Creating the New Earth Together

Archive for the ‘Music of the Spheres’ Category

Resonance with the Music of the Spheres

 

A Presentation at the Attunement Summit of June 19, 2021

Resonance is easier experienced than explained.  I think we all know from experience what it is, so perhaps we could explore some of the implications of resonance as they relate to attunement, and do some experiential exercises.

This Biblical passage speaks to the dynamic of resonance: “The spirit of this world comes and finds nothing in me” — because the Master had no strings attached to this world that would resonate with the coarse vibrations of man’s world at the time.

 Understanding Harmonic Resonance

Everything has a certain frequency at which it vibrates. This is known as an object’s resonant frequency. Some objects have two or more resonant frequencies, just as we have not one, but several endocrine and chakras centers that resonate differently.

When sound or light waves, which have their own resonant frequency, hit an object, it will lead to harmonic resonance if that frequency corresponds to the resonant frequency of the object.

When that happens, they are tuned to one another; therefore, both of them will sync together. They entrain.

Sometimes, in order for harmonic resonance to occur, the amplitude of the vibration of an object must increase due to the corresponding vibrations of the other object.

(This has implications and application in the dynamics at work during attunement.)

Imagine that you’re a clock and the universe is also a clock. If you are in tune and your frequencies match, you will start ticking together through harmonic resonance.

The Chakra’s Emitting Tones

Each chakra has its frequency of vibration, sound, color, and symbol to which it is tuned. When it is balanced, cleansed, and energized, then the chakra is in harmony and plays its most beautiful melody, emitting inherent vibrations.

Many aspects of life can affect these chakra frequencies and ruin the harmony, such as chaotic sounds, stress, and unhealthy thoughts and emotions.

On the other hand, things like certain people’s voices, beautiful music, positive mantras, and the vibrational energy of colors and precious stones can help to bring our chakra frequencies back into harmonic resonance.

Entrainment occurs when one rhythmic vibrating object resonates and synchronizes with another object — demonstrated by one explorer who put several Big Ben clocks with swinging pendulums in a room together. In the morning he discovered they were all ticking and swinging together in sync.

In a TED talk Judie Diamond sent to me recently, Dr. Lee Bartel, who works with honey bees, tells the story about a cricket who chirps in sync with a squeaky fan belt on a piece of machinery in his shop.  He goes on to explain how he uses sound to entrain brain waves and body cells to 40 Hz, which he discovered affected  symptomatic improvement in patients with Alzheimer’s and dementia, even fibromyalgia.  He explains how 40 Hz creates Gamma waves in the brain by way of entrainment. This is equivalent to the low E on a piano.

Gamma rays are right on the edge of the electromagnetic spectrum between x-ray radiation and light.  They are given off by stars, and by radioactive substances. They are extremely high frequency waves, and carry a large amount of energy. They pass through most materials, and are quite difficult to stop – you need lead or concrete in order to block them out.  They are used to kill cancer cells, which, unlike healthy cells, cannot repair themselves once damaged by gamma rays.  There is an implication here relating to the impact stars and heavenly bodies radiate vibrations that resonate within our own body-mind-spirit continuum. There is a very high frequency available to us that, when attuned to, can raise the vibrational frequency of cellular oscillations. It is the spirit of the Creators’ world.

Resonance occurs in music. For example, the musical pitch F, when sounded, sets in motion the overtones and undertones A and C, along with an infinite number of other overtones and undertones.

Resonance also occurs in the vibrational terrain of the heart and the mind.  For example, when someone speaks, the words convey meaning and intention, both of which are vibrational in nature.  When such words are heard by a listener, “heart strings” and “mindsets” are struck and resonate with the words of the speaker, along with the subliminal intention they convey.

Resonance is happening when we laugh, and tear up.  We have a “funny or silly bone” that resonates with the tone of a joke or comedian’s act — as well as a tender place that is touched by a beautiful scene, or an act of compassion and extraordinary kindness and generosity by someone.

Just think of the scene of Tim Conway and Harvey Korman on the Carol Burnett Show in the dental office, in which Tim accidentally stabs himself with the Novocain syringe paralyzing his arm and leg. How many are smiling or laughing? That’s resonance.

Sound-based language has an immediate resonant effect and impact upon the vibrational terrain of human activity without mental interpretation. Music is a prime example of sound-based language; it’s a universal language. The Aramaic, when spoken, is another good example of sound-based language. It’s the language that Jesus spoke with the peasants.

