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“Pyramid Power” Page 3: Acoustic Levitation

AN UNBELIEVABLE BUT TRUE STORY—ALL OF IT!

David Wilcock relates a true story in his book, The Source Field Investigations, about an incident of stone levitation witnessed and video-taped by a Swedish doctor identified only as Dr. Jarl by the New Zealand researcher, Bruce Cathie, who wrote up the details of the event in David Hatcher Childress’s Anti-Gravity and the World Grid.  The story was first published in a German magazine by a journalist who got it from a Swedish aircraft designer by the name of Henry Kjellson.  Here is the actual accounting of the event.

TIBETAN ACOUSTIC LEVITATION

During a visit to Egypt, Dr. Jarl was invited to visit a lama in Tibet who was anxious to meet him.  His visit in Tibet was extended and he was allowed to take notes and report back on what he had found and witnessed there.  As Wilcock tells the story . . . 

While he was there, Dr. Jarl got to see a variety of things that few Westerners had ever been allowed to witness before. The greatest secret of all, according to Swedish engineer Olaf Alexanderson, was that “a vibrating and condensed sound field can nullify the power of gravitation.” Other experts on Tibet, including Linaver, Spalding and Hue, had heard about Tibetans using sound to levitate gigantic stones, and Dr. Jarl also heart about these legends—but he was the first Westerner to witness it.

Dr. Jarl was led into a sloping meadow that was surrounded by high cliffs to the northwest. One of the cliffs had a ledge that led into a cave, some 250 meters above the ground. The Tibetans were in the process of building a wall out of huge stone blocks up on this ledge, but there was no way to get there, except by climbing straight up on a rope. About 250 meters away from the cliff, there was a polished rock slab that had a bowl-shaped area carved out of the middle of it. The slab was a meter wide and the bowl area was fifteen centimeters deep. Then, a team of yak oxen hauled a giant stone block into the bowl. The stone was incredibly huge—it was a full meter high, and a meter and a half long.

Here’s the weird part. A perfect quarter-circle arc (90 degrees) was set up with thirteen drums and six trumpets all aiming at the stone. All the drums were made of three-millimeter-thick sheet iron, and instead of  any type of animal skin for a head, there was metal on the end that the monks beat with leather clubs. The other end was left open. The six trumpets were all quite long—3.I2 meters to be exact—with 0.3-meter openings. The monks carefully measured the distance from the stone to this quarter-circle of instruments, and it came out to 63 meters. Eight of the thirteen drums were exactly the same size as the stone—a meter wide and a meter and a half long. Four of the drums were smaller in size, but were exactly one third the volume of the larger drum, at 0.7 meters wide and one meter long. One additional drum was the smallest, at 0.2 meters wide and 0.3 meters long—again in perfect harmonic proportion. You could fit 41 of the small drums into the medium drum, in volume, and 125 into the larger drum.

All the instruments were fixed on mounts that allowed you to precisely aim them. And finally, you needed another key ingredient to make it work—a total of nearly two hundred monks who lined up in rows, about eight or ten deep, behind each of the nineteen instruments. Most people wouldn’t think the monks could add any measurable energy to the mix, but with what we now know about the Source Field, all that has changed. It seemed that the instruments were tools that helped focus and concentrate the energy that was being consciously generated by the monks. (This is also why the experiment might not work if the people lining up behind each instrument were not properly trained in generating coherence within themselves, through meditation.)      [Editor’s underscore]

Now, let’s hear directly from Bruce Cathie about what happened next.

 “When the stone was in position, the monk behind the small drum gave a signal to start the concert. The small drum had a very sharp sound, and could be heard even with the other instruments making a terrible din. All the monks were singing and chanting a prayer, slowly increasing the tempo of this unbelievable noise. During the first four minutes nothing happened; then as the speed of the drumming, and the noise, increased, the big stone block started to rock and sway, and suddenly it took off into the air with an increasing speed in the direction of the platform in front of the cave hole 250 meters high. After three minutes of ascent, it landed on the platform.”

