Creating the New Earth Together

Archive for the ‘Sacred Healing Arts’ Category

“Sacred Sound Field” Experiential

Still Meadow Attunement Workshop – October 28-29, 2016

My Chorale Pic

Portland, OR Attunement workshop

On Saturday evening we created what I have called a “Sacred Sound field” using four true-tone quartz crystal bowls placed outside the circles of some 40 attunement practitioners at the position of the Four Quarters. The bowls were a 14” B bowl, a 10” D# bowl, an 8” F# bowl, and an 8” B bowl. This combination of bowls created a sound field in the musical key of B Major, what I have designated as Crown Chakra and Pineal gland harmonics. This combination of bowls and tones included two B bowls an octave apart and the Major Third and Perfect Fifth notes of the B Major chord.

To move energy, I used two more bowls: a 10” D bowl to create a minor mode to bring energy up for resolution in a major chord, and an 8” E bowl to create an augmented chord for bringing energy down for resolution.

Technique used: silence the D# bowl and play the D bowl. Then silence the D bowl and return to the D# bowl for resolution of the minor mode to the major mode. Follow the same procedure with the E bowl.

While the bowls were being played, those sitting in the two circles explored sharing attunement within the Sacred Sound field. The ladies formed the inner circle and the men sat in the outer circle. Three chairs were placed in the center of the circles, turned to the left to create yet another circle in the core center of the “vesica” portal created by the sounds converging and crossing one another. In these chairs couples from the outer circles took turns sharing attunement for a few minutes, working with the first two endocrine glands.

While the bowls were being played, I had the men in the outer circle tone an OM in tune with the large B bowl while the ladies toned the Perfect Fifth harmonic in tune with the 8” F# bowl. A few of the ladies who were musically trained toned the third harmonic, moving up and down with me as I changed to a minor and augmented mode. At one point I asked the toning to stop while the bowls only were played, which many preferred.

Lloyd Meeker, the originator of the workshop, noted in the comment period that the playing  of the bowls alone had a more potent and clear impact than when accompanied by the toning. Other comments indicated that the experience inside the sacred sound field was delightful and uplifting. Paul Price, a master attunement practitioner and mentor, shared with me later on how he felt the sound field impacted the bio-molecular field as well as the quality of the energetic field.

I personally came away feeling fulfilled and satisfied with the exploration. From the comments, I felt re-affirmed in my intuitive sensing that Sacred Sound fields may facilitate our attunement work by shifting the cells of the physical body to a higher frequency of vibration while providing a harmonious sound wave for spirit and intention to move upon. The ultimate goal in this work is to help us in our transformational process and journey to lift our physical forms to a higher frequency, above the level of disease, so that they may become impervious to the lower frequencies and more available to the process of transmutation and ascension. I was satisfied and happy to hear that at least one person in her response “got me” on this core intent and purpose, which touched me deeply and nurtured my resolve to continue my exploration in the field of Attunement with Sacred Sound. I am equally thankful for the significant support and encouragement I receive from a few close friends and colleagues.

If you are interested in exploring this work with me, or simply learning more about it, you can obtain a copy of my recently released book, Attunement with Sacred Sound, from me personally (autographed in you wish; just send me an email), or from my publisher at HealthLightBooks.com. My book is also available from Amazon.

I am thankful for your presence in my life and especially for your readership. I love comments, so please do share any thoughts you may have.

Wishing you a Happy Thanksgiving,

Anthony Palombo

Email: tpal70@gmail.com

 

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Creating Sacred Sound Fields

Creating Unified Sacred Sound Fields (excerpted from my book Attunement With Sacred Sound)

My Chorale PicThis is a powerful healing technique whereby two or three quartz crystal bowls are used to create a unified sound field with the recipient placed in the middle of the setting. This can be done with vocal toning as well where two or three individuals or small groups tone the designated pitches. A Vesica Piscis is created where the sound waves meet and overlap one another. The one sitting or lying down in the Sacred Sound Vesica may experience profound frequency shifts that may open a portal through which something entirely new may be born in consciousness, such as new revelations, new thoughts and creative ideas, even new patterns of healing and transformation in one’s physical and energetic bodies. This is the magician’s realm of expertise. Sound healing in its finest advanced application.

When a single tone is sounded, it sends out a spherical waveform. This waveform creates a “sound field.”

When two harmonious tones are sounded simultaneously, their sound fields overlap creating thereby a “third field.” This opens a vibrational window referred to as a “Vesica Piscis,” a unified sound field. I am calling this a “Sacred Sound Field.”

Vesica_piscis_circles.svg

The Vesica Piscis is a vibrational portal formed by two overlapping fields of energy. It derives its name from its fishlike shape.  It has been called the “Womb of the Great Mother,” as it serves as a vibrational birth canal for a “third” waveform to come forth that may give rise to new thought and inspiration, leading to new and innovative creative expression.  This phenomenon demonstrates George Gurdjieff’s “Law of Three,” which I expand upon in my book Attunement with Sacred Sound.