The Aramaic Prayer of Jesus has emerged from out of the past and been revived and set to music and danced to.  I’ve learned to articulate it and it was quite easy to wrap my tongue around it.  I frequently say the Aramaic prayer during an attunement session.  Here is a rendition of the prayer by the San Antonio Vocal Arts Ensemble. (Be sure to listen to the music after the prayer.)

English translation of the Aramaic Lord’s Prayer

Oh Birther! Father-Mother of the Cosmos,

Focus your light within us. Create your reign of unity now.

Your one desire then acts with ours, As in all light, so in all forms.

Grant what we need each day in bread and insight.

Loose the cords of mistakes binding us,

As we release the strands we hold of others’ guilt.

Don’t let surface things delude us,

But free us from what holds us back.

From You is born all ruling will, the power and the life to do,

The song that beautifies all, from age to age it renews.

Truly – power to these statements – may they be the ground

From which all our actions grow. Amen. 

RESONANCE IN OUR ATTUNEMENT WORK

PREMESIS: The Seven Spirits named by Uranda are, in essence, vibrational frequencies—music, in other words—inaudible music composed and orchestrated by the invisible light, the Light of Love, the true Music of the Spheres.  This is the nature of the Chakra as well. They are energy vortices that emit tones, which I’ve discovered harmonize with the tones of the endocrine centers.

The seven vibrational, or spiritual, essences manifesting and orchestrating the biochemical functions of the seven endocrine glands, nourishing the glands themselves, are sensitive to audible sound and visible light and color, and respond to such by the principle of resonance.

It is my conviction that the “Spirit” of each endocrine center is invoked and summoned forth by sound vibrations based on the principle of resonance. That invocation is partly in response to the musical tones of the Chakras.

I firmly believe that this is why and how we enjoy beautiful music, which is sometimes capable of lifting us into a state of rapturous ecstasy.  For me it is God listening and enjoying the music through me.  Or, rather, I am God enjoying beautiful music. The endocrine glands produce their hormonal chemistry that shapes how we feel physically, emotionally, mentally, and spiritually as we listen to music that resonates in our soul, heard with our ears, as well as with our Chakras.

APPLICATION OF SACRED SOUND: 

As many of you know, I work with sacred sound in my attunement service.  I have found that sound may be used to create a carrier wave for spirit and intention.  I first became aware of this early in my experience of sharing attunement.  The energy in the current resonated in my vocal chords and I had the urge to hum.  When I did, the texture of the energy became smooth like silk.  From that experience, I went on to explore the use of sound in energy healing.

Each endocrine gland resonates to a specific frequency or pitch, starting with the pineal gland that resonates to F# and ending with the gonads that resonate to C natural—according to my own perceptions.

The Chakras also resonate to musical pitches, according to Tantric Yoga traditions handed down, which I’ve discovered are the tonic tones that give rise to the corresponding Major Fifth harmonic frequency, or pitch, of the spiritual energy focused and expressing in and through the endocrine glands.

For example, the Crown Chakra resonates to a B natural pitch, which is the tonic tone – the Do – of the Pineal gland’s harmonic Major Fifth tone F#. (do B, mi D#, sol F#)

For a full list of musical intervals between the Chakras and the Endocrine centers, email me and I will be more than happy to send you a chart from my book Attunement With Sacred Sound, along with a copy of my notes.  My book is also available at a cost of $32 plus postage and handling.

OVERTONES, UNDERTONES AND CYMATICS

Keep in mind that overtones and undertones are set in motion by these pitches as well as they play upon a vast array of tissue cells throughout the body temple.

I can only imagine the cymatic configurations created in the atomic substance that make up the fabric of our anatomy and physiology.  Mending of broken parts and renewal of old parts take place.  New earth is thusly created.

Cymatics, as you are likely aware, is the phenomenon of sacred geometrical shapes and patterns that sound frequencies produce in matter, such as water.

Our bodies being composed largely of water, some 85% of it, one can only envision the impact sound has on and in them.  Here is a clip of Anna-Maria Hefele demonstrating polyphonic overtone chant.