Incredible. We’re watching a gigantic stone, as big as some of the ones used to build the Great Pyramid, making a long, slow, lumbering three-minute trip up through the air in a 500-meter arc. Obviously, the power of the drums, trumpets and chanting is nowhere near enough to cause an object to levitate by any conventional means—but if they were creating the right coherence in the block, they could resonate atoms inside the rock over the light-speed boundary. They then enter into time-space, and provide thrust as they get pushed on by the levity force. If you touched the rock during this time, it would have almost certainly become spongy, since as many as half of the molecules are no longer in our reality. This appears to be how the gigantic stone blocks in Peru, at Sacsayhuaman, were able to be fitted together with cracks so tight you can’t even fit a razor blade between them. The rocks become soft and malleable, like clay, as their builders popped more and more of the atoms into time-space. As we already saw in the tornado anomalies, there are many examples of solid materials becoming soft and spongy when they become coherent.

(See video at this Facebook location.

[This phenomenon is cited by Wilcock as a possible explanation for straw, grass, lumber and other objects being driven into trees, telephone poles and even glass windows and steel girders of bridges by tornadoes.]

Some of the stones split from the intensity, and the monks moved them away. Nonetheless, they were able to keep the production line going and transport a total of five or six blocks an hour with this method.  Now here’s the incredible part.  Dr. Jarl thought he was either being hypnotized or going through some sort of mass psychosis, so he actually set up a movie camera and filmed the whole process—two different times. When he played the films back later on, they showed exactly the same thing he had witnessed. Dr. Jarl was astonished, and obviously felt this discovery would shake the very foundations of the world as we know it—maybe even literally. When the scientific society that had been sponsoring Dr. Jarl heard about these films, disaster struck. They swooped in and confiscated the originals, declaring them classified—which Dr. Jarl felt was “hard to explain, or understand.” They tried to appease him by saying the films would be released in the year 1990—but this obviously never happened. 

An incredible story!  But that’s not the all or end of it.  In a more recent book release by Wynn Free with David Wilcock, The Reincarnation of Edgar Cayce? (yes, the question mark is part of the book’s title)we read that the builders of the Great Pyramid of Giza were extraterrestrial beings who brought their advanced technologies to the pre-dynastic Egyptians.  The divine engineer was none other than the mythological Egyptian Sun God, Ra, who reportedly was able to create things simply by thought.  About this legend, Michael C. Carlos of the Museum of Emory University writes:

“All Ra had to do was think of a thing and it existed . . . .  Of course the people needed a leader, so Ra took human form and ruled Egypt under the name of Pharaoh.  His kingship was long and prosperous, and lasted thousands of years.” 

According to the legend, all Ra had to do was say to a stone “I want you there!” and the stone would simply jump into place.  You know what?  As preposterous as this sounds, it’s all quite believable.  What do we really know of ancient history and our origins anyway?  Not much.  The Great Deluge pretty much wiped out all records of what existed before—only these pyramids and other monoliths in sacred sites, such as Stonehenge in England, survived the flood.  There is a passage in Wynn Free’s book where he tells of water marks high up on the pyramids in Egypt left there by the risen waters of Noah’s day. So they had to have been built well before Noah, perhaps as far back as 12,500 to 50,000 years ago . . . by “the gods” from outer space.  Could these same gods be “Elohim” who created our solar home among the stars? Perhaps the Sun God Ra himself was the “LORD God” Genesis says walked with Adam and Even in the Garden of Eden.  It is said that the Master Jesus visited the Great Pyramid of Giza sometime during those “missing years” of his early manhood.  Could it be that he had something to do with building it in an earlier visitation to Earth?  Why not?  I love to think so anyway.

Here’s a link a friend just sent me from Huffington Post on acoustic levitation:

I bring all this forward in order to set the stage for a consideration of ancient technologies that are being resurrected today, especially in foreign countries like Russia.  We’ll look at some of it in my next post.  I hope you enjoyed this post, and if so then write a comment for me to post on my blog. I always enjoy hearing from my readers.  Until my next post, 

Be love. Be loved.

