Creating the New Earth Together

Posts tagged ‘Sound Healing’

“Sacred Sound Field” Experiential

Still Meadow Attunement Workshop – October 28-29, 2016

My Chorale Pic

Portland, OR Attunement workshop

On Saturday evening we created what I have called a “Sacred Sound field” using four true-tone quartz crystal bowls placed outside the circles of some 40 attunement practitioners at the position of the Four Quarters. The bowls were a 14” B bowl, a 10” D# bowl, an 8” F# bowl, and an 8” B bowl. This combination of bowls created a sound field in the musical key of B Major, what I have designated as Crown Chakra and Pineal gland harmonics. This combination of bowls and tones included two B bowls an octave apart and the Major Third and Perfect Fifth notes of the B Major chord.

To move energy, I used two more bowls: a 10” D bowl to create a minor mode to bring energy up for resolution in a major chord, and an 8” E bowl to create an augmented chord for bringing energy down for resolution.

Technique used: silence the D# bowl and play the D bowl. Then silence the D bowl and return to the D# bowl for resolution of the minor mode to the major mode. Follow the same procedure with the E bowl.

While the bowls were being played, those sitting in the two circles explored sharing attunement within the Sacred Sound field. The ladies formed the inner circle and the men sat in the outer circle. Three chairs were placed in the center of the circles, turned to the left to create yet another circle in the core center of the “vesica” portal created by the sounds converging and crossing one another. In these chairs couples from the outer circles took turns sharing attunement for a few minutes, working with the first two endocrine glands.

While the bowls were being played, I had the men in the outer circle tone an OM in tune with the large B bowl while the ladies toned the Perfect Fifth harmonic in tune with the 8” F# bowl. A few of the ladies who were musically trained toned the third harmonic, moving up and down with me as I changed to a minor and augmented mode. At one point I asked the toning to stop while the bowls only were played, which many preferred.

Lloyd Meeker, the originator of the workshop, noted in the comment period that the playing  of the bowls alone had a more potent and clear impact than when accompanied by the toning. Other comments indicated that the experience inside the sacred sound field was delightful and uplifting. Paul Price, a master attunement practitioner and mentor, shared with me later on how he felt the sound field impacted the bio-molecular field as well as the quality of the energetic field.

I personally came away feeling fulfilled and satisfied with the exploration. From the comments, I felt re-affirmed in my intuitive sensing that Sacred Sound fields may facilitate our attunement work by shifting the cells of the physical body to a higher frequency of vibration while providing a harmonious sound wave for spirit and intention to move upon. The ultimate goal in this work is to help us in our transformational process and journey to lift our physical forms to a higher frequency, above the level of disease, so that they may become impervious to the lower frequencies and more available to the process of transmutation and ascension. I was satisfied and happy to hear that at least one person in her response “got me” on this core intent and purpose, which touched me deeply and nurtured my resolve to continue my exploration in the field of Attunement with Sacred Sound. I am equally thankful for the significant support and encouragement I receive from a few close friends and colleagues.

If you are interested in exploring this work with me, or simply learning more about it, you can obtain a copy of my recently released book, Attunement with Sacred Sound, from me personally (autographed in you wish; just send me an email), or from my publisher at HealthLightBooks.com. My book is also available from Amazon.

I am thankful for your presence in my life and especially for your readership. I love comments, so please do share any thoughts you may have.

Wishing you a Happy Thanksgiving,

Anthony Palombo

Email: tpal70@gmail.com

 

Creating Sacred Sound Fields

Creating Unified Sacred Sound Fields (excerpted from my book Attunement With Sacred Sound)

My Chorale PicThis is a powerful healing technique whereby two or three quartz crystal bowls are used to create a unified sound field with the recipient placed in the middle of the setting. This can be done with vocal toning as well where two or three individuals or small groups tone the designated pitches. A Vesica Piscis is created where the sound waves meet and overlap one another. The one sitting or lying down in the Sacred Sound Vesica may experience profound frequency shifts that may open a portal through which something entirely new may be born in consciousness, such as new revelations, new thoughts and creative ideas, even new patterns of healing and transformation in one’s physical and energetic bodies. This is the magician’s realm of expertise. Sound healing in its finest advanced application.

When a single tone is sounded, it sends out a spherical waveform. This waveform creates a “sound field.”

When two harmonious tones are sounded simultaneously, their sound fields overlap creating thereby a “third field.” This opens a vibrational window referred to as a “Vesica Piscis,” a unified sound field. I am calling this a “Sacred Sound Field.”

Vesica_piscis_circles.svg

The Vesica Piscis is a vibrational portal formed by two overlapping fields of energy. It derives its name from its fishlike shape.  It has been called the “Womb of the Great Mother,” as it serves as a vibrational birth canal for a “third” waveform to come forth that may give rise to new thought and inspiration, leading to new and innovative creative expression.  This phenomenon demonstrates George Gurdjieff’s “Law of Three,” which I expand upon in my book Attunement with Sacred Sound.

