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The Gospel of the Beloved Companion

I interrupt this series to bring forward into the light of day something new and enlightening, something I have never seen in the Canonical Gospels of the New Testament Bible. It’s found in the Gospel of Mary Magdalene, which reveals a different view of the life and public ministry of Jesus — whose historic name, by the way, was “Yeshua.” I found this while reading THE GOSPEL OF THE BELOVED COMPANION  by Jehanne De Quillan, who translated her gospel directly from the original Greek.

The setting for these words spoken by Mary Magdalene is a room in the “House of Bethany” where the disciples of Jesus had gathered just after the crucifixion and resurrection of their Master. As the Canonical Gospels relate the story, Mary of Bethany – whom Jesus had called “the Migdalah” (which means tower of strength and courage) – went to the tomb where Jesus’s body had been placed and found the stone rolled back and the tomb empty. Mistaking a presence in the garden as the gardener, she asked where he had taken the body, at which point Jesus called her by her name, “Miryam,” to which she answered “Rabbouni.” Being moved to embrace her Beloved, Jesus said to her “‘Miryam, do not hold to me, for I am not of the flesh, neither am I one with the spirit….'” He then asked her to go to his disciples and tell them the good news of his resurrection so that, as he put it, “‘all would know that my words are true and that any who should choose to believe them and keep to my commandments will follow me on their last day.'” [These words are packed with historical significance – which I may unpack in a future post.]

So Mary went to the disciples and told them how she had seen and spoken with Jesus. They apparently were a bit disbelieving and even jealous of her intimate rapport with their Master, especially Peter, who said “‘Sister, we know that he loved you more than any other among women. Tell us the words of the Rabbi, which you remember, which you know and understand, but we do not, nor have we heard them.'” 

And here is what she reportedly answered them:

What is hidden from you, I will proclaim to you. 

My Master spoke thus to me. He said, “Miryam, blessed are you who came into being before coming into being, and whose eyes are set upon the Kingdom, who from the beginning has understood and followed my teachings. Only from the truth I tell you there is a great tree within you that does not change,summer or winter, and its leaves do not fall. Whosoever listens to my words and ascends to its crown will not taste death, but will know the truth of eternal life.” 

Then he showed me a vision in which I saw a great tree that seemed to reach unto the heavens; and as I saw these things, he said “The roots of this tree are in the earth, which is your body. The trunk extends upward through the five regions of Humanity to the Crown, which is the Kingdom of the Spirit.

There are eight great boughs upon this tree and each bough bears its own fruit, which you must eat in all its fullness. As the fruit of the tree of the Garden [referring to the “fruit of the tree of the knowledge of good and evil”] caused Adam and Chav’vah [Eve?] to fall into darkness, so this fruit will grant to you the Light of the Spirit that is Eternal Life. Between each bough is a gate and a guardian who challenges the unworthy who try to pass.

“The leaves at the bottom of the tree are thick and plentiful, so no light penetrates to illuminate the way. But fear not, for I am the Way and the Light, and I tell you that as one ascends the tree, the leaves that block one from the Light are fewer, so it is possible to see all more clearly. Those who seek to ascend must free themselves of the world. If you do not free yourself from the world, you will die in the darkness that is the root of the tree. But if you free yourself, you will rise and reach the Light that is the Eternal Life of the Spirit.”

She continues to relate how she ascended the tree, bough by bough, entering gate by gate, until she reached the top crown of the tree. Each bough had its own unique requirement and its own unique gifts.

On the first level, she had to release all judgement and wrath in order to receive the nourishment of the gifts of love and compassion.

On the second bough, she had to release ignorance and intolerance to receive the gifts of wisdom and understanding.

To enter the third gate on the level of the third great bough, she had to release duplicity and arrogance in order to receive the gifts of honor and humility.

At the  level of the fourth great bough, she had to confront and free herself of the weakness of the flesh and the illusion of her fears. Here she received the gifts of strength and courage.

Then she says this about her remaining ascent upward:

Only then, my Master told me, when you have rejected the deceiver, can you pass through the hardest gate of all, to attain the fifth bough and the fruit of clarity and truth. Only then will you know the clarity and truth of your soul and, knowing your Self for the first time, understand that you are a child of the Living Spirit. And as my soul moved upward, I realized that I could no longer hear the voice of the world, as all had become as silence.