Anthony  

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“Pyramid Power” Page 1:The Great Pyramid of Giza

EgyptThe ancient prophecies do not speak of a worldwide extinction—they foretell a coming Golden Age. (David Wilcock)

THE ARK OF THE COVENANT AND THE GREAT PYRAMID

Not very long ago I saw, on a television program like NOVA or National Geographics,  the most intriguing scenario of Moses’s flight from Egypt and Pharaoh’s hot pursuit of him just after he had left Egypt with the Israelites.  As the scenario went, it seems that Moses, who was well trained in ancient Egyptian technology, made off with the key piece of technology that converted cosmic solar energy into electricity in the King’s Chamber of the Great Pyramid of Giza.  The pyramid itself was an electrical plant that gathered solar energy, and the key mechanism for transforming that energy into electricity and transmitting it was none other than the Biblical “Ark of the Covenant.”   The research shows where there were tunnels underneath the pyramid through which water flowed, possibly as a cooling bath for hot equipment or to generate hydroelectric current as well.  It also showed that the Egyptians used light bulbs of sorts and even powered industrial and commercial engines to drive machinery and ships remotely.  In fact, the entire city depended on this electricity generated by pyramid power and, without the central arc-producing mechanism, Egypt was left in the dark and without power. Thus Pharaoh’s hot pursuit of Moses in the desert to retrieve the Ark of the Covenant.

Now, while I’ll admit this is a preposterous scenario of a well known Biblical event,  it’s not nearly as preposterous and unbelievable as what I’m about to present in the next few blog posts. So, hold onto your hats.

THE GREAT PYRAMID OF GIZA

Considered the largest man-made structure on earth, the Great Pyramid of Giza spreads out over thirteen acres and stands forty stories high.  It weighs 6.3 million tons, constructed as it is out of 2.3 million limestone and granite blocks that weigh in at between 2.5 to 70 tons apiece.  It was originally overlaid with twenty-acres of “gleaming, brightly polished white casing stones—a total of about 115,000 blocks of pure white limestone averaging 100 inches, or 8.3 feet, in thickness,” some weighing as much as sixteen tons. Its blindingly bright reflection of the sun, visible from mountains in Israel hundreds of miles away, earned it the name Ta Khut, or “The Light.” 

The technology used to build this structure far surpasses anything known and used today to build skyscrapers.  Just the laying out and leveling off of its bedrock foundation required architectural skills unmatched by today’s standards.  No corner of the Great Pyramid’s base is more than a half-inch higher or lower than the other.  The limestone casings were carved to fit so tightly together on all six sides that the spaces between them measured one-fiftieth of an inch, narrower than a human fingernail, and were filled with a mortar so strong that the limestone block would itself break before the cement would give if one were to smash the casings with a sledgehammer.  There is no known cement or method in masonry today that could even come close to accomplishing such a feat.  

A series of earthquakes in 1356 that leveled areas of northern Egypt also shook the pyramid so hard that many of the casing stones broke off and slid down into a heap around its base.  These pieces were hauled away and used to rebuild Cairo, and what casings didn’t get shaken off by the earthquakes were broken off and hauled away to  be used in building mosques and palaces in Cairo and the new capital of El Kaherah. 

But that’s just half the story. . . 

Strangely, the pyramid is also located at the exact center of the earth’s landmass—the one true axis mundi.  Its east-west axis sits precisely on the longest land parallel, covering the greatest amount of land and the least amount of water on earth—passing through Africa, Asia, and America along the way.  The longest land meridian, crossing over Asia, Africa, Europe, and Antarctica, also passes right through the pyramid. The likelihood of finding this “perfect location” by accident is 1 in 3 billion. I didn’t know why this location was so important until years later, as we will see—but it has to do with the flow and positioning of natural energy fields from the earth that have remained unknown to mainstream scientists in our own modern times. (Wilcock)

 One final unexplained dimensional fact: the height of the Great Pyramid (5,449 inches), is equal exactly to the average height of land above sea level on earth, with Florida as the lowest level and the Himalayas as the highest.  With all of these features, one is led to believe that the “ancients” who built this phenomenal structure were beings with a highly advanced knowledge of a technology yet unknown to modern scientists, and were likely from outer space to have known some of the data discovered.