We can create various unified harmonic sound fields using quartz crystal bowls. (I was not able to reproduce the color images from my book.)
  1. A “Perfect Fifth” sound field for healing can be created using two bowls that are tuned a Perfect Fifth apart in their tone. For example an A and an E bowl, or an F and a C bowl, etc. The colors in these diagrams are not true to the frequencies, but this gives one an idea of how two frequencies overlapping create a unified field with a different tonal quality.
  2. A more complex sound field is created by using three bowls whose pitches form a harmonious triad. For example F, A and C bowls. This combination of harmonic sounds is ideal for balancing the endocrine and chakra energy fields. As laid out in the chart on page 71, each pitch is assigned to a specific aspect of the sacred energy site with which one is working. Again, these colors are not true to the frequencies. One can get a sense, however, of how different tonal qualities are created by the overlapping sound fields.
Endocrine and Chakra Pitches
  1. Crown Chakra and Pineal Gland: B, D#, F  (The pound sign # indicates the note is sharp, half a step up)
  2. Brow and Pituitary Gland: A, C sharp, E
  3. Throat and Thyroid Gland: G, B, D.
  4. Heart and Thymus Gland: F, A, C.
  5. Solar and Pancreas Gland: E, G sharp, B.
  6. Root Chakra and Adrenal Glands: D, F sharp, A.
  7. Sacral Plexus and Gonadal Glands: C, E, G.
Moving energy with sound

We can move energy by changing the pitch of the third harmonic up and down. For example, while working with the thymus and heart centers, using the F, A and C bowls, by changing the middle note A to an A flat or G sharp, we can dip down and connect with stuck dissonant energies at deeper levels in the heart where perhaps troubled feelings are being harbored. Then, by returning to the A bowl, we can resolve the dissonant energy back to a harmonious tone and thereby reclaim the energy being used to maintain troubled feelings, incorporating it back into the whole.

To bring sacred energy down from higher frequency levels, change the A to an A sharp then back down to an A. This technique can introduce fresh energy into the mix to energize the field and may even help shift the frequency of the body itself to a higher level.  These techniques can be used with all combinations of harmonic triads.

In my next post I will talk about the “Law of Three” and the Law of the Octave. So, stay tuned.

Dr. Anthony Palombo, D.C.

Note: one can order my book Attunement With Sacred Sound from Health Light Books or from Amazon.

 

Blessed By Sound . . . . . . . . . A Sound-Healing Retreat

A time for healing and renewal

(This event has been cancelled to be rescheduled on a future date.)

My Chorale PicIf you’ve never experienced an Attunement with Sacred Sound, then you are in for an awesome experience when you join us at our Blessed by Sound Rretreat in August.(See details below.)

Sound? Well, not just any sound — but coherent and pure sounds that have a unique and magical way of opening energy gateways in the body, allowing deep and immediate access to healing currents from within. Sound can serve as a carrier wave for spirit and intention, and “Sacred Sound” serves the sacred purpose of healing and transforming the “body temple”

Two or more sound waves can harmonize to produce a powerful and irresistible force, melting frigid and stuck energy patterns and opening the heart to the sweet healing balm of love. Harmonic sound can carry one to heights of ecstasy and, as easily, to the place of peace and tranquility in one’s “heart of hearts”. Through resonance, it connects us with the order and harmony of the Universe.

Whether produced by the voice or by musical instruments, by toning sacred vowel sounds or group chanting, by quartz crystal and Tibetan singing bowls, or by a Ukrainian a cappella choir singing beautiful uplifting sacred music – all of which you will experience during our retreat – harmonious sounds can enhance and refine one’s connection with Spirit, as it ascends in the transmuting fire of Love.

My New Book

I explore this sacred healing art in depth in my new book, Attunement with Sacred Sound,currently being published and released through Amazon. I would encourage you to obtain a copy and start reading it well ahead of the Blessed by Sound retreat. Also, I will have books on hand for purchase, along with CD’s that I use in my Attunement service. I look forward to our time of renewal together, sharing insights into this important and powerful field of the sacred healing arts. I hope to see you at Oakwood.

Tony Palombo

___________

Blessed by Sound Event Details: We will begin with 6:00 pm dinner on Thursday, August 18 and conclude with lunch on Sunday, August 21.For travel information, see: oakwoodretreatcenter.org

Cost for event, including room and board, is $475 per person ~ $150 with registration, $325 on arrival. Check to Heartland Spirit Network or cash.