Then in the Light above, I saw the sixth bough, the one that bore the fruit of power and healing. My Master told me that when you truly have eaten of the fruit of the clarity and truth of your Self, then could you partake of the fruit of power and healing. The power to heal your own soul and thereby make it ready to ascend to the seventh bough, where it will be filled by the fruit of Light and Goodness.

And I saw my soul, now free of all darkness, ascend again to be filled with the Light and Goodness that is the Spirit. And I was filled with a fierce Joy as my soul turned to fire and flew upwards in the flames from whence my Master showed me the eighth and final bough, upon which burned the fruit of the grace and beauty of the Spirit.

And I felt my soul and all that I could see dissolve and vanish in a brilliant Light, in a likeness unto the sun. And in the Light, I beheld a woman of extraordinary beauty, clothed in garments of brilliant white. The figure extended its arms and I felt my soul drawn into its embrace and in that moment I was freed from the world and realized that the fetter of forgetfulness was temporary. From now on, I shall rest through the course of the time of the age in silence. And then, as if from a great distance, I heard the voice of my Master tell me, “Miryam, whom I have called the Migdalah, now you have seen the all, and have known the truth of your Self; the truth that I Am. Now you have become the completion of completions.” And thus the vision ended.

“This is what my Master has told and shown me, and only from the truth I tell you, that all that I have revealed to you is true.”

When the Migdalah had told of all the Yeshua and said and done, she fell silent, since it was in that silence that Yeshua had spoken with her and revealed these truths.

And she has remained silent ever since. The Catholic Church and all of Christianity has kept Jesus’s Beloved Companion, along with the feminine in general, suppressed and silenced. But she is silent no longer. It’s no coincidence, I feel, that this Gospel of Mary Magdalene, The Beloved Companion has surfaced in this day and at this specific time of the rise of the feminine movement. It may even be vibrationally causal relative to that movement. 

This passage bears much fruit for meditation. Just the revelation that the Spirit is feminine, “a woman of extraordinary beauty, clothed in garments of brilliant white,” is thought provoking in the context of a male-dominating world and religion.  Here is the Divine Feminine revealed to the world through Mary Magdalene, Jesus’s beloved companion.  Earlier in the text of this Gospel, Jesus refers to the Spirit as “she.” I felt a refreshing breeze blow through my soul as I read his reference to the Spirit as feminine — my own feminine energies, no doubt, stirring with recognition and acknowledgment.

In rejecting the Divine Feminine, the Church rejected the Spirit, leaving it spiritless and dead – my own personal impression of the Catholic Church and its priesthood, to which I once aspired as a young man. There is more spirit expressed in the Pentecostal religion, and in the worship service of the Black churches I’ve visited, than in all of Catholicism – in my humble opinion anyway.  

I will leave you to your own thoughts and realizations and return to share some of my own in another post.  Until then,

Be love. Be loved.

Anthony

Read my HealthLight newsletter online at LiftingTones.com.  

 

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Creating a Unified Sacred Sound Field

Creating A Unified Sacred Sound Field

(Excerpted from my book Attunement with Sacred Sound)

This is a powerful healing technique whereby two or three harmonically tuned quartz crystal bowls are used to create  a unified sacred sound field with the recipient placed in the middle of the setting. This can be done with vocal toning as well where two or three individuals or small groups tone the designated pitches. A Vesica Pisces is created where the sound waves meet and overlap one another. The one sitting or lying down in the sacred sound vesica may experience profound frequency shifts that may open a portal through which something entirely new may be born in consciousness, such as new revelations, new thoughts and creative ideas, even new patterns of healing and transformation in one’s physical and energetic bodies. This is the magician’s realm of expertise. Sound healing in its finest application.

                                        (Click on picture to enlarge it)

When a single tone is sounded, it sends out a spherical waveform, as the picture above demonstrates. This waveform creates a “sound field.” When two harmonious tones are sounded simultaneously, their sound fields overlap creating thereby a “third unified field.” This opens a vibrational window referred to as a “Vesica Pisces,” a unified sound field. I am calling this a “Unified Sacred Sound Field.”

Unified Sacred Sound      Field & Vesica Pisces 

The Vesica Pisces is a vibrational portal formed by two overlapping fields of energy.  It has been called the “Womb of the Great Mother,” as it serves as a vibrational birth canal for a “third” waveform to come forth that may give rise to new thought and inspiration, leading to new and innovative creative expression.

