance, creating a matrix for the extension of those essences and qualities of healing and renewal in and through the “attunement current” one is offering into one’s world of service.

We did this exercise in one of our workshops in Houston years ago with the “Seven Spirits,” which we in the attunement field associate with the seven seals of the endocrine system, what I refer to as our “Sacred Anatomy” in my book by the same name.  Uranda assigned these seven spirits, which are referenced in the description of  “a throne set in heaven” by John in his Book of Revelation in the Bible, to the seven hormonal glands of the endocrine system.  The Pineal gland in the center of the brain plays the role of a throne in the body temple for the spirit of love to abide and oversee the creative processes in the temple. It is this same process with which I found myself working during an attunement session one day when an inspiring poem about these spirits came through me.  Bringing each of these spirits by name into consciousness while holding a contact point on each endocrine center during the attunement process, allows one to come into resonance with the essence and qualities of these spirits, creating a healing matrix.  The shared unified field, then, takes on the qualities of these spirits, surrounding and permeating both client and the practitioner in a “divine matrix,” as Gregg Braden would call it.

It is the working of this dynamic precisely that opened a door of perception in the resonating chambers of my heart many years ago of the tonal frequencies of these seven spirits, which are in reality harmonic overtones of the one Tone of Love differentiated as the light of love shines through the sacred anatomy of our body temples.  This sacred anatomy of our endocrine glands provides the inner terrain of the crystal-like substance of hormones that transforms and steps down the high-frequency of the creative power of love so as to make creation at all levels possible and capable of manifesting the myriad and impeccable designs of Life for our body temples.  This is the miracle and wonder of our sacred anatomy.

These same spirits, or vibrational essences, as one can imagine, are related to the seven colors of the rainbow light spectrum, so that one may think of a color and allow a feeling for its quality to resonate in the heart.  One may even “hear” the tone of that color in terms of a musical note, or at least one of its harmonics.  One may then hum or tone that note to provide a carrier wave for that spirit to move out upon and into one’s creative field of service, whether it be in offering healing to another, blessing one’s world, or simply exploring one’s own tonal “signature frequency” by giving voice to these tones resonating in one’s heart.

This “technique,” if you would, can be effectively employed while offering healing to the organs, glands, tissues and skeletal structures of the body temple. It can also be used to enfold a life situation or world event in a healing matrix held in consciousness, a more common name for this heaven out of which our worlds emerge.  To envision the organ, situation or event as being whole, healthy, new and radiantly functional already, creates a matrix that is resonant with that vision, just as seeing the organ, situation or event as being distorted or dysfunctional holds that pattern in the matrix, thereby reinforcing the distortion pattern in the form.  Then, as Uranda put it, when all the “factors” are in place, one may speak the creative command of love, “Return to the Divine Design” or “Let the will of God be made manifest on earth as it is in heaven,” the heaven that I create in my own consciousness for the restoration of this form to its intended state of health and function in the context and for the greatest possible blessing of the Whole.  See it new and then let it be so.  This is the vibrational function of the “aumen” at the end of one’s prayer:  “Let it be so.” This is all about resonance, isn’t it?

For my readers who are not familiar with the attunement service I write about, and who may wish to learn more about it, you are welcome to visit my website or the website of the International Emissaries Attunement Guild, .  For a copy of my poem, The Seven Spirits of Love, you may send your request to me by email at

May your light shine brightly,


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Attunement with Sacred Sound

Anthony Palombo

Anthony Palombo

Welcome to Healing Tones!  I have much to share and a passion to get it out there.  I hope you are touched in some way and become a subscriber and “follower” of my blog (click on RSS above to subcribe).   My second post is a report about our March 19-20 workshop intensive, Attunement with Sacred Soundk, at Sunrise Ranch in Loveland, Colorado.   Enjoy!

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March Intensive A Huge Success

Attunement with Sacred Sound Workshop Intensive at Sunrise Ranch
This was our fifth workshop intensive, our third at Sunrise Ranch.  Over a two-day period, March 19-20, our circle grew from eight Friday morning to eighteen for the Circle of Sound Equinox celebration Saturday evening, drawing thirty-four in all into our dedicated container.  Our theme was the manifestation of a beautiful world through attunement with sacred sound.  It was a totally co-creative event marked by spirited participation on the parts of those attending and spontaneous presentations by several, with soft and easy co-facilitation by Tony & Bonnie Palombo.