To register, please fill out the registration form, to be found when you Click Here

Event Location: Oakwood Retreat Center, 3801 S County Road 575 E, Selma, IN 47383.

For further information. Phone (765) 747-7027 or e-mail oakwoodretreatcenter@gmail.com

Extinguishing Fire With Sound

My Chorale PicI learned something today that turned on a light in my mind. Someone posted a video clip on Facebook demonstrating how fire can be extinguished with sound – a very low frequency bass sound. Here’s the demo:

Can you see how and why this works? Think about it for a moment. Fire results when atoms and molecules vibrate at a super high frequency, so high that they emit, or transmit, light so intense that it sets matter on fire. Now, the fuel in the skillet is already a high-frequency fuel, like gasoline or lighter fluid.  Add a little frequency boost with fire and the fuel immediately ignites, consuming the oxygen around it.

So how does the low frequency bass sound put out the fire? One possibility is by lowering the vibration of the fuel to such a low level that the atoms and molecules don’t burn.  In other words, fire results when molecules vibrate at a super high frequency. It would seem logical that if you lower the frequency at which they vibrate, they would stop burning. Another possibility is that the bass sound pushes the air with such a force that it blows the fire out. I am inclined to go with the first possibility.

I’ve been working with energy in my attunement with sound healthcare service for some forty years, researching the use of sound in healing for a book that is presently being released by Amazon: Attunement with Sacred Sound.  Being an energy and sound healer, I immediately saw how this phenomenon of sound extinguishing fire may work – (the first possibility above). You see, high frequencies increase the vibration of molecules whereas low frequencies decrease their vibration. This is why most of my clients love the lower frequencies of my fourteen and sixteen inch quartz crystal bowls. Their sound waves are calming. They put out the fire of anxiety, fear and worry, all high-frequency emotional and mental states.  They also calm down inflammation in the body that’s causing pain. I also use the high frequency sounds for fine-tuning the endocrine and chakra energy centers. After I’ve finished fine-tuning these energy centers, I finish with my fourteen-inch C quartz crystal bowl, which I use to attune the skeletal system along with the organs of the body. The low sound frequency is very grounding.

This brings up another way of looking at this sound healing technique, which is to see high frequencies as facilitating ascension to higher levels of being and low frequencies as facilitating a descent of spirit into fuller incarnation in the physical body.  In other words, low frequencies encourage and facilitate grounding, an essential aspect of sound healing, as sound has a tendency to lift one out of the physical and into a more spiritual state of being. Sound healing tends to be un-grounding — a word of caution to my fellow sound healers.

I like a comment a friend and colleague made about attunement on my FB post. He writes: “Attunement modulates and influences vibrational patterns , allowing a pattern that is out of control to return to it’s natural rate [of vibration].”  Sound can serve as a carrier wave for the attunement or healing current. This is what my book is all about. The following is the announcement of the imminent release of my book:

ANNOUNCING the RELEASE ofmy NEW BOOK

Attunement with Sacred Sound provides a pivotal revelation about the phenomenal connection you and I have to the powerfully grand energies of all creation. The seeming platitude that states, “We are all one,” or “We are one with everything,” is quite true, in fact! Keep reading and you will discover more about just how profoundly this is the case.                   From the Foreword by PenDell Pittman

Sound is a tool for creation.  Not just any sound, but sound that carries a tone and a wave form that is coherent and pure. We call this “music.”  Then there’s the “Musica Universales, or Music of the Spheres” an ancient concept attributed to Pythagoras who reportedly could hear the musical harmonies of the planets. Are these the sound waves that carry the Word that creates all things sent forth by the Creator into the void of space? Pythagoras based our musical theory on this mathematically precise Musica.

Musical sound is being used extensively and increasingly in the healing arts. It can be used effectively with attunement and all forms of energy work. My use of sound in attunement is not so much to heal our physical ills as it is to facilitate the generation and clarification of pneumaplasm, the rarified spiritual substance that connects spirit with form. It is through this substance that spirit has a means of connecting with and managing the world of physical form. This is the medium for the propagation of the Tone that creates all living things and through which Love comes forth out of heaven to touch the earth of our flesh – or, perhaps more accurately, how flesh rises to touch heaven, spiritualized by the radiant current of Love moving in and through it. When flesh is touched by Love it is uplifted, transformed, made whole and holy. What I am suggesting here is that music, harmonic sound, is a tool that can be used as a carrier wave for spirit in the healing and transformational processes.

I emphasize the word resonance in this work to remind us that we are not manipulating physical substance – or mental and spiritual substance for that matter – with sound. We are simply sounding a tone that may engender and give rise to a resonantresponse from within the person’s heart of hearts. It is the vibration of the resonant response within the individual – self or other – that does the ‘work’ in harmonizing and uplifting the vibrations of life in the tissue cells of the body.