We can create various unified harmonic sound fields using quartz crystal bowls.

  1. A “Perfect Fifth” sound field for healing can be created using two bowls that are a fifth apart in their tone. For example an A and E bowl, or an F and C bowl, etc. The colors in these diagrams are not true to the frequencies, but this gives one an idea of how two frequencies overlapping create a unified field with a different tonal quality.
  1. A more complex sound field is created by using three bowls whose pitches form a harmonious triad. This combination of harmonic sounds is ideal for balancing the endocrine and chakra energy fields. As explained in the chart on page 58, each pitch is assigned to a specific aspect of the sacred energy site with which one is working. Again, these colors are not true to the frequencies. One can get a sense, however, of how different tonal qualities are created by the overlapping sound fields.

The “Law of Three” and the Law of the Octave

Let’s expand a bit on this theme of creating Sacred Sound Fields and explore the creation of a vibrational tetrahedron (pyramid) and the technology at work in the creation of a MerKaBa, all based upon George Gurdjieff’s “Law of Three” and the Enneagram.

American-born spiritual teacher George Gurdjieff (1866 – 1949) first articulated the “Law of Three” in the early twentieth century as the forward driving principle of creation and in what later became known as the “Gurdjieff Work.”

In her scholarly book The Holy Trinity and the LAW OF THREE, Episcopal prelate and author Cynthia Bourgeault explores this principle to profound depth. In reading her book, I realized that this principle is at work in the creation of a vesica pisces and of a Sacred Sound Field. So I felt it important, without getting too technical, to include a consideration of this principle as an appendix to the book. Basically, the principle states that when three creative forces come together a fourth force arises that initiates an ongoing and altogether new creative cycle.

Cynthia writes: “The Law of Three, according to Gurdjieff, together with its companion piece, the Law of Seven, comprises what Gurdjieff calls the foundational “Laws of World Creation and World Maintenance.” The interweaving of these two cosmic laws is depicted in the symbol of the enneagram, whose nine points reveal (to those properly initiated) the direction and energetic dynamism through which the world maintains its forward motion. . . .                                                                         The Enneagram Symbol

Gurdjieff called the Law of Three “The Law of World Creation,” and its real purpose is to show how new arisings – that is, new phenomena, new worlds, new outcomes, new possibilities, new “octaves” (to introduce a particularly important piece of Work terminology) – come into being. The law is all about creating new playing fields in an ongoing dynamism of manifestation. It is, according to Gurdjieff, “a law whose consequences always become the cause of other consequences.”

When we focus on the new “something” that has come into being through the interaction of the three forces, we can see that it is not merely a continuation of a sequence; it is a whole different level.

A perfect example of this law at work is demonstrated in the creation of a song. As we saw earlier on in our consideration of the principles of Sacred Sound, we have the three aspects of harmony, melody and rhythm, which may be seen as forces that move the creative process along, that come together to create the “threefold song” or the “Song of the Absolute,” or any song for that matter. Once the song is born through the vesica provided by the three forces of harmony, melody and rhythm, it takes on a life of its own, perhaps to inspire the creation of other songs, or simply to stir something in the heart of the singer or the listener that moves them perhaps toward a romantic interlude with another person that may lead even further to a marriage and a family. An entirely new state arises which is not a continuation of the previous generative state, but rather one of many possible “new playing fields in an ongoing dynamism of manifestation,” as Gurdjieff describes the outcome.

I will continue sharing this excerpt from my book in my next post, expanding the consideration to include Gurdjieff’s “Law of Seven.” Thank you for listening to my blogging as I explore the vast field of subtle energy healing. As always, I welcome your comments. Until my next post,

Be love. Be loved

Anthony

Picture credits: CymaScope.com

I invite you to read my HealthLight Newsletter online at LiftingTones.com .

Blessed By Sound Workshop Intensive

Blessed By Sound – our workshop hosted by Ted and Donna Blodgett at Oakwood Retreat Center July 20-22 – was a nourishing and fulfilling experience – the workshop completed a cycle of exploration for me – sacred sound and attunement go hand in hand as viable healing and transformational arts.

Unified Sacred Sound          Field Vesica

“Nothing is the same” was a comment one participant made who felt a shift in her life experience after our Saturday evening Unified Sacred Sound Field intensive which we created using quartz crystal bowls and vocal toning. It was as magical as I imagined it would be. Thank you one and all for your participation either by attending or by surrounding us in your thoughts and love. We’ve only just begun. This divine technology has a pivotal destiny in the transformation of human beings and in the creation of the New Earth.