We can create various unified harmonic sound fields using quartz crystal bowls. (I was not able to reproduce the color images from my book.)
  1. A “Perfect Fifth” sound field for healing can be created using two bowls that are tuned a Perfect Fifth apart in their tone. For example an A and an E bowl, or an F and a C bowl, etc. The colors in these diagrams are not true to the frequencies, but this gives one an idea of how two frequencies overlapping create a unified field with a different tonal quality.
  2. A more complex sound field is created by using three bowls whose pitches form a harmonious triad. For example F, A and C bowls. This combination of harmonic sounds is ideal for balancing the endocrine and chakra energy fields. As laid out in the chart on page 71, each pitch is assigned to a specific aspect of the sacred energy site with which one is working. Again, these colors are not true to the frequencies. One can get a sense, however, of how different tonal qualities are created by the overlapping sound fields.
Endocrine and Chakra Pitches
  1. Crown Chakra and Pineal Gland: B, D#, F  (The pound sign # indicates the note is sharp, half a step up)
  2. Brow and Pituitary Gland: A, C sharp, E
  3. Throat and Thyroid Gland: G, B, D.
  4. Heart and Thymus Gland: F, A, C.
  5. Solar and Pancreas Gland: E, G sharp, B.
  6. Root Chakra and Adrenal Glands: D, F sharp, A.
  7. Sacral Plexus and Gonadal Glands: C, E, G.
Moving energy with sound

We can move energy by changing the pitch of the third harmonic up and down. For example, while working with the thymus and heart centers, using the F, A and C bowls, by changing the middle note A to an A flat or G sharp, we can dip down and connect with stuck dissonant energies at deeper levels in the heart where perhaps troubled feelings are being harbored. Then, by returning to the A bowl, we can resolve the dissonant energy back to a harmonious tone and thereby reclaim the energy being used to maintain troubled feelings, incorporating it back into the whole.

To bring sacred energy down from higher frequency levels, change the A to an A sharp then back down to an A. This technique can introduce fresh energy into the mix to energize the field and may even help shift the frequency of the body itself to a higher level.  These techniques can be used with all combinations of harmonic triads.

In my next post I will talk about the “Law of Three” and the Law of the Octave. So, stay tuned.

Dr. Anthony Palombo, D.C.

Note: one can order my book Attunement With Sacred Sound from Health Light Books or from Amazon.

 

Sacred Sound Attunement Workshop


My Chorale PicANNOUNCEMENT: The Sacred Sound Attunement Retreat has been cancelled and will be rescheduled for an undermined date. You are welcome to read this blog post anyway to learn more about this work.

For inner peace and tranquility – deep healing – and personal transformation.

You are invited to participate in a Sacred Sound Attunement workshop intensive at Oakwood Retreat Center in Selma, Indiana , May 15 – 17, 2015

  • For attunement practitioners interested in learning how to incorporate sacred sound into their service.
  • For energy healers interested in learning the art and practice of attunement with sacred sound and incorporating it into their service.
  • For sound healers interested in learning the art and practice of attunement and incorporating it into their service.
  • For anyone and everyone on a spiritual path to wholeness and transformation, sacred sound is a great medium.

Are you fulfilling your destiny as a healer? 

  • Sacred Sound Attunement workshop intensives provide hands-on training in the sacred healing art of Attunement, and an in-depth study of the principles and mystical aspects of Sacred Sound.
  • We will work with sound as a carrier wave for the subtle energy of Spirit in creating a healing field in which the human capacity may shift to a higher vibrational frequency.
  • We will learn to work with tools of sacred sound technology: voice, quartz crystal and Tibetan singing bowls, tuning forks, harps, drums, and didgeridoos. Bring your own musical instruments, such as didgeridoos, drums, flutes, and singing bowls.
  • Experience the resonance of quartz crystal and Tibetan “singing” bowls, the ancient tones of the Solfaggio frequencies, and the ecstatic harmony of Chords of the Cosmos.
  • Consider this a time apart for renewal of body, mind and spirit – a time of healing for the healer.

The weekend will begin with dinner Friday evening at 6, followed by an opening session, and will conclude on Sunday with lunch at noon.  Bring comfortable clothing for a relaxing and rejuvenating time in the peaceful country setting of Oakwood Farm.

Cost

The workshop and accommodations have a value of $350. However, in the spirit of inclusiveness and generosity, the cost for this weekend will be determined by each participant’s discernment of their ability to contribute. For more information and to register, call Oakwood Farm Retreat Center at 765-747-7027 or email at oakwoodretreatcenter@gmail.com.

Facilitator 

Dr. Anthony Palombo, certified attunement practitioner and teacher; author of Sacred Anatomy and Rediscovering the Soul of Chiropractic. Dr. Palombo has been in the health care field for fifty years and has been exploring the complementary aspects of sound and attunement as an alternative health care practitioner and musician for over three decades. His playful and adventurous style fosters an atmosphere for co-creative discovery and sheer magic. (For more information about his work visit his website at www.healingandattunement.com)

About Sacred Sound

Sacred Sound is a carrier wave for Spirit and for consciousness.  It serves as a rainbow bridge for the soul’s ascent to higher levels of consciousness. It facilitates attunement with Love through the heart.  Sacred Sound is harmonic sound that finds natural resonance in the heart, opening this resonating chamber upward in love response to the Beloved within, one’s authentic Self.