My interest in the art of Sacred Sound relates to how it may enhance our attunement energy work as a tool that is vibrational in nature. Beyond the human voice, there are musical and sound-producing instruments that lend themselves to the art of Sacred Sound – such as singing bowls, chimes, tuning forks, drums, and a few others I explore in the book.

My book will be available at www.Amazon.com. Book Price: $35.99 (includes postage within the USA)

Order my book and explore a whole new dimension of sound healing. Purchase a quartz crystal bowl (an 8″ F or a 14″ C bowl) and play it for a few minutes every day. Better still, invest in two bowls, the 8″ F and the 14″ C bowls: F is for the heart Chakra and C is for the bones and whole body.  Play them together and enjoy the harmony they produce. This is a very smart investment in your whole health.

Until my next post, here’s to your good health.

Anthony Palombo, DC

Check out my HealthLight Newsletter on line at LiftingTones.com for a variety of articles on health and wellness.

 

 

 

 

The Body Electric, part 4: Ascension Harmonics

Healing is not about fixing anything

ARE WE ASCENDING YET?

[I’ve embedded a video clip for you to listen to while reading this blog meditation. Enjoy the harmonic sound track. It’s an F# Major chord, the frequency I feel lifts up substance during meditation and attunement. This is the Solfaggio Harmonic 721 Hz intended for expansion of consciousness.]

(Use earphones for full spectrum sound resonance)

Tony Pics for SA BookAre we ascending yet? I believe we are. At least the planet appears to be shifting to a higher frequency, and our bodies are very much a part of the planet, so they would also be ascending along with it. Is this an automatic process happening to us, or do we have any part to play in facilitating the process? I believe that both things are happening. Our bodies are being uplifted to a higher frequency and we have a part to play in the process—that is if we wish to take our bodies with us, which may well be possible one day, but not yet. Presently, we can only take our spiritual bodies with their subtle substance with us when we make our transition in what is called death.

The question “Are we ascending?” begs some clarification.The answer would depend on who we are—or rather who we think we are. If by “we” we are referring to the incarnate beings we are in the spiritual sense, then I think there is a consensus among the awakened majority of us that the beings we are already live at a  higher level than the physical and, therefore, do not need to ascend. As for our physical bodies and outer being which includes our human consciousness, that all needs to ascend to a higher vibrational frequency in order to continue its existence on a planet whose vibrational frequency is shifting to a higher vibration. And the only way that can happen is by a power emanating from within and permeating every tissue cell of our bodies.

It is the expression of a higher frequency power through body, mind and heart of each individual that will lever the physical body up to a higher frequency. This is also true for the collective Body of Humanity. In this case, a critical mass is needed to provide that vibrational leverage. 

In the Book of Revelation there is mention of a critical mass of a hundred and forty and four thousand standing on Mount Sion with a Lamb. This could be a vibrational value rather than a quantity of warm bodies of “believers.” We know, for instance, that groups of people have meditated together and impacted world events, such as crime and weather patterns. Group chanting and toning has also been used in this way. It’s the quality of love radiation rather than quantity that matters.

LET LOVE DO THE WORK

In Biblical symbolism, the Lamb represents Jesus the Christ, the Redeemer of fallen man. Religious interpretations and creeds aside, what Jesus stood for, his personal mission and purpose for incarnating, was love. His expression through his human form was that of the highest frequency of love. His reference on every turn was to his heavenly Father. “The works that I do, I do not of myself, but the Father within me, he doeth the works.” His message was that of love. “If you love me, do as I command. Love one another as I have love you” and “Love your enemies; do good to those that hate you.” And, of course, there’s the first and second Great Commandments:

“Thou shalt love the LORD thy God with all of thy heart and all of thy soul, and with all thy mind, and with all thy strength.” And the second: “Thou shalt love thy neighbor as thyself.” (Mark 12:30)

The “Father within” is love. Here is what the author of Revelation, John the Beloved, wrote about the vision he was having:

And I looked, and, lo, a Lamb stood on the mount Sion, and with him an hundred and forty and four thousand, having his Father’s name written in their foreheads.” (Rev. 14:1)

We lead forth with the thoughts in our foreheads in everything we undertake to do. They are written as intentions in our fore brains. Our creative energies follow our thoughts to manifest those thought forms at lower frequencies so that we may see and enjoy them at the physical level.

Although we are told by health authors that we are what we eat, that isn’t the whole truth. We are also what we think and express. James Allen writes about this in his little book As A Man Thinketh.

The aphorism, “As a man thinketh in his heart so is he,” not only embraces the whole of a man’s being, but is so comprehensive as to reach out to every condition and circumstance of his life. A man is literally what he thinks, his character being the complete sum of all his thoughts.