We were treated to a Shamanic journey by David Ward, from Ashland, Oregon, who demonstrated his use of crystals inserted inside gloves to assist him in directing energy using the principle of “holophasics,” then spoke of his fascinating healing work which takes him into the underworld to assist departed souls in navigating this dark terrain and finding their way to the light, a journey about which he is presently authoring a book.  Laurence Layne, visiting from St. Augustine, Florida, dropped in to speak about his favorite topic, The Spiritual Nature of the Physical Body, focusing on the relationship between the nervous system and the endocrine glands and how we use these two systems in our attunement work. Mai Tran, from Southern California, presented a brief yet very enlightening explanation of the Chakras as she uses them in offering attunements as a Reiki practitioner.  Finally, Alan Martens, from Sunrise Ranch, demonstrated the Ancient Tibetan Rites of Rejuvenation, five exercises that, done diligently, can take one to the fabled “Fountain of Youth” within.

These were the spices that added flavor to our time together, the main ingredient being the ongoing exploration of sacred sound as a carrier wave for consciousness in the attunement current.  Each workshop brings forth something new, and this one brought into our creative field the significance and utter delight of the F Sharp Major triad, F# A# C#.

Now, we’ve had a 16 inch A# quartz crystal bowl for some time but didn’t know its significance, as it didn’t quite harmonize with the other bowls – that is until we discovered the F# chord.  It has now become the center piece of this harmonic triad, which we were guided to use as the harmonic tones in “balancing the cervicals” during attunements. I am seeing it also as the ascending chord at the level of the “Eighth Chakra” with its F# fundamental tone that matches the F# frequency of the Pineal gland.  So, we have B D# F# as the harmonic triad of the Crown Chakra/Pineal gland, and F# A# C# extending the ascending sound current as a sonic bridge to the next level above.  When we played this harmonic triad on the quartz crystal bowls and toned it with our voices, something magically uplifting was felt.

Keith Hancock has been playing around with the key of F# Major for some time and he improvised on the piano, playing only the black keys, which the key of F# Major largely consists of.  It was an open and joyful sound . . . a “joyful noise” as the psalmist writes.  We took five bowls of the F# Major chord into the Dome chapel Sunday morning and played an improvised melody on them during service.  It was just beautiful. The sacred sounds of the bowls filled the dome with awesome resonating frequencies and overtones, echoing the “music of the spheres.”

We filled our container with activities of sacred healing arts technology:  attunement principles and technique; power point presentations bringing in the ancients – such as Apollo, the Greek god of music, harmony, medicine and poetry, and his son the great singer Orpheus, father of truth, wisdom and divination, who gave us stringed instruments, such as the cithara (guitar) and the lyre (harp), and whom the muses taught to play such sweet music as to sway men and gods, enchant plants and even stir inanimate objects. The name Orpheus means “he who heals by the light,” signifying a particular level of healing likely through the application of sacred sound.  The power of his healing voice and music was ascribed to certain magical formula, incantations and charms that are inscribed in the ancient Orphic Tablets.

From the Orphic mystery teachings comes the Platonic Schools of Wisdom which gave us Pythagoras, who gave us our modern musical octave which is based on the Golden Mean (Pi = 1.618), and the musical interval of the “Perfect Fifth.”  We brought in Sufi Master Hazrat Inayat Khan with his mysticism of sacred sound; the “Healing Fifth” harmony of do-sol that brings the endocrine and chakra systems into balance; the phenomena of cymatics with Dr. Peter Guy Manners, of the crickets hymn of praise, both by DVD, and of overtones and harmonic chant with Jonathan Goldman on CD; toning to resolve and reclaim dissonant energy; voice placement and exercises; quartz crystal and Tibetan singing bowls and tuning forks; and just plain fun and laughter.

At the beginning we each and altogether set our intentions for a beautiful new world as seeds into the sacred soil of spirit substance, which we nurtured with our love and friendship throughout the intensive, intoning sessions with a harmonic chant to each of the Seven Spirits of Love.  Toward the end of our time together we shared reading a consideration of the Seven Steps to the “Secret” of Manifestation, a compilation of excerpts from Uranda’s 1933 instruction paper, Instantaneous Manifestation, and Carnelian Sage’s wonderful little book, The Greatest Manifestation Principle in the World.  In closing we created a sacred sound vessica and sent our intentions forth upon the waves of harmonic chant to the Spirit of the New Earth – that’s the grounding root tones of the C Major triad, C E G.  We came, we learned, we shared, we sang, we drummed, we danced, we played, we blessed, we shared attunement, we co-created . . . and it was all very, very good!

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P.S. I invite you to visit me on the web at : .  Other attunement sites worth visiting are:,

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