Used as a tool in offering attunement or in energy work, Sacred Sound helps to refine and rarify the spiritual substance of connection between inner spirit and outer form, creating a bridge for the passage and crossing over of sacred essences. It is through this rarified substance of pneumaplasm that order and coherence is restored to chaotic and dis-eased flesh. Thus does Love work its healing magic in our bodies, minds and hearts in an outpouring of transforming energy.

We will co-create a Sacred Sound Vesica for the release of healing and transforming currents of Love into our world – for our own personal healing and transformation as well as for that of family and friends.  Further, we will extend these currents beyond ourselves in an offering of blessing into the larger world for global peace and harmony among peoples and nations.

A Work in Progress

The sound healing technology presented in this workshop is yet a work-in-progress and will continue to grow in both depth of understanding and encompassment of the vast field of sound healing and what is being called “energy medicine.” In that sense, it is introductory in nature. It suffices to say that Attunement with Sacred Sound has evolved sufficiently to be presented, studied and utilized as a potent and effective healing modality. It is a sacred healing art and as such lives “outside the box” of traditional healing methodologies, hopefully—and intentionally—paving the way for further exploration.

As we move together from the known to the yet unexplored, we are led to deeper realizations about the full return of the ancient sacred healing arts and technologies which I believe originated in the Motherland of mankind, the ancient continent of Lemuria.

About the Workshop

You will learn a methodology by which to incorporate sacred sound into your spiritual practice and employ it as a tool in your healing service to others. You will have hands-on experience with quartz crystal and Tibetan “singing” bowls, learn how to use tuning forks to create high frequency vibrations, and create harmonic overtones with your voice. We will use sacred chant and toning to create a unified field for radiant blessing of our worlds.

What has gone before is as sacred as what has been brought forth in the present. We will look back briefly to ancient practices that have validated and sanctified sacred sound as a carrier wave for the Creative Word that gives form to matter and as a tool for transformation of consciousness – from Pythagoras and Inayat Khan to contemporary sound healing pioneers like Don Campbell, Jonathan Goldman and Ted Andrews. In a word, we will explore this sacred science and art as an avenue for discovery of new ways to share attunement “outside the box” of tradition.

We will explore . . .

  • Sacred sound-healing technology
  • Harmonic Toning to balance endocrine and chakra centers
  • The power of voice and breath: finding and placing your voice
  • Finding your personal tonal frequency
  • Toning to resolve dissonant energy
  • Healing the substance of connection between body and spirit
  • The power of sound based prayer – the Aramaic Prayer of Jesus

From past workshop participants . . .

“An extra-ordinary experience in working with sound to see how it affects your body mind and spirit.”

“I am still resonating with what was brought forth through me and others! I am still experiencing it while writing this evaluation three days after the event.”

“It was fantastic and opened a deeper love of music within me.”

“Attunement is not only wonderful, it is essential!”

It is with a deep desire to share this magical work that I invite you to come and participate in this healing intensive. I do hope you will come. Thank you

Anthony Palombo

tpal70@gmail.com 

 

“Sonic Geometry” and the . . . . “Music of the Spheres”

Tony Pics for SA BookThis is a fascinating video, especially for the mathematicians and musicians among us, as well as those of us who know  Sacred Geometry. For the mathematician, the presentation delves into numbers and numerical ratios that form the basis for structure and shaping of life forms in our world and throughout the Universe. For the musician, it presents the geometrical basis for the Pythagorean determination of note frequency values and the musical scale used here in the West. For those knowledgeable of Sacred Geometry, you’ll find nothing new here but you may delight in the clarity and simplicity of the presentation of the profound design behind all of Creation. For the rest of us who are not mathematically, geometrically, or musically inclined, we will find the video full of interesting and thought-provoking historical facts and developments that have led to consciousness evolution and our simple enjoyment of the beauty of form in the Natural world, and of music itself. 

As a musician, I must say that I came away from viewing this video with a deep sense of sadness and disappointment over the changes made to the note frequencies in our modern day musical scale which is based on A 440 rather than on the ancient and more natural A 432, as you will see in the video. I don’t know exactly what to make of it, as all the beautiful music of the Masters we enjoy so much today is written for instruments tuned to an A 440 based scale. So, I don’t know what we’ve been missing out on; perhaps ecstatic sounds and harmonies infinitely more beautiful, uplifting and transforming than even Handel’s Alleluia Chorus. I’ve heard piano music played on a piano that was tuned according to “just tuning,” which is based on natural harmonics as opposed to contrived “even tuning.”  The music seemed to rise to infinite heights and plunge to bottomless depth. What I mostly fear is that the masses are once again being manipulated and kept imprisoned by those who seek to limit the evolution of human consciousness for political power and control purposes. Why did the “powers that be” back then find it so necessary to change these frequency values used to create our music? And why by 8 hertz, the difference between 432 and 440? 

Sacred Sound Tools

Sacred Sound Tools (click on picture to enlarge)

Just for example, take the ancient Solfaggio frequencies of a six-notes scale (ut, re, me, fa, sol, la) used in ancient chants that put people in an ecstatic state of communion with God, rendering the priesthood unnecessary and more of an impediment to the realization of the literal meaning and purpose of religion (which means to bind hack to, in this instance to God) than a facilitation. They were banned by the Catholic Church and forbidden to be used. Fortunately, they have been re-discovered and returned to use in sacred sound healing schools and by alternative healthcare practitioners. I use them in my sound healing work. Their overtones and undertones have no top or bottom. In other words, they are not boxed in as though they existed independent of a larger range of frequencies, like the modern musical scale suggests. There’s no “do” (or in this case “ut”) at the end of the scale to close it off to further expansion into the inaudible range of frequencies, so as to produce a sense that one has arrived at the end of the music. There’s no end to the music of the Salfaggio frequencies. They’re open ended.