I welcome and invite financial support for this work. I will need to procure more bowls to replace the ones a few participants took with them and the ones I left with Oakwood for their ongoing exploration of attunement with sacred sound.

My book Attunement With Sacred Sound – Third and Revised Edition is now in print and available for $35 plus postage. Send your request for a copy to me by email. I will bill you via PayPal. Thanks.
Tony Palombo at tpal70@gmail.com.

 

 

Blessed By Sound

Four weeks from today we will be concluding a two day workshop and retreat at Oakwood Retreat Center in Selma, Indiana. This event will also bring me to a milestone marker after thirty years of research and exploration into the field of what I have called “Attunement With Sacred Sound.” The theme of the retreat is “Blessed By Sound.”

There is a place in the circle for you if you feel drawn to participate and enjoy this time away from your daily activities to reboot and fine tune your body, mind and heart with your own rejuvinated spirit. Here is my personal invitation to you and to all of my blog followers:

You are invited to . . . A workshop in Attunement with Sacred Sound

Sound healing has come of age as it has made its way into mainstream medicine at the start of the millennium and has always been considered a direct link between humankind and the divine. Plato and Pythagoras taught that the nature of the Soul is music.

The ancient mystery schools all taught their students the use of sound as a creative and healing force. It is considered the oldest form of healing, and it was a predominant part of the early teachings of the Greeks, Chinese, East Indians, Tibetans, Egyptians, American Indians, Mayas, and the Aztecs. There was a time when healing, song and storytelling went hand in hand.

On a physical level, what has been called “music therapy” has been applied to alleviate aches and pains, lower blood pressure, and balance hyperactivity in children, among many of its uses. On a metaphysical level, sound in the form of mantras and chants has been used to induce altered states of consciousness, open new levels of awareness, stimulate intuition, and increase creativity. The field of music therapy itself has been developed extensively and offers a vast reservoir of knowledge for further exploration. We will tap into some of that reservoir—and take sound healing to another level.

What is being done currently with what is called “sound healing” is not what I intend on replicating in this workshops. While this kind of manipulation of the physical and energetic bodies by means of sound has certainly proven to be beneficial at the physical, mental and emotional levels of healing—and no doubt has helped occasion spiritual transformation as well—I would like to take it to another perhaps more transcendent level, so that we come to this sacred sound work not so much as “sound healers” and therapists but rather as angels of sound, if you will, fully conscious of who we are and what we are about. What we will share in this workshop is an exploration in the use of sound and music as a carrier wave for the Spirit at work in and through the Attunement Process, as we take our sacred sound tools in hand to facilitate healing and transformation in human beings.

If this sounds like something that you would love spending a weekend exploring and learning, then you certainly qualify as a potentially delighted participant. I personally invite you to come and be blessed by sound.

This will also be a sound-themed retreat during which participants will have opportunity to just lay back on floor pillows and bask in the deeply relaxing and harmonious healing tones of quartz crystal bowls and excerpts of uplifting music . . . and participate in group toning and changing. 

Here is the invitation my friends at Oakwood Center are extending to one and all: 

Blessed by Sound — The Magical Use of Sound in Energy Work and Healing – July 20 – 22, 2018 

As someone who provides energy-based aid and assistance to your world you are warmly invited to participate in this weekend gathering. Sound-based therapeutic techniques are increasingly recognized as having a powerful role to play in energetic care-giving. This weekend will assist you to learn more about and to experience for yourself the magic of how sound, in its many wondrous ways, can play a role in your service to others.

Anthony Palombo, DC, author of Attunement with Sacred Sound and Sacred Anatomywill guide us through an exploration of :

Attunement with Sacred Sound – Opening a Window in Heaven – Listening to the Silence – Providing a Spiritual Control Pattern – Creative Dynamics of Light and Sound – The Healing Elements of Music – The Healer Behind the Sound Tools – The Power of Voice and Breath – Toning to Clarify Energy Fields – Tuning the Chakra and Endocrine Systems – Creating and Coding a Sacred Sound Field – Cell Replication in a Musical Matrix of Light – Transforming our DNA – Accessing the Original Pattern – The High Art of Toning Creation

About half of our time will be in presentation mode and the other half will be experiential. Following the Attunement with Sacred Sound workshop, there will be a week for personal mentoring with Paul Price, who is revered by many as an attunement master and teacher.