Well, that’s not all a Man is, is it? Man is a Human Being, a Being incarnate in human form. This aphorism indicates that a man thinks in his heart, not his mind. This is so, as we now know there are brain cells in the heart which communicate with brain cells in the brain. The Master Jesus apparently knew of this connection between heart and mind when he said “Out of the abundance of the heart the mouth speaks.” 

THE HEART-BRAIN CONNECTION

Here are a few “Heart-Brain Factoids” from the Institute of Heartmath.

Your Heart's Electromagnetic Field

Your Heart’s Electromagnetic Field

Your heart emits an electromagnetic field that changes according to your emotions.Others can pick up the quality of your emotions through the electromagnetic energy radiating from your heart.

The heart has a system of neurons that have both short- and long-term memory, and the signals they send to the brain can affect our emotional experiences.The heart sends more information to the brain than the brain sends to the heart.Coherent heart rhythms help the brain in creativity and innovative problem-solving.

With this knowledge of the heart-brain connection, it is easy to understand how love in our hearts can raise the vibrational frequency of the cells in our bodies. It doesn’t take much change in vibration upward—as little as half a pitch—to make the body impervious to disease. Just a little more and the body will levitate. Just a bit more and the body cells will vibrate at the speed of love, which is light. And just a little more than the speed of light, the body will shift levels, become completely invisible to third-dimensional perception. So, you see, we are not very far from the fourth dimension vibrationally speaking. After we ascend to the fourth dimension, then ascension on upward into the fifth dimension, or density as some would have it, and further would be possible. Man was created on the sixth day in Genesis. Our Home, then, is at the level of the sixth heaven, just a little lower than the angels’ abode in God’s seventh heaven. There’s a Biblical reference to this in the Book of Psalms.

When I consider thy heavens, the work of thy fingers, the moon and stars, which thou hast ordained; What is man, that thou art mindful of him? And the son of man, that thou visitest him? For thou hast made him a little lower than the angel, and hast crowned him with glory and honour. (Psalm 8:3-5)

There have been so many reminders of our place in the Divine Design and Cosmology. These Biblical passages have always intrigued me and drawn me to them in meditation. This one is one of my favorite.

The earth is the LORD’S, and the fullness thereof; the world, and they that dwell therein. For he hath founded it upon the seas, and established it upon the floods.

Who shall ascend into the hill of the LORD? or who shall stand in his holy place? He that hath clean hands and a pure heart; who hath not lifted up his soul unto vanity, nor sworn deceitfully. He shall receive the blessing from the LORD, and righteousness from the God of his salvation.This is the generation of them that seek him, that seek thy face, O Jacob.

Lift up your heads, O ye gates; and be ye lift up, ye everlasting doors; and the King of glory shall come in.  Who is this King of glory? The LORD strong and mighty, the LORD mighty in battle. Lift up your heads, O ye gates; even lift them up, ye everlasting doors; and the King of glory shall come in. Who is this King of glory? The LORD of hosts, he is the King of glory.  Selah.

[The “LORD of host” could be the Lord Budha, or the Lord Krishna, or any one of several deities and ascended masters in the many cultures of the world. Being brought up in Western civilization, I more naturally use Biblical references of the Christian culture. Readers are free to reference their own cultural beliefs and sacred scriptures. Whatever works for you. I respect all religious beliefs and sacred texts and I appreciate that my readers, wherever you are, respect the ones I reference in my blogs. Thank you.] 

(Use earphones for full spectrum sound resonance)

(Start the clip up again and go to Full Screen view for a seven minute sound attunement after you finish reading.)

THE PHYSIOLOGY OF ASCENSION

The body goes in the direction of the heart’s response. When the heart is open upward in utter abandon and perfect love response to the Lord of Love, and the head is lifted up with the mind focused in the highest image one may have of the Lord of Love, “the King of glory,” the body cells begin to vibrate at a higher frequency in resonance with the frequency of Love. Love can then come into the heart. “And the King of glory shall come in.” The heart sends a message to the brain, which sends a message to the hypothalamus, which in turn sends messages via hormone precursors to the seven endocrine glands, which are the “seven seals” of the book of life. According to the author of Revelation, only the Lamb can open the seven seals of the book of life. The Lamb is Love.

The vibration of Love moving in and through the heart opens the vibrational gateways—“ye gates and everlasting doors”—of the seven endocrine glands releasing powerful hormones that go forth into the body and raise the frequency of the cells. In an instant, the body begins to rise up off the ground in ecstatic fusion with the God Being incarnate. The cycle of ascension is thus initiated. The angel takes his or her body-temple up to the next level.

From my own personal experience, this is the way it works. There are no techniques, sound or otherwise, that can initiate this process. Harmonic sound can attune energy and subtle substance and facilitate its movement through the chakra and endocrine centers. As I mentioned at the start, I find that the F# Major chord as played in the clip does move energy upward in an ascending spiral. The Father within, however, “He doeth the works.” Love God with all.