Don’t get me wrong or misinterpret my implications here. Classical and even some modern music can warm the heart and bring peace and solitude to one’s soul and inner terrain, even bring one to a state of ecstasy — or perhaps mesmerize and lull one into an oblivious state of utter tranquility and receptivity to subliminal encoded suggestions. Don’t think it isn’t done in elevators and shipping malls and via the music played in the background of TV commercials. But does it facilitate real transformation and ascension of consciousness? Can it lift one’s spirit to ecstatic heights of union with God? Possibly. Handel was said to have exclaimed “I have seen the face of God!” upon completing his Alleluia Chorus. But did it change his life here on earth? To see God is not necessarily to know God. So many of the great classical composers left us heavenly music while their lives were less than heavenly and harmonious. Their music rather seemed to have driven some of them mad, as did art for some artists, like Dutch painter Vincent Van Gogh, whom Kirk Douglas portrayed so dramatically in Lust for Life.    

I had a dream many years ago when I began to explore sacred sound as a healing modality. And in this dream I heard a chord that ascended and descended in ranges of frequency to infinity. It had no beginning and no end but encompassed both earth and heaven as a connecting chord — perhaps the mythical and mystical “Lost Chord.”  I head that sound again many years later during a workshop intensive I was presenting in Attunement with Sacred Sound at a retreat center in Corona, California. We were combining sacred harmonies with sacred energy, using sound as a carrier wave for spirit. Apparently the sacred energy of love took the harmonies we were toning and lifted them up to their natural tones and overtones to carry it upward and outward for world healing. Heaven and earth were definitely connected by the sound wave of harmony we were generating. It was as though we had generated a tangible and malleable substance — what we know of a “pneumaplasm” in the Attunement Field — fine enough for the spirit of Love to move through and flow down out of heaven into the earth . . . and I now begin to see, even as I write these words, that perhaps this is what has been taken away by mind-oriented and manipulative man by changes made to the ancient musical scale based on A 432. Just perhaps. I would love to see the restoration of the original tone frequencies based on Sacred Geometry. It was encouraging to hear that a movement is underway among musicians to tune guitars, flutes and other instruments to A 432.

If you wish to read further on this historical and ongoing pitch battle, you’ll find this rather comprehensive article by Colin Dickey most informative and entertaining: “Pitch Battles — How a paranoid fringe group made musical tuning and international issue.”

Enjoy the video.

You can see it on YouTube here: https://www.youtube.com/watch?v=FY74AFQl2qQ

In my next post we will explore the electromagnetic universe and the Earth-Sun connection. Until then, 

Be love. Be loved. ~Anthony

Read my Health Light Newsletter online at LiftingTones.com for informative and inspiring articles on health and healing.  Current issue features “Food Our Medicine — Medicine Our Food.”  Thank you for following my blogs.

 

The Shaman’s Gift of Healing, Page 1

09 May bowls

I apologize to my blog followers and readers for being so long in posting a new article. We’ve been on a trip to the Pacific Northwest Coast to spend time with our boys and grandchildren in Oregon and California. It’s good to be back and writing again. 

I’ve been called a shaman because I use frequency-shifting sound healing and subtle energy attunement techniques in my work as a healer. But I know from my own profound experience over fifty years of service to humanity that there’s something deeper and more to the purpose of healing than the modality of technique in the healing work of a true shaman. A true shaman offers healing of the rift between two worlds. The invisible world of Reality, wherein lies the divine design for perfect health and happiness, and the visible world of ailing flesh, suffering only from a separation from its Creator. That separation, however, is but an illusion — an illusion, nevertheless, that shapes the flesh and the world in which it suffers. In the real world, there is no separation. This paradoxical condition is what sets up the illusion out of which we turn heaven into a hell here on earth. It is the shaman’s role to transcend the illusory world and stand in divine identity in the invisible realm of spirit to facilitate the shaping of patterns of light to the unique healing needs of his client. I was confirmed in this awareness as I read Hugh Malafry’s novels.  

THE BLUE SHAMAN

I’ve just finished my second reading of the first book of Hugh Malafry’s trilogy Blue Shaman, The Stone of Sovereignty, and started my second reading of book two, Caverns of Ornolac. As in all second readings of a thrilling and complex novel, I saw so much more than what I did in my first reading. 

What draws me back to this author’s trilogy is the otherworldly setting for a very complex story. To sojourn in another world, the world of the shaman, is such a refreshing reprieve from the world of CNN, MSNBC, and Fox News; even BBC and PBS. That world has little to offer of hope for the future of mankind. The Real world is the invisible one, coverage of which is virtually impossible by any news agency. Malafry does exactly that, interweaving morsels of profound wisdom and simple truths as he unfurls a dialogue between characters. Here are a few of those jewels of wisdom:

“Sometimes a life’s work takes more than a life’s time.” 