Personal Mentoring – Impromptu Exploration and Discovery – July 23 – 28

Join Tony Palombo and others in an adventure into the world of sound. We will have a very laid-back schedule, giving opportunity for inquiry, collaboration, experimentation, improvisation and enjoying one another’s company on the beautiful campus of Oakwood Center. Each day will be unique unto itself.

You are welcome to attend any or all days. For registration go to Oakwood Retreat Center’s website:

Oakwood Retreat Center 3801 S County Road 575E Selma, IN 47383
765-747-7027
Email: oakwoodretreatcenter@gmail.com — Website: www.discoveroakwood.org

 

The Prayer of Jesus – Abwoon

My Chorale PicI have always had a peculiar feeling of resistance when I hear the words “In Jesus’ name we pray,” with which preachers end their prayers – mostly Protestant and Baptist preachers, as rarely if ever have I heard Catholic priests utter these words. It just doesn’t ring true to me as something required of us in order to connect with God the Father in prayer. Jesus himself instructed that when we pray we should enter into our closet and pray directly to the Father in secret.

Now, I think I know the source of this tradition. Somewhere in the Biblical account of Jesus’ public ministry, he is recorded by the Evangelists as having indicated that “No one comes to the Father except through me.” He is also recorded as saying “Whatever you ask of the Father in my name, he will give it to you.” Later on the Catholic Church made it a dogma that states unequivocally that no one comes to the Father except through the Son.

Now, in the Aramaic tongue, which Jesus spoke, the word for name is shem, which means shimmer or vibration.  When someone is said to “come in the name of the Lord,” in Aramaic it means one who comes in the tone or vibration of love, love being the shem of Jesus, the Lord of Love. So, to ask the Father “in my name” is to ask in love, not to get something from God but to give something to God, namely glory, as well as to give something to one’s world, namely creative action.

When Jesus was teaching his disciples how to pray, he gave them what has come to be known the world around as “The Lord’s Prayer.” Interestingly, this prayer does not end with the words “In Jesus’ name we pray.” Nor does it begin with words invoking the Father through Jesus’ name.  According to the record, Jesus instructed “When you pray, pray thus: “Our Father, which art in heaven, hallowed be thy name…etc.”  Then it ends with these words – which, for some peculiar reason, the Catholic version of this prayer omits: “For thine is the kingdom, and the power, and the glory forever. Amen.” (Matt. 6:9-13)

Jesus instructed his disciples to address the Father directly, and not as his Father but as “Our Father.” This leaves me with the impression that someone put a spin on this Gospel text. It seems they put words into Jesus’ mouth when they wrote the Gospels that have been handed down to us by Catholic theologians at the Council of Nicea. As we saw in previous posts, the Council of Nicea was convened by the pagan Emperor Constantine in the fourth century after Jesus (325 AD).  This was when the Catholic Church was created along with the dogmas that were to be taught and upheld by all Christians.

This was also likely when the phrase “In Jesus’ name” was owned and capitalized on by the Church, which in essence decreed that the only way to God was through the Church and its priesthood. This really does reveal the Judaic roots of Christianity. Judaism had its High Priest who alone was permitted to enter the Holy of Hollies in the Jewish temple. No one came to the God of Abraham except through the High Priest of the Temple. Direct communication with God by the layman was taught and believed to simply not be available. Yet, we have Jesus’ words instructing us to address the Father directly when we pray. I find this most interesting.

Where was Mother God?

What also strikes me as peculiar is the absence of the Divine Feminine, Mother God, in this prayer as it was translated from the original Aramaic text into the English language — and I may step on some patriarchal toes here. From my studies of the original Aramaic prayer of Jesus, I learned that the first word of this prayer, Abwoon, invokes both Father and Mother God, and the word for kingdom, malkuthakh, is a feminine word which means queendom and not kingdom. So, let’s have a closer look into the nature and purpose of this prayer of Jesus, which actually has ancient roots. It was a prayer that was used to initiate a new cycle of creative venture.

The Aramaic language is a sound-based language as distinguished from the meaning-based English language, so that in simply voicing this prayer out loud, one sends forth in his or her creative field energetic frequencies that begin to establish a new vibrational terrain – which we can call a “new heaven” – for the creation of something entirely new – which we can call a “new earth.” So, let’s have a look at each line of this Aramaic Prayer of Jesus.