The King’s Chamber, for instance, is made of red granite, which is very hard, and the floor is inlaid with twenty different stones of various sizes and arranged in a series of six different rows, each row having a different width.  “In Anatomy of the King’s Chamber, [Bernard] Pietsch presents staggeringly complex and compelling evidence that a variety of measurements from Mercury, Venus, Earth, the Moon, Jupiter and Saturn—including their orbital periods—are encoded in the stones’ dimensions.”

THE “KING’S TOMB” . . . OR WAS IT?

The sarcophagus is also made of the same hard granite, yet it has round holes bored into it by drills that had to have had diamond tips, as soft copper was the only metal available at that time.  It is too large to pass through the portals of the chamber, so it had to have been constructed on site.  It has groves for a lid but there is no lid in sight, suggesting that it was not built to be a tomb for the king.  Perhaps it was used more as a preservative vault to mummify corpses, as experiments with dead animals later proved could be done in pyramids.  We’ll talk about this in the next post.  Then again, in keeping with the scenario of Moses’s alleged theft of the Ark of the Covenant, the sarcophagus may well have been exactly where the ark was positioned in this strategical “King’s Chamber” of the electrical generating pyramid—in which case the ark had to be small enough to take it through the portals of the chamber.

MEASUREMENTS SPEAK VOLUMES

There are a number of measurements in and around the Great Pyramid that point to future celestial events and record certain planetary dimensions. The calculations made by Colonel Vyse and John Perring in 1840 opened a phase of study known as “Pyramidology.”  A skilled mathematician and amateur astronomer in Egypt by the name of John Taylor took Vyse’s data and applied mathematical and geometric formulas he found hidden in the data to planetary and astronomical events.  Here are a few of them.   

  • The perimeter of the base of the pyramid in “pyramid inches” correlate with the diameter of the earth from pole to pole as well as the length of a year on earth around its perimeter, 365 days. One “pyramid inch” equals one five-hundred-millionth of the earth’s diameter at the poles. Taylor concluded that “the builders of the pyramid must have known the true spherical dimensions of the planet, and built their whole measurement system off it.”
  •  The measurement of the diagonals of the pyramid, “the distance from one corner, over the top and down to the other corner, comes out to 25,826.4 pyramid inches—remarkably close to modern calculations of the true length of the precession of the equinoxes in years.”  In other words, the Mayan “Great Year.”  
  • The “invisible capstone” is suggested to be a message to earthlings that the creation of planet Earth is incomplete.  I disagree with this interpretation and will tell why shortly. Here’s Wilcock’s interpretation:

When we remember how well the Great Pyramid preserves the earth’s exact measurements, it is no surprise that Peter Lemesurier, the author of Great Pyramid Decoded, suggested the flattened top meant the earth itself, like the Great Pyramid, is somehow unfinished.  It could be that the folks who built the pyramid intended to return at some point—perhaps the end of the Great Year—to finish the job they started. The return of the capstone also transforms the pyramid from a six-sided object . . . to a five-sided object. According to Lemesurier, in Egyptian numerology, six means “imperfection” and five means “Divine Initiation.”

THE INVISIBLE CAPSTONE AND THE PINEAL GLAND

Wilcock’s investigations into ancient symbolism around the pineal gland leads him to suggest that the invisible capstone also symbolized the pineal gland, which is being awakened as the current Golden Age dawns, a “Divine Initiation.”  He recalls that the “Sibylline prophecies speak of the coming Golden Age in the Zorastrian tradition, and clearly state that this will be a time where ‘the Golden One shall arise again in the whole earth’—meaning everyone who is here.”