“Time yields to purpose.”

“To weave light in patterns, tie water in knots, and shape the ten thousand things.” [A worthy, though rightly ambitious, sense of mission and purpose.]

“Give me your heart,” Maia said [to Caron, the blue shaman], “and I will shape a world for you. . . .  It is no more than any woman asks of a man to whom she gives herself.”

Was it any wonder men shy from giving their heart to women: One moment she was lamb, another lion, and one never knew when one or the other might rise in her or to what end.

. . . when you have lost your centering in life, everywhere is nowhere, and the world is desolate.

“Is it not the way of the warrior to be at peace within, even when he knows he must fight?”

“Can you make whole what has been broken?”  [Lady Esclarmonde asks the blue shaman. His reply is wise.]  “God has made a whole and it cannot be otherwise,” he said. “I will give it to God: He will determine in this matter what is to be.”

“You must let go your shadow. To cross over [into the “In-world”] you must see yourself on the other side.”

“Always walk into the light.” [Even though — and particularly when — you know you will lose your life and all that you have invested in making yourself into who and what you think you are . . . and your life will never be the same.]

Life on this side of the veil that separates us from the “In-world” is portrayed in the story of the blue shaman as the illusion it is. What separates also connects. There is something most wonderful on the other side of the veil. The loss of illusion, for one thing, though probably scary for mortals who find meaning and purpose in making one’s way through the shadows of the mind-made world of survival. That mortal, the human ego, feels justifiably threatened by the Light at the end of the tunnel described by those who tell of their near-death encounters, because it knows that it’s curtains for it. I wonder if I will feel that same hesitancy the blue shaman had to walk into the light when I make my transition from this world to the world of Light. Not so much, I should think, for someone who has walked into the Light of Reality in the face of sure loss of his world as he knows it in order to discover and realize who he is as a divine being. The story takes you to such a place in consciousness.

THE INSEPARABLE MALE AND FEMALE

For me, the entire trilogy is a story about the relationship between the masculine and feminine as they partner in shaping their worlds. It seems the Orion shaman is always being challenged to master the sweet influences of his Pleiadian counterpart — who seems, interestingly enough, always to live in the Otherworld, which dynamic of the story tends to suggest that our “soul mates” do not incarnate with us. Hmm. Another interesting portrayal of the male-female relationship is that it’s always feminine entities who meet and greet the shaman at the threshold between the worlds to clear him for worthiness of passage and to guide him in his journey. It is through the heart, love’s domain and our feminine part, that we enter the kingdom of heaven. “Blessed are the pure in heart for they shall see God.” — Jesus

There’s truth to this in the way a woman tests her man before allowing him into her heart and inner sanctum as a worthy partner in creating her world in what is obviously a man’s world. Malafry portrays this “battle of the sexes,” but not without resolution.  I love his resolution toward the end of the book. Much like the riddle of getting the goose out of the bottle without killing the goose or breaking the bottle, at some level — like before the riddle maker created the illusion of a goose in a bottle — the goose is not in the bottle. Likewise, at some level there is no “battle of the sexes” but only the thrilling heavenly experience of a shared creativity. Again I say “Hmm.” 

TO RESTORE PARADISE — THE GRAIL QUEST

The most captivating chapter for me was “The Shaman,” because I could relate to the challenges of the shaman.  There’s a dialogue in it that alludes to a time when time and death were not and yet humans thought to change and improve upon their lives in Paradise. Whether or not one subscribes to this version of human history, Malafry weaves a believable and likely scenario of mankind’s fall from grace and stature. The path of the shaman is driven by an insatiable desire to make things right again and restore the world of mankind to the paradise of “The First Time.” Restoring the elusive Holy Grail of the blue “Stone of Sovereignty” into the hands of the Knights Templar for its ultimate return to the “Sisters of the Blood Royal” and the Grail King, is the blue shaman’s mission and purpose — very similar to that of Frodo in Lord of the Rings, as is the promise: the restoration of life and prosperity to Paradise.

As Malafry tells it, the story of the fall from grace is a haunting one for me, as if at some level in my consciousness I know I was there in the Beginning and when things literally went to hell.  I’ll let you read it as he tells it.

As in the Lord of the Rings where the ring is coveted for its power, shaman Morgon Kara takes the blue stone in his hands as the blue shaman Caron slept before his fire after he had rescued him from certain death.  The following dialogue is between Morgon Kara and Maia, his guide and empowering partner in shaping worlds to their own end. (I’ll have to share this excerpt on multiple pages.)

Perplexed, Morgon Kara opened his hand and held the jewel to the fire. It glowed with an inner fire that drew him deep into its triangular planes of light. Most precious stones were empty vessels, nothing more than the trace of their own experience as they passed age-to-age, hand to hand. But he knew the ancients had altered some to make record, others as focalizations of force, and a very few for use in the shaping of essence. This stone was all that and more, but never before had anything so eluded him. He sought the pattern of things that shimmered within, but could resolve nothing in the tantalizing play of light and shadow that beckoned but would not reveal. Even so, the stone was bound to Caron and would not let him die.

“Erlik Khan in his castle of black clay has reached out for you, but he is denied. Can a man defy death?” He knew something of the stone, for Maia had spoken of it, and he had long hoped it would come to his hand. He might have taken it from Hassan, but Maia said it destroyed those to whom it was not given; and though he doubted her in this, she had spoken of it with such awe, he feared to cross her was to lose her.