Thank you for following my blogs and for sharing these heartfelt thoughts and meditations.

~Anthony

Read my HealthLight Newsletter online at liftingtones.com for excellent articles on health and wellness. This issue’s feature article is “Chiropractic Rationale: A Turn in the Right Direction.” 

Welcome visitor from the Democratic Republic of the Congo. You are the 115th country to visit my blogs! I send blessings of love your way!

“Sonic Geometry” and the . . . . “Music of the Spheres”

Tony Pics for SA BookThis is a fascinating video, especially for the mathematicians and musicians among us, as well as those of us who know  Sacred Geometry. For the mathematician, the presentation delves into numbers and numerical ratios that form the basis for structure and shaping of life forms in our world and throughout the Universe. For the musician, it presents the geometrical basis for the Pythagorean determination of note frequency values and the musical scale used here in the West. For those knowledgeable of Sacred Geometry, you’ll find nothing new here but you may delight in the clarity and simplicity of the presentation of the profound design behind all of Creation. For the rest of us who are not mathematically, geometrically, or musically inclined, we will find the video full of interesting and thought-provoking historical facts and developments that have led to consciousness evolution and our simple enjoyment of the beauty of form in the Natural world, and of music itself. 

As a musician, I must say that I came away from viewing this video with a deep sense of sadness and disappointment over the changes made to the note frequencies in our modern day musical scale which is based on A 440 rather than on the ancient and more natural A 432, as you will see in the video. I don’t know exactly what to make of it, as all the beautiful music of the Masters we enjoy so much today is written for instruments tuned to an A 440 based scale. So, I don’t know what we’ve been missing out on; perhaps ecstatic sounds and harmonies infinitely more beautiful, uplifting and transforming than even Handel’s Alleluia Chorus. I’ve heard piano music played on a piano that was tuned according to “just tuning,” which is based on natural harmonics as opposed to contrived “even tuning.”  The music seemed to rise to infinite heights and plunge to bottomless depth. What I mostly fear is that the masses are once again being manipulated and kept imprisoned by those who seek to limit the evolution of human consciousness for political power and control purposes. Why did the “powers that be” back then find it so necessary to change these frequency values used to create our music? And why by 8 hertz, the difference between 432 and 440? 

Sacred Sound Tools

Sacred Sound Tools (click on picture to enlarge)

Just for example, take the ancient Solfaggio frequencies of a six-notes scale (ut, re, me, fa, sol, la) used in ancient chants that put people in an ecstatic state of communion with God, rendering the priesthood unnecessary and more of an impediment to the realization of the literal meaning and purpose of religion (which means to bind hack to, in this instance to God) than a facilitation. They were banned by the Catholic Church and forbidden to be used. Fortunately, they have been re-discovered and returned to use in sacred sound healing schools and by alternative healthcare practitioners. I use them in my sound healing work. Their overtones and undertones have no top or bottom. In other words, they are not boxed in as though they existed independent of a larger range of frequencies, like the modern musical scale suggests. There’s no “do” (or in this case “ut”) at the end of the scale to close it off to further expansion into the inaudible range of frequencies, so as to produce a sense that one has arrived at the end of the music. There’s no end to the music of the Salfaggio frequencies. They’re open ended.

Don’t get me wrong or misinterpret my implications here. Classical and even some modern music can warm the heart and bring peace and solitude to one’s soul and inner terrain, even bring one to a state of ecstasy — or perhaps mesmerize and lull one into an oblivious state of utter tranquility and receptivity to subliminal encoded suggestions. Don’t think it isn’t done in elevators and shipping malls and via the music played in the background of TV commercials. But does it facilitate real transformation and ascension of consciousness? Can it lift one’s spirit to ecstatic heights of union with God? Possibly. Handel was said to have exclaimed “I have seen the face of God!” upon completing his Alleluia Chorus. But did it change his life here on earth? To see God is not necessarily to know God. So many of the great classical composers left us heavenly music while their lives were less than heavenly and harmonious. Their music rather seemed to have driven some of them mad, as did art for some artists, like Dutch painter Vincent Van Gogh, whom Kirk Douglas portrayed so dramatically in Lust for Life.    