The Aramaic Prayer of Jesus

As I said, Aramaic is a sound-based, rather than meaning-based, language. So, it really can’t be translated literally word for word. When spoken or chanted, however, it carries our spirit forth to accomplish absolutely that which we intend.  Above all, it sends our Word before us to clear the path upon which we are about to embark of all the clutter of yesterday’s successes and failures. It literally renews the path of our life’s journey so that something new may unfold that’s not a repetition of the past.

The invocation itself creates sacred space for the Great Spirit of Father/Mother God to enter and be with us as we initiate a new cycle. Praying this particular Prayer of Jesus helps us to enter his shem, or vibration, which, as I’ve said, is the vibration of love itself.  Love is, after all, the true path upon which we are to embark in co-creating and re-creating our worlds. We hereby set our direction and our intention and open our hearts to receive the sacred energy from Father God and the substantive provision from Mother God’s Queendom we will need to create and re-create our worlds. We do this in the name — the vibration, the shem — of the Creator,  as in the phrase “Hallowed be thy name.” Holy – and wholly encompassing of the All – is the vibration of the Creator of all things in the Universe.

Now, although the Aramaic words cannot really be translated literally, the vibration of the words of this prayer have a certain and specific quality that stirs a corresponding resonance in the “void” of the undifferentiated strata of creative dust out of which all forms are made. The following is one possible “translation” of this Aramaic prayer of Jesus offered by Sufi murshid  (senior scholar) Neil Douglas-Klotzl, from which I personally leaned to articulate the Aramaic words of this prayer.  I will give the Aramaic words followed by his translation. For a vocal rendition of this prayer, see the video on my December 26th , 2016 post.

Abwoon d’bwashmaya – O Breathing Life (or Father-Mother God)

Nethqadash shmakh – your Name (vibration) shines everywhere!

Teytey malkuthakh – Release a space to plant your Presence here. (Or: Let thy Queendom come now! is another possible translation).

Nehwey sebyanach aykanna – Envision your “I Can” now.

d’bwashmaya aph b’arah – Embody your desire in every light and form.

Hawvlan lachma d’sunqanan yaomana. – Grow through me this moment’s bread and wisdom.

Washboqlan khaubayn (wakhtahayn) aykana daph khnan shbwoqan I’khayyabayn.

Untie the knots of failure binding me, as I release the strands I hold of others’ faults.

Wela tahlan l’ nesyuna Ela patzan min bisha. – Help me to not forget my Source, yet free me from not being in the Present.

Metol dilakhie malkutha, wahayla, wateshbukhta l’ ahlam almin. – From you arises every vision, power, and song, from gathering to gathering.

Ameyn. – Amen: may my future actions grow from here!

There are a few other possible translations of the Aramaic Prayer of Jesus, which one can find on the WEB. They all essentially convey the same intention.

What opened my understanding and piqued my interest in this prayer is the expressed purpose for vocalizing it. In this prayer, as I said earlier, we have two invocations: one to Father God and another to Mother God. The invocation to Father God is to bring into one’s creative space the vibration of Creative Power. The invocation to Mother God is to bring into one’s creative space from out of her cornucopia, her “horn of plenty,” the provision needed to give form to one’s creative Word.

But the magic of this prayer is to be known as one takes the position of praying as God rather than to God; in other words, as a co-creator with Father/Mother God, rather than petitioning God to give me something I need in my life, something we are told by the Teacher that our Father in Heaven already knows. We pray our needs into existence rather than asking God to fill our needs for us. We do this in love but also as Love speaking the command “Let it be according to my Word.”

In Biblical words, we may say “Behold I create” – and I take full responsibility for my creation – starting with the most immediate creation and world of my physical body and temple — staying with it for as long as it exists and the substance that gave it form totally disintegrates and returns to the undifferentiated substance of creation – my world, my creation, my responsibility.

The rest of the prayer embodies and articulates a process of clearing one’s slate, so-to-speak, of all past experiences, both the good and the bad, the successes and the failures, one’s virtuous deeds along with one’s “sins” of the past, especially those “trespasses” that one has made upon others’ space, but also those that others have made upon one’s own space. “Untie the knots that bind me,” to others by reason of my judgments of them, and vice versa that bind others to me by their judgments of me. In other words, I release all things that may hold me back from pursuing my dreams and current creative imaginings. Then it ends with the command, “Let my future actions grow from here.” Or, in the words of Captain Picard, “Make it so!”