“There is a stone, in the old tongue called, Uru An-Na, light of heaven,” she had said. “It is in the world, and the world is in it.  This stone has the virtue to bind, loose and shape the world within, and so shape what is in the world without.”

“You are speaking in riddles, Maia,” he had said.

“It is exactly as I have said. In Uru An-Na the Ancients shaped the Holy Norm for this world. It exists so that no matter what is done by man, the patterns of Uru AnNa will prevail, and they have done this so that the earth shall not fail. Uru AnNa is the seal of the Makers, and a bar to the final trespass of the human will.”

“We must have this stone.”

“And it is well we should,” Maia agreed, “for the Sisters must yield to him who masters its influences. But the stone will not be taken by force.”

Morgon Kara closed his hand about the stone, remembering what Maia had told him. “Riddles, Maia, always riddles,” he always complained, but he had heard every word, and could repeat them still verbatim, even if he did not always at once understand her meaning. This was surely that stone. Hassan had taken it from a victim, who doubtless took it from another, but now it had been given to the one who had come across the wilderness in search of the lost Hallow of the Blood Royal.

Morgon Kara returned the jewel to the pouch at Caron’s neck . . . .

“Tell me again of the stone of the Makers.”

“I have told you the truth of Uru An-Na,” she said.

“Tell me again, how by its use the Ancients shaped living forms animated by fire from the center of the earth.”

“If it is as you have said what need of me?” It was her ritual to object. She would be courted. It was his ritual to reply. “It is for you, beloved, I seek understanding.”

(To be Continued)

I invite you to visit my other blog and read the feature article of Health Light Newsletter, “The Affordable ‘Disease Care’ Law.”  I am looking forward to my next post. Until then, 

Be love.  Be loved.

Anthony

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Dawn of a Golden Age: Ascension at the Speed of Love

My Chorale PicI am totally fascinated by David Wilcock’s collection of weird science projects and experiments in his book The Source Field Investigations.  Here’s just one example of countless others.

Contrary to Einstein’s theory of relativity, the closer matter approaches the speed of light, the more it looses, not gains, mass.  In fact, if you give it a little push beyond the speed of light, it totally disappears into time-space.  This is the key to teleportation and ascension . . . and you can take your body with you, as many already have!  

Atoms are flip-flopping in and out of space-time and time-space all the time.  When they spin so fast that they exceed the speed of light, they pop out of visible space-time and into invisible time-space.  The matter they give form to vanishes from sight.  This is apparently what has repeaterdly happened in the Bermuda Triangle, as well as a dozen other places where ships, airplanes, yachts and the people on them have vanished off the face of the earth.  They’ve simply flipped over into a parallel universe Wilcock and others call “time-space.”  Let me attempt to explain.

Apparently, there are vortices in various locations around the earth, much like energy tornadoes, in which energy shifts occur and atoms comprising matter, which are already spinning at the speed of light, are pushed beyond the speed of light causing them to cross over into time-space.  These vortices appear to hover over “sacred sites,” such as ancient pyramids and stone monuments.  Every atom and molecule is a tiny vortex of energy. Let’s explain these terms.

Space and time are exact opposites of each other.  Just as space is three-dimensional, so is time — according to American Engineer Dr. Dewey Larson (1898-1990), who “built a very successful model of our Universe, starting in 1950, by assuming time had three dimensions. . . . [and] solved many of the greatest quantum physics problems, as well as many perplexing issues in astronomy. . . .”  His model of the Universe as a Reciprocal System, as he described it, was never accepted by mainstream scientists, who just could not think outside the box of Newtonian physics. 

Larson concluded there was a three-dimensional Time Region, or what I and others now like to call time-space — which is constantly interacting with our own three dimensions of space-time.  Larson’s other big concept was that the entire Universe is formed by nothing more than motion — and what’s moving, in my opinion, is the Source Field. 

The reading then gets even more interesting, as Wilcock calls into question the very nature of one of our most “stable” of concepts — GRAVITY.

Gravity, electromagnetic energy, and all the other forces normally associated with quantum mechanics are just different ways of talking about the same thing.  The entire Universe is built from nothing more than fluidlike, swirling vortexes within the Source Field.  Einstein’s greatest dream — of a Unified Field — was correct. . . .

Based on all the evidence, gravitation and the ‘space-time progression’ are the exact same thing — which is ultimately what Larson is saying by concluding that ‘All is Motion.’  It’s a very mind-expanding concept to consider that gravity is powering physical matter.  That’s all there is. Nothing else. Just a flowing vortex within a mysterious force we usually call gravity. Without the flow of gravity doing its work, there would be no matter — at least not anything that was visible to our own space-time.

Then there’s levity . . . 

Gravity, as a downward force, must also have an upward force — and my favorite name for gravity’s counterpart is levity.  The Source Field, or gravity, rushes into our planet to create all the atoms and molecules on earth simultaneously — but it still has to keep moving.  Once this same flow of energy streams back out of our planet, it has now lost some of its momentum — so it would be traveling a little more slowly than it went in. Once you understand this, you will see there may be an upward-pushing force from the earth that is in a constant tug-a-war with the downward-pushing force — and the downward force wins only by a very small amount.  If we did not have the upward-pushing force to balance everything out, we would very likely be instantaneously crushed flat by the pressure of gravity. . . .