This I resonate with and will expand upon.  I would suggest that the Great Pyramid was build complete and that its design purposefully included an invisible capstone to represent Man in his original state of divinity—the Golden One. It may well have represented the LORD of Lords, who incarnated two-thousand years ago in the Master Jesus and whose earth this is, along with “the fullness thereof.”  It is reported by some that Jesus visited the Great Pyramid during his so-called “missing years.”  It may also and more specifically stand for the Priesthood, to use an archaic term, those divine beings—perhaps the Elohim who created this world—who represent the LORD to this universe in which we live and have our being and, in return, this universe to the LORD.  If indeed the six-sided object represented something imperfect to the Egyptians, then perhaps it was only in the sense that without Divine Man’s presence in the Earth, the invisible capstone is absent the Presence of the LORD and therefore the pyramid became imperfect and incomplete with the “Fall,” when human consciousness separated itself from Divine Consciousness and mankind fell from its spiritual identity down into its present state of material identity.  This I believe to be the true significance of the invisible capstone.

A SPIRITUAL INITIATION

There is a spiritual renewal of human consciousness in progress today the likes of which has never occurred before.  It is virtually invisible, especially to mainstream media. Man is rightly the representative of the Creator to Creation and of Creation to the Creator.  Not just material man as we’ve known ourselves to be, but Spiritual Man, male and female, made in the image and likeness of the Creator God.  Human consciousness is supposed to be the invisible capstone of the Great Pyramid atop the Earth in the exact location of the center of the planet’s landmass, administering the technology of love as the governing force in human affairs.  This technology, hidden in the features of the Great Pyramid of Giza—and there is data indicating that this yet undiscovered technology is present and at least partially active—awaits the return of The Golden One, Spiritual Man, to his ordained position as co-creator of this world.  We will explore some of this data in the next post. Until then,

Be love.  Be Loved.

Anthony

Reference: David Wilcock, The Source Field Investigations—The Hidden Science and Lost Civilizations Behind the 2012 Prophecies, 2011. 

Visit my other blog at LiftingTones.com for inspiring meditations on the spiritual essences of your sacred anatomy.  The current Health Light Newsletter theme is “Seven Glands for Seven Spirits.”

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Dawn Of A Golden Age

Eagle Nebula Pillars of Creation

Eagle Nebula Pillars of Creation

The Ancients speak of the return of a “Golden Age” every 22,920 years.  This is the length of the Mayan “Great Year,” measured by the presession of the Earth’s axis (the time it takes for the wobble of the Earth’s axis to make a complete cycle through the Zodiac belt). The end of this cycle as we exit the Piscean Age marks the beginning of a new Mayan Great Year of 22,920 years and the dawning of the Age of Aquarius, which is thought by one source at least to begin sometime around July 26, 2014, one-and-one-half years after December 12, 2012.  That source is Edwin Bernbaum who, in The Way to Shambhala says that. . .

. . . the golden age will come when the Sun, Moon and Jupiter all meet in the same quadrant as the Tishya constellation (which is part of Cancer).  The next time this happens will be on July 26, 2014, according to my astronomical software [Cyber Sky]. . . .  (D. Wilcock)

I am currently engrossed in David Wilcock’s timely release of The Source Field Investigations – The Hidden Science and Lost Civilizations behind the 2012 Prophecies.  It’s been a page-turner for me, because I live in consciousness on the edge of the proverbial envelope, always pushing it to reveal the MORE that life has to offer us as we travel in space among the stars of this awesome Universe.  Isn’t this picture of the Eagle Nebula absolutely stunning?!  And we live here among all this colossal beauty. (Click on the picture twice for a larger image.)

Just as a brief intro, “David Wilcock is a professional lecturer, film-maker, and researcher of ancient civilizations, consciousness science, and new paradigms of matter and energy. His thoughts and expertise on 2012 have reached millions of people through his website, www.DivineCosmos.com.  He lives in California.” His book, the result of thirty years of research, has just come out and can be purchased through Amazon Books. It is a substantial work, as thoroughly researched and well documented books usually are.