One can learn to articulate the Aramaic Prayer of Jesus is just a few weeks with the help of Neil Douglas-Klotz’s audio cassette tapes available from SoundsTrue.com. I learned it and could say it from memory in just two months and it stays fresh in my memory for instant recall. The Aramaic words seemed like deja vu to my tongue. I highly recommend it to my friends and blog followers.

The Lord’s Prayer

Here is a more timely version of The Lord’s Prayer, perhaps more current with the times and with the spiritual awakening underway in human consciousness. It was penned by Lord Martin Exeter, a British lord from the United Kingdom — who was also my spiritual mentor for some twenty years.

I am in heaven. The revelation of myself is holy. My kingdom comes because I am here. My will is done in earth because my will is done in heaven.  I give the bread of life in each moment of my living on earth.

I forgive, and that forgiveness is received by those who share the spirit of forgiveness. I lead no one into tribulation, but deliver all evil into the creative cycle.

For mine is the kingdom present on earth because I am present on earth. Mine is the creative power of the Word. And mine is the glory which results, shining round about, to be reflected by the world which I create.

So, with that I will say Adieu and, until my next post,

Be love. Be loved.

Anthony

Read my Health Light Newsletter online at LiftingTones.com.

 

 

 

 

 

“Sacred Sound Field” Experiential

Still Meadow Attunement Workshop – October 28-29, 2016

My Chorale Pic

Portland, OR Attunement workshop

On Saturday evening we created what I have called a “Sacred Sound field” using four true-tone quartz crystal bowls placed outside the circles of some 40 attunement practitioners at the position of the Four Quarters. The bowls were a 14” B bowl, a 10” D# bowl, an 8” F# bowl, and an 8” B bowl. This combination of bowls created a sound field in the musical key of B Major, what I have designated as Crown Chakra and Pineal gland harmonics. This combination of bowls and tones included two B bowls an octave apart and the Major Third and Perfect Fifth notes of the B Major chord.

To move energy, I used two more bowls: a 10” D bowl to create a minor mode to bring energy up for resolution in a major chord, and an 8” E bowl to create an augmented chord for bringing energy down for resolution.

Technique used: silence the D# bowl and play the D bowl. Then silence the D bowl and return to the D# bowl for resolution of the minor mode to the major mode. Follow the same procedure with the E bowl.

While the bowls were being played, those sitting in the two circles explored sharing attunement within the Sacred Sound field. The ladies formed the inner circle and the men sat in the outer circle. Three chairs were placed in the center of the circles, turned to the left to create yet another circle in the core center of the “vesica” portal created by the sounds converging and crossing one another. In these chairs couples from the outer circles took turns sharing attunement for a few minutes, working with the first two endocrine glands.

While the bowls were being played, I had the men in the outer circle tone an OM in tune with the large B bowl while the ladies toned the Perfect Fifth harmonic in tune with the 8” F# bowl. A few of the ladies who were musically trained toned the third harmonic, moving up and down with me as I changed to a minor and augmented mode. At one point I asked the toning to stop while the bowls only were played, which many preferred.

Lloyd Meeker, the originator of the workshop, noted in the comment period that the playing  of the bowls alone had a more potent and clear impact than when accompanied by the toning. Other comments indicated that the experience inside the sacred sound field was delightful and uplifting. Paul Price, a master attunement practitioner and mentor, shared with me later on how he felt the sound field impacted the bio-molecular field as well as the quality of the energetic field.

I personally came away feeling fulfilled and satisfied with the exploration. From the comments, I felt re-affirmed in my intuitive sensing that Sacred Sound fields may facilitate our attunement work by shifting the cells of the physical body to a higher frequency of vibration while providing a harmonious sound wave for spirit and intention to move upon. The ultimate goal in this work is to help us in our transformational process and journey to lift our physical forms to a higher frequency, above the level of disease, so that they may become impervious to the lower frequencies and more available to the process of transmutation and ascension. I was satisfied and happy to hear that at least one person in her response “got me” on this core intent and purpose, which touched me deeply and nurtured my resolve to continue my exploration in the field of Attunement with Sacred Sound. I am equally thankful for the significant support and encouragement I receive from a few close friends and colleagues.