Or, vice versa, we would go floating off into space.  Wilcock goes on to explain how atoms and molecules pop in and out of the visible material world.  According to Larson’s Reciprocal System model, there are two parallel worlds in which space and time are one dimension in a three-dimensional reality, and where the space in one reality creates time in the other, and vice versa.

There is a constant, flowing exchange between these two realities going on within every atom.  When an atom pops over into time-space, its spinning momentum is transferred over into the fluidlike energy within the parallel reality — and it is no longer affected by gravity in our own space-time.  The full transition can take fifteen to twenty minutes in a larger object with many atoms. . . . 

Here’s where Wilcock gets excited about his “favorite part.”

 Theoretically, an atom in space-time gets pushed on by gravity — but once an atom pops over into time-space, it gets pushed on by levity.  This means that within our reality, that atom now has thrust . . . as long as it is still bound together with other atoms that have not yet popped over.  Therefore, if you want to get an object to levitate, you would need to bring its molecules to a point where they are half in and half out of our three-dimensional reality of space-time.  That way the levity force can then balance out against gravity — not unlike how you can float perfectly still underwater by controlling how much air you hold in your lungs. If you push an object too far into time-space, it will dematerialize.  Then the same force that was causing it to rise up in our reality will now make it fall down in the parallel reality.  Gravity takes over — but in a totally parallel reality. This may work is a manner similar to a Moebius loop as you pass between realities. 

Nature  uses these principles all the time.  The DNA molecule stores photons of light, and it appears that this same flip-flopping at the light-speed boundary is what allows DNA to easily exchange energy and information between space-time and time-space — between our physical body and our energetic duplicate. . . .

The Universe is a verb, not a noun.  God, the Source Field, is a verb. It’s nothing more than MOVEMENT — or, as my Sacred Sound mystic guru, Sufi Murshid, Hazrat Inayat Khan would call it. . .

( ( ( V (I (B (R ( (A) )T )I )O )N ) ) )  

The life absolute from which has sprung all that is felt, seen, and perceived, and into which all again merges in time, is a silent, motionless, and eternal life which among the Sufis is called zat. Every motion that springs forth from this silent life is a vibration and a creator of vibrations. Within one vibration are created many vibrations.  As motion causes motion, so the silent life becomes active in a certain part and creates every moment more and more activity, losing thereby the peace of the original silent life. It is the grade of activity of these vibrations that accounts for the various planes of existence. These planes are imagined to differ from one another, but in reality they cannot be entirely detached and made separate from one another. The activity of vibrations makes them grosser, and thus the earth is born of the heavens. . . .

And returns to the heavens after flourishing and revealing the Light that made them, to the silent zat, the place of peace . . . and of light. . .

 All existing things that we see or hear, that we perceive, vibrate. If it were not for vibration, precious stones would not show us their color and their brilliance; it is vibration that makes trees grow, fruit ripen, and flowers bloom. Our existence is also according to the law of vibrations, not only our physical body but also that of our thoughts and feelings. If it were not for vibrations, drugs and herbs would not have any effect upon us.  If any explanation of electricity can be given, it is that its mystery lies only in vibrations. Vibrations are productive and produce electricity; electricity is composed of vibrations. In other words, that aspect of vibration which produces form could not do so if it could not first produce light. The Bible hints at this when it says that first there was light and then the world was produced.  Light is the first form; all other forms come afterwards. . . .

Love thou art and unto love shalt thou return.

Light Divine, the Great Creator of the Universe

And so do we return to light — at the speed of love. The vibration of light is the frequency that conceived us in the Great Mother’s Womb and brought us forth.  It is the vibration of Love, the Father of life — our “Father, which art in Heaven.” When we come to the point of absolute yielded love response to the Lord of Love —  “. . . with all of thy heart and with all of thy mind and with all of thy strength. . . ,” the atoms of our body cells will spin faster than the speed of light, as fast as the speed of love, and we will be changed in a moment —  “in the twinkling of an eye.”  Our bodies will rise up from the earth, utterly poised between gravity and levity, suspended in a sphere of light, a vortex of Source Field energy — only not in fifteen or twenty minutes but instantly — and we will know beyond the shadow of a doubt, that we are Home in Heaven on Earth — not in some hoped-for “hereafter,” but here and now. And it’s all GOD, every space, time, atom and particle.  It’s all GOD and it’s all GOOD!

I will continue along this theme in my next post, sharing some of the implications I see in Wilcock’s presentations. Until then,

Be love.  Be loved.

Visit my Health Light Newsletter blog for an in-depth look at Healing the Body-mind.

Sources: David Wilcock, The Source Field Investigations; Hazrat Inayat Khan, The Music of Life.                                                                                                                                                                                

Dawn Of A Golden Age

Eagle Nebula Pillars of Creation

Eagle Nebula Pillars of Creation

The Ancients speak of the return of a “Golden Age” every 22,920 years.  This is the length of the Mayan “Great Year,” measured by the presession of the Earth’s axis (the time it takes for the wobble of the Earth’s axis to make a complete cycle through the Zodiac belt). The end of this cycle as we exit the Piscean Age marks the beginning of a new Mayan Great Year of 22,920 years and the dawning of the Age of Aquarius, which is thought by one source at least to begin sometime around July 26, 2014, one-and-one-half years after December 12, 2012.  That source is Edwin Bernbaum who, in The Way to Shambhala says that. . .