AWAKENING OF THE PINEAL GLAND

What piqued my interest in Wilcock’s book — and in the author himself over the years I’ve followed him — are the numerous and enlightening references he makes to the significance of the pineal gland throughout history, particularly ancient history.  We live in a time, Wilcock suggests, when the pineal gland is being “awakened” by the vibrational shift currently underway in our planet and solar system as we traverse our Milky Way Galaxy.  

Ancient prophesies tell of a time when this would occur, bringing on a phoenix-like transformation in human experience.  The Egyptians taught that the cry of the “Bennu” birds (the phoenix), depicted in Egyptian art as perched on either side of the “Benben stone” (the pineal gland), “were responsible for creating great cycles of time that were ordained by Divine intelligence.”  From the teachings in the Egyptian Book of the Dead we learn how

. . . the seeker could achieve his or her own phoenix-like transformation–and when this happened, they could levitate, perform miracles and glow with bright light.  The mystery schools and the major religions all seem to agree on the importance of the pineal gland in this spiritual awakening process.

ANCIENT TECHNOLOGIES EMERGING

What continues to hold my interest in Wilcock’s book are the rare “weird science” experiments and unexplained incidents he cites that have gone unpublished over the duration of a hundred years or more, most of them squashed and disallowed public awareness by those in power with invested interests in maintaining the status quo.  Wilcock brings all this to the fore as evidence that an emergence of ancient technologies in the advent of a returning Golden Age is underway, like that of pyramid power, a fascinating chapter for sure.  As Graham Hancock, author of Fingerprints of the Gods,  states in his introduction to Wilcock’s book, “David Wilcock . . . makes a magnificent case in the pages that follow that a Golden Age is indeed within our grasp and can be brought into manifestation if only we choose to make it so.”

I will spend a few weeks sharing some of the insight in this book through the next few blog posts.  The one that I would like to share today relates to the larger unseen context in which we are afloat that governs our very existence and function at the third dimension of life expression.  We live in a multidimensional universe at the most exciting level of creativity, where form emerges out of the formless divine matrix – between heaven and earth.  As my friend David Thatcher portrays  it in his writings at thecosmicalarmclock.com, we are present at higher levels of frequency, invisible but nonetheless very present, and at one or more of these levels we are about the business for which we were created. In his words . . . 

We are incarnate to pour the living matrix of Love into this 3D world from other dimensions where we already reside as radiant facets of the One I Am.

It would be much easier for us, and for the planet, were we to be fully conscious at the 3D level of form of our spiritual activities in the other levels, especially our life purpose for the current incarnation. 

THE SOURCE FIELD

The focus of David Wilcock’s investigations throughout his book is what he has called “The Source Field.”  From what I have gleaned from my reading thus far, he seems to be describing what Rupert Sheldrake called the “morphogenetic field” and what Gregg Braden calls “The Divine Matrix” in his book by the same title.  Uranda coined the word “pneumaplasm” to represent the same invisible substance that bears the imprint of divine design and instruction for the creation and operation of the material world.  

PHANTOM DNA

As I indicated, some very “weird science” has been mostly stumbled into by various explorers of the realm of quantum physics.  One such weird phenomenon is what Wilcock describes as “phantom DNA,”  which proved that our DNA is interfacing with a field of intelligence (the Source Field) from which it is absorbing and storing light.  

Dr. Peter Gariaev’s DNA Phantom Effect proved that the DNA molecule captures and stores light.  A mysterious force holds the light in the same place for up to 30 days after the DNA molecule itself has been removed from the area.

This discovery has many implications, as you can imagine, some of which I will share with you in my next post.  Until then,

Be love ~ be loved.

Anthony Palombo

P.S. Visit my Health Light Newsletter blog for an important message about drugs. 