I had a dream many years ago when I began to explore sacred sound as a healing modality. And in this dream I heard a chord that ascended and descended in ranges of frequency to infinity. It had no beginning and no end but encompassed both earth and heaven as a connecting chord — perhaps the mythical and mystical “Lost Chord.”  I head that sound again many years later during a workshop intensive I was presenting in Attunement with Sacred Sound at a retreat center in Corona, California. We were combining sacred harmonies with sacred energy, using sound as a carrier wave for spirit. Apparently the sacred energy of love took the harmonies we were toning and lifted them up to their natural tones and overtones to carry it upward and outward for world healing. Heaven and earth were definitely connected by the sound wave of harmony we were generating. It was as though we had generated a tangible and malleable substance — what we know of a “pneumaplasm” in the Attunement Field — fine enough for the spirit of Love to move through and flow down out of heaven into the earth . . . and I now begin to see, even as I write these words, that perhaps this is what has been taken away by mind-oriented and manipulative man by changes made to the ancient musical scale based on A 432. Just perhaps. I would love to see the restoration of the original tone frequencies based on Sacred Geometry. It was encouraging to hear that a movement is underway among musicians to tune guitars, flutes and other instruments to A 432.

If you wish to read further on this historical and ongoing pitch battle, you’ll find this rather comprehensive article by Colin Dickey most informative and entertaining: “Pitch Battles — How a paranoid fringe group made musical tuning and international issue.”

Enjoy the video.

You can see it on YouTube here: https://www.youtube.com/watch?v=FY74AFQl2qQ

In my next post we will explore the electromagnetic universe and the Earth-Sun connection. Until then, 

Be love. Be loved. ~Anthony

Read my Health Light Newsletter online at LiftingTones.com for informative and inspiring articles on health and healing.  Current issue features “Food Our Medicine — Medicine Our Food.”  Thank you for following my blogs.

 

“Pyramid Power” Page 3: Acoustic Levitation

AN UNBELIEVABLE BUT TRUE STORY—ALL OF IT!

Click on picture to enlarge

Click on picture to enlarge

David Wilcock relates a true story in his book, The Source Field Investigations, about an incident of stone levitation witnessed and video-taped by a Swedish doctor identified only as Dr. Jarl by the New Zealand researcher, Bruce Cathie, who wrote up the details of the event in David Hatcher Childress’s Anti-Gravity and the World Grid.  The story was first published in a German magazine by a journalist who got it from a Swedish aircraft designer by the name of Henry Kjellson.  Here is the actual accounting of the event.

TIBETAN ACOUSTIC LEVITATION

During a visit to Egypt, Dr. Jarl was invited to visit a lama in Tibet who was anxious to meet him.  His visit in Tibet was extended and he was allowed to take notes and report back on what he had found and witnessed there.  As Wilcock tells the story . . . 

While he was there, Dr. Jarl got to see a variety of things that few Westerners had ever been allowed to witness before. The greatest secret of all, according to Swedish engineer Olaf Alexanderson, was that “a vibrating and condensed sound field can nullify the power of gravitation.” Other experts on Tibet, including Linaver, Spalding and Hue, had heard about Tibetans using sound to levitate gigantic stones, and Dr. Jarl also heart about these legends—but he was the first Westerner to witness it.

Dr. Jarl was led into a sloping meadow that was surrounded by high cliffs to the northwest. One of the cliffs had a ledge that led into a cave, some 250 meters above the ground. The Tibetans were in the process of building a wall out of huge stone blocks up on this ledge, but there was no way to get there, except by climbing straight up on a rope. About 250 meters away from the cliff, there was a polished rock slab that had a bowl-shaped area carved out of the middle of it. The slab was a meter wide and the bowl area was fifteen centimeters deep. Then, a team of yak oxen hauled a giant stone block into the bowl. The stone was incredibly huge—it was a full meter high, and a meter and a half long.

Here’s the weird part. A perfect quarter-circle arc (90 degrees) was set up with thirteen drums and six trumpets all aiming at the stone. All the drums were made of three-millimeter-thick sheet iron, and instead of  any type of animal skin for a head, there was metal on the end that the monks beat with leather clubs. The other end was left open. The six trumpets were all quite long—3.I2 meters to be exact—with 0.3-meter openings. The monks carefully measured the distance from the stone to this quarter-circle of instruments, and it came out to 63 meters. Eight of the thirteen drums were exactly the same size as the stone—a meter wide and a meter and a half long. Four of the drums were smaller in size, but were exactly one third the volume of the larger drum, at 0.7 meters wide and one meter long. One additional drum was the smallest, at 0.2 meters wide and 0.3 meters long—again in perfect harmonic proportion. You could fit 41 of the small drums into the medium drum, in volume, and 125 into the larger drum.

All the instruments were fixed on mounts that allowed you to precisely aim them. And finally, you needed another key ingredient to make it work—a total of nearly two hundred monks who lined up in rows, about eight or ten deep, behind each of the nineteen instruments. Most people wouldn’t think the monks could add any measurable energy to the mix, but with what we now know about the Source Field, all that has changed. It seemed that the instruments were tools that helped focus and concentrate the energy that was being consciously generated by the monks. (This is also why the experiment might not work if the people lining up behind each instrument were not properly trained in generating coherence within themselves, through meditation.)      [Editor’s underscore]

Now, let’s hear directly from Bruce Cathie about what happened next.