. . . the golden age will come when the Sun, Moon and Jupiter all meet in the same quadrant as the Tishya constellation (which is part of Cancer).  The next time this happens will be on July 26, 2014, according to my astronomical software [Cyber Sky]. . . .  (D. Wilcock)

I am currently engrossed in David Wilcock’s timely release of The Source Field Investigations – The Hidden Science and Lost Civilizations behind the 2012 Prophecies.  It’s been a page-turner for me, because I live in consciousness on the edge of the proverbial envelope, always pushing it to reveal the MORE that life has to offer us as we travel in space among the stars of this awesome Universe.  Isn’t this picture of the Eagle Nebula absolutely stunning?!  And we live here among all this colossal beauty. (Click on the picture twice for a larger image.)

Just as a brief intro, “David Wilcock is a professional lecturer, film-maker, and researcher of ancient civilizations, consciousness science, and new paradigms of matter and energy. His thoughts and expertise on 2012 have reached millions of people through his website, www.DivineCosmos.com.  He lives in California.” His book, the result of thirty years of research, has just come out and can be purchased through Amazon Books. It is a substantial work, as thoroughly researched and well documented books usually are.

AWAKENING OF THE PINEAL GLAND

What piqued my interest in Wilcock’s book — and in the author himself over the years I’ve followed him — are the numerous and enlightening references he makes to the significance of the pineal gland throughout history, particularly ancient history.  We live in a time, Wilcock suggests, when the pineal gland is being “awakened” by the vibrational shift currently underway in our planet and solar system as we traverse our Milky Way Galaxy.  

Ancient prophesies tell of a time when this would occur, bringing on a phoenix-like transformation in human experience.  The Egyptians taught that the cry of the “Bennu” birds (the phoenix), depicted in Egyptian art as perched on either side of the “Benben stone” (the pineal gland), “were responsible for creating great cycles of time that were ordained by Divine intelligence.”  From the teachings in the Egyptian Book of the Dead we learn how

. . . the seeker could achieve his or her own phoenix-like transformation–and when this happened, they could levitate, perform miracles and glow with bright light.  The mystery schools and the major religions all seem to agree on the importance of the pineal gland in this spiritual awakening process.

ANCIENT TECHNOLOGIES EMERGING

What continues to hold my interest in Wilcock’s book are the rare “weird science” experiments and unexplained incidents he cites that have gone unpublished over the duration of a hundred years or more, most of them squashed and disallowed public awareness by those in power with invested interests in maintaining the status quo.  Wilcock brings all this to the fore as evidence that an emergence of ancient technologies in the advent of a returning Golden Age is underway, like that of pyramid power, a fascinating chapter for sure.  As Graham Hancock, author of Fingerprints of the Gods,  states in his introduction to Wilcock’s book, “David Wilcock . . . makes a magnificent case in the pages that follow that a Golden Age is indeed within our grasp and can be brought into manifestation if only we choose to make it so.”

I will spend a few weeks sharing some of the insight in this book through the next few blog posts.  The one that I would like to share today relates to the larger unseen context in which we are afloat that governs our very existence and function at the third dimension of life expression.  We live in a multidimensional universe at the most exciting level of creativity, where form emerges out of the formless divine matrix – between heaven and earth.  As my friend David Thatcher portrays  it in his writings at thecosmicalarmclock.com, we are present at higher levels of frequency, invisible but nonetheless very present, and at one or more of these levels we are about the business for which we were created. In his words . . . 

We are incarnate to pour the living matrix of Love into this 3D world from other dimensions where we already reside as radiant facets of the One I Am.

It would be much easier for us, and for the planet, were we to be fully conscious at the 3D level of form of our spiritual activities in the other levels, especially our life purpose for the current incarnation. 

THE SOURCE FIELD

The focus of David Wilcock’s investigations throughout his book is what he has called “The Source Field.”  From what I have gleaned from my reading thus far, he seems to be describing what Rupert Sheldrake called the “morphogenetic field” and what Gregg Braden calls “The Divine Matrix” in his book by the same title.  Uranda coined the word “pneumaplasm” to represent the same invisible substance that bears the imprint of divine design and instruction for the creation and operation of the material world.  

PHANTOM DNA

As I indicated, some very “weird science” has been mostly stumbled into by various explorers of the realm of quantum physics.  One such weird phenomenon is what Wilcock describes as “phantom DNA,”  which proved that our DNA is interfacing with a field of intelligence (the Source Field) from which it is absorbing and storing light.  

Dr. Peter Gariaev’s DNA Phantom Effect proved that the DNA molecule captures and stores light.  A mysterious force holds the light in the same place for up to 30 days after the DNA molecule itself has been removed from the area.

This discovery has many implications, as you can imagine, some of which I will share with you in my next post.  Until then,

Be love ~ be loved.

Anthony Palombo

P.S. Visit my Health Light Newsletter blog for an important message about drugs. 

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