If you are interested in exploring this work with me, or simply learning more about it, you can obtain a copy of my recently released book, Attunement with Sacred Sound, from me personally (autographed in you wish; just send me an email), or from my publisher at HealthLightBooks.com. My book is also available from Amazon.

I am thankful for your presence in my life and especially for your readership. I love comments, so please do share any thoughts you may have.

Wishing you a Happy Thanksgiving,

Anthony Palombo

Email: tpal70@gmail.com

 

Creating Sacred Sound Fields

Creating Unified Sacred Sound Fields (excerpted from my book Attunement With Sacred Sound)

My Chorale PicThis is a powerful healing technique whereby two or three quartz crystal bowls are used to create a unified sound field with the recipient placed in the middle of the setting. This can be done with vocal toning as well where two or three individuals or small groups tone the designated pitches. A Vesica Piscis is created where the sound waves meet and overlap one another. The one sitting or lying down in the Sacred Sound Vesica may experience profound frequency shifts that may open a portal through which something entirely new may be born in consciousness, such as new revelations, new thoughts and creative ideas, even new patterns of healing and transformation in one’s physical and energetic bodies. This is the magician’s realm of expertise. Sound healing in its finest advanced application.

When a single tone is sounded, it sends out a spherical waveform. This waveform creates a “sound field.”

When two harmonious tones are sounded simultaneously, their sound fields overlap creating thereby a “third field.” This opens a vibrational window referred to as a “Vesica Piscis,” a unified sound field. I am calling this a “Sacred Sound Field.”

Vesica_piscis_circles.svg

The Vesica Piscis is a vibrational portal formed by two overlapping fields of energy. It derives its name from its fishlike shape.  It has been called the “Womb of the Great Mother,” as it serves as a vibrational birth canal for a “third” waveform to come forth that may give rise to new thought and inspiration, leading to new and innovative creative expression.  This phenomenon demonstrates George Gurdjieff’s “Law of Three,” which I expand upon in my book Attunement with Sacred Sound.

We can create various unified harmonic sound fields using quartz crystal bowls. (I was not able to reproduce the color images from my book.)
  1. A “Perfect Fifth” sound field for healing can be created using two bowls that are tuned a Perfect Fifth apart in their tone. For example an A and an E bowl, or an F and a C bowl, etc. The colors in these diagrams are not true to the frequencies, but this gives one an idea of how two frequencies overlapping create a unified field with a different tonal quality.
  2. A more complex sound field is created by using three bowls whose pitches form a harmonious triad. For example F, A and C bowls. This combination of harmonic sounds is ideal for balancing the endocrine and chakra energy fields. As laid out in the chart on page 71, each pitch is assigned to a specific aspect of the sacred energy site with which one is working. Again, these colors are not true to the frequencies. One can get a sense, however, of how different tonal qualities are created by the overlapping sound fields.
Endocrine and Chakra Pitches
  1. Crown Chakra and Pineal Gland: B, D#, F  (The pound sign # indicates the note is sharp, half a step up)
  2. Brow and Pituitary Gland: A, C sharp, E
  3. Throat and Thyroid Gland: G, B, D.
  4. Heart and Thymus Gland: F, A, C.
  5. Solar and Pancreas Gland: E, G sharp, B.
  6. Root Chakra and Adrenal Glands: D, F sharp, A.
  7. Sacral Plexus and Gonadal Glands: C, E, G.
Moving energy with sound

We can move energy by changing the pitch of the third harmonic up and down. For example, while working with the thymus and heart centers, using the F, A and C bowls, by changing the middle note A to an A flat or G sharp, we can dip down and connect with stuck dissonant energies at deeper levels in the heart where perhaps troubled feelings are being harbored. Then, by returning to the A bowl, we can resolve the dissonant energy back to a harmonious tone and thereby reclaim the energy being used to maintain troubled feelings, incorporating it back into the whole.

To bring sacred energy down from higher frequency levels, change the A to an A sharp then back down to an A. This technique can introduce fresh energy into the mix to energize the field and may even help shift the frequency of the body itself to a higher level.  These techniques can be used with all combinations of harmonic triads.

In my next post I will talk about the “Law of Three” and the Law of the Octave. So, stay tuned.

Dr. Anthony Palombo, D.C.

Note: one can order my book Attunement With Sacred Sound from Health Light Books or from Amazon.

 

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