 “When the stone was in position, the monk behind the small drum gave a signal to start the concert. The small drum had a very sharp sound, and could be heard even with the other instruments making a terrible din. All the monks were singing and chanting a prayer, slowly increasing the tempo of this unbelievable noise. During the first four minutes nothing happened; then as the speed of the drumming, and the noise, increased, the big stone block started to rock and sway, and suddenly it took off into the air with an increasing speed in the direction of the platform in front of the cave hole 250 meters high. After three minutes of ascent, it landed on the platform.”

Incredible. We’re watching a gigantic stone, as big as some of the ones used to build the Great Pyramid, making a long, slow, lumbering three-minute trip up through the air in a 500-meter arc. Obviously, the power of the drums, trumpets and chanting is nowhere near enough to cause an object to levitate by any conventional means—but if they were creating the right coherence in the block, they could resonate atoms inside the rock over the light-speed boundary. They then enter into time-space, and provide thrust as they get pushed on by the levity force. If you touched the rock during this time, it would have almost certainly become spongy, since as many as half of the molecules are no longer in our reality. This appears to be how the gigantic stone blocks in Peru, at Sacsayhuaman, were able to be fitted together with cracks so tight you can’t even fit a razor blade between them. The rocks become soft and malleable, like clay, as their builders popped more and more of the atoms into time-space. As we already saw in the tornado anomalies, there are many examples of solid materials becoming soft and spongy when they become coherent.

[This phenomenon is cited by Wilcock as a possible explanation for straw, grass, lumber and other objects being driven into trees, telephone poles and even glass windows and steel girders of bridges by tornadoes.]

Some of the stones split from the intensity, and the monks moved them away. Nonetheless, they were able to keep the production line going and transport a total of five or six blocks an hour with this method.  Now here’s the incredible part.  Dr. Jarl thought he was either being hypnotized or going through some sort of mass psychosis, so he actually set up a movie camera and filmed the whole process—two different times. When he played the films back later on, they showed exactly the same thing he had witnessed. Dr. Jarl was astonished, and obviously felt this discovery would shake the very foundations of the world as we know it—maybe even literally. When the scientific society that had been sponsoring Dr. Jarl heard about these films, disaster struck. They swooped in and confiscated the originals, declaring them classified—which Dr. Jarl felt was “hard to explain, or understand.” They tried to appease him by saying the films would be released in the year 1990—but this obviously never happened. 

An incredible story!  But that’s not the all or end of it.  In a more recent book release by Wynn Free with David Wilcock, The Reincarnation of Edgar Cayce? (yes, the question mark is part of the book’s title)we read that the builders of the Great Pyramid of Giza were extraterrestrial beings who brought their advanced technologies to the pre-dynastic Egyptians.  The divine engineer was none other than the mythological Egyptian Sun God, Ra, who reportedly was able to create things simply by thought.  About this legend, Michael C. Carlos of the Museum of Emory University writes:

“All Ra had to do was think of a thing and it existed . . . .  Of course the people needed a leader, so Ra took human form and ruled Egypt under the name of Pharaoh.  His kingship was long and prosperous, and lasted thousands of years.” 

According to the legend, all Ra had to do was say to a stone “I want you there!” and the stone would simply jump into place.  You know what?  As preposterous as this sounds, it’s all quite believable.  What do we really know of ancient history and our origins anyway?  Not much.  The Great Deluge pretty much wiped out all records of what existed before—only these pyramids and other monoliths in sacred sites, such as Stonehenge in England, survived the flood.  There is a passage in Wynn Free’s book where he tells of water marks high up on the pyramids in Egypt left there by the risen waters of Noah’s day. So they had to have been built well before Noah, perhaps as far back as 12,500 to 50,000 years ago . . . by “the gods” from outer space.  Could these same gods be “Elohim” who created our solar home among the stars? Perhaps the Sun God Ra himself was the “LORD God” Genesis says walked with Adam and Even in the Garden of Eden.  It is said that the Master Jesus visited the Great Pyramid of Giza sometime during those “missing years” of his early manhood.  Could it be that he had something to do with building it in an earlier visitation to Earth?  Why not?  I love to think so anyway.

Here’s a link a friend just sent me from Huffington Post on acoustic levitation:

I bring all this forward in order to set the stage for a consideration of ancient technologies that are being resurrected today, especially in foreign countries like Russia.  We’ll look at some of it in my next post.  I hope you enjoyed this post, and if so then write a comment for me to post on my blog. I always enjoy hearing from my readers.  Until my next post, 

Be love. Be loved.

Anthony  

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