“Blue Shaman”

Osiris and Isis live on in the “Place of the Shapers”!    Or is their legend only that and nothing more?    You’ll be convinced there’s more to it than story-book legend after finishing Book II of Blue Shaman.  It brought me to tears of joy and utter ecstatic fulfilment of personal destiny toward the end.  “Yes! this is what the Journey called ‘life’ is all about!” was my first flush of feeling.

Characters the likes of Troth, Ra, Lord Osiris and the fabled goddess Isis, even Prince Setana, come alive in Hugh Malafry’s trilogy.  I’ve read the first two books, “Stone of Sovereignty” and “Caverns of Ornolac,” and patiently, but with bated breath and curious anticipation, await the third, “Master of Hallows,” to see just how far the author dares take his readers in the ultimate “quest for the Holy Grail,” or “Sang Real (Royal Blood),” as Dan Brown brought to light in Angels and Demons.   Unlike Dan Brown’s story, Hugh Malafry’s rendition of the fabled grail quest story makes attainment on a very intimate and personal level appear highly plausible, if tangibly possible in one’s lifetime.   Is not the experience of the “oneness of the Worlds” of heaven and earth, in and through the realization of divine identity, the ultimate quest of all seekers on spiritual paths Home?  Is not co-creation with “The Makers” in our history as well as in our intuited destiny?  

Each of us is given a remembrance of the truth of love in the “white stone of sovereignty” embodied by the pineal gland in the center of the cranium (alluded to only in the story),  not only of the human species but of all living beings and entities of Gaia, so that we carry within us the memory of “The First Time.” There is a powerful lesson in the story relating to how we each enter in the holy place of our temples of light within, the key to restoring heaven on earth . . . but I’ll let you discover it for yourself.

Heads up movie makers!

Blue Shaman is a must read for all wayfarers on the road to spiritual enlightenment and full Self-realization!   More yet, it has the makings of possibly the greatest movie of the 21st Century.   Heads up movie producers!   Malafry’s novel is staged upon a most unusual, if unlikely, terrain that bridges this world with the “Otherworld.”  The reader finds him/or herself  “crossing over” the thresholds from one world to the next, in the “Inn of the Parting of the Ways” and beyond,  and back again throughout the story; the main characters transitioning through what is called “death” and the regeneration of their flesh bodies, some even having access to wisdom and knowledge gained in prior incarnations.   “This is how it should be” was a recurring flush of feeling for me throughout the story, a deja vu of profound depth.   It was a revelation to me for sure of my own level of spiritual awakening, growth and maturity.  With what character(s) I most personally identified at various stages as the story unraveled told me something about my own “progress” along the Way:  where I’ve been, where I am now, and, most importantly, where I must continue to go forward toward in my own spiritual journey to full Self-realization and, more relevant, to the timely revelation (apocalypse) of the light that I am for my world, that we each are individually and collectively for our potentially magnificent world.   

Probably the greatest gift of Malafry’s trilogy is that of remembrance —  remembrance of our past, the only “cure” for our collective amnesia that has occasioned the potential reenactment of our tragic history and the continuance of our scientific arrogance that has brought our mind-made worlds of the past down upon our heads and the heads of our women and children, wiping out entire civilizations and sinking vast continents into the waters of the oceans, risking the unthinkable just because we can.  Remembrance, as well, of the “First Time” and how it will be again on planet Earth, our Home among the stars, as the Makers incarnate among us restore to our remembrance the truth of life, which is love and sacred community.  Love is the Way, and this trilogy lends access to a deep longing and profound feeling of the realization of Love in the daily living of life.  It is a most beautiful story magically, if with uncanny authority, told and written by one who appears to know of what he writes.  I know the author personally, and his writings impress upon me what I know of his authenticity and very practical spirituality.    

I highly recommend Blue Shaman to my blog readers . . . and to movie makers in Hollywood.   The trilogy is published by AuthorHouse, 1663 Liberty Dr.,Bloomington, Indiana, 47403, phone 800-839-8640, available online at www.authorhouse.com, as well as, and primarily, on any Amazon wedsite throughout the world.  

Light upon your path,

Anthony Palombo

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