MY PERSONAL ENERGETIC HYGENE

It is important, as I approach another soul to offer my service, that my energetic atmosphere be clean and buoyant, and that my presence in our shared field is the presence of Love.  As I identify with the Attunement Current, with Love, as what I AM, I can rest assured that I am offering a pure tone for my client’s energetic body to resonate with. Whatever is dominant in my own personal emotional and mental lens — to use one of Lloyd’s useful metaphors — will find resonant substance in the capacities of another.  This is the basis, as we know, upon which response is given rise to radiation. As Paul Price has often reminded us, we bring the essence and quality of our momentary living to our attunement altar.

Resonance plays a large part in the dynamic at play in attunement.  One may simply enter the place of stillness, in Rumi’s agenda-less field of non-judgment of right and wrong, in order to assure that only the pure Tone of Love is reverberating in one’s heart and mind before extending hands and entering another’s personal and sacred space.

“Who shall ascend into the hill of the Lord?  Or who shall stand in his holy place? He that hath clean hands and a pure heart; who hath not lifted up his soul unto vanity nor sworn deceitfully.” (Psalm 24: 3-4)

SCHUMANN RESONANCES

Mother Earth’s natural heartbeat rhythm is the frequency of 7.83 Hz, also known as the “Schumann Resonance”.

The Schumann resonances (SR) are a set of spectrum peaks in the extremely low frequency (ELF) portion of the Earth‘s electromagnetic field spectrum. Schumann resonances are global electromagnetic resonances, generated and excited by lightning discharges in the cavity formed by the Earth’s surface and the ionosphere.[1]   (Wikipedia)

Schumann Resonances were first documented by Nikola Tesla in 1899. A German physicist named Winfried Schumann studied them extensively and began trying to measure them in the 1950s, and got his name attached to them (although accurate measurements weren’t possible until the 60s—and Tesla’s numbers were right from the start.) The resonances arise from lightning storms—of which there are around 2000 occurring planet-wide at any given moment—exciting the cavity of air between the Earth’s surface and the ionosphere. Acoustically speaking, life on Earth arises and exists within a room whose boundaries are these. Due to the ongoing nature of the storms, this torus-shaped expanse that encases us is forever singing, like a wine glass forever flicked by the finger of fate. The fundamental frequency of that song, the do of its tonality, is, on average with slight variations, 7.83 Hz: the fundamental Schumann Resonance. (That’s about 8 trips around the planet per second.)

To say that the fundamental Schumann Resonance has an influence is an understatement: all of life on Earth—including us and our thoughts and feelings—arises within it and its harmonics. That sounds like a world do if I’ve ever heard one—and that’s the frequency associated with C and the Root Chakra in the Muzoracle system. (While 7.83 Hz is far below the range of our hearing, we can hear—and certainly feel—the resonance two octaves higher, at 31.32 Hz; three octaves higher than that we find our middle C at 250.56 Hz.)  (Muzoracle.com)

Everything from our brain waves and biorhythms to our states of consciousness are directly correlated to the Earth’s frequencies.  The Schumann resonance has been steady at 7.83Hz until three years ago when it began to accelerate to somewhere in the 15 to 25Hz levels. The Earth is rapidly shifting her vibration.  (Google Search) Ω

 

The 7 Vibrations In Nature

We are souls dressed up in sacred biochemical garments and our bodies are the instruments through which our souls play their music.”   Albert Einstein

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In the wake of the series, The Spirit of the New Earth Vibration, and while scanning my documents in search of a file, I came upon something my friend PenDell Pittman scribed and sent to me several months ago. With his permission, I will share it in this post. As you will see, it echoes and expands in a most clear and thoughtful way the theme of my last few posts in which I described the creative process through which the Spirit of Love moves down into the body mediated and differentiated into seven vibrational frequencies by the 7 glands of the endocrine system in order to touch the physical realm and re-create and maintain the new earth of our physical bodies.  PenDell’s meditation envisions the same creative process as it unfolds Creation itself in the larger cosmic context.  The opening words of Genesis explode in my mind:

“In the Beginning God created the heavens and the earth; and the earth was without form and void; and darkness was upon the face of the deep; and the spirit of God moved upon the face of the waters and God said: “Let there be light.” (Genesis 1:1)

And the universe unfolded out of the Light, shaped by the sound of Love’s Word, differentiated into 7 rainbow frequencies composing the Music of the Spheres. In five cosmic days, the world of Nature was created as a setting for Man and Woman to live and share the ongoing work of creating the world of beauty we see around us in Nature.  As PenDell envisioned and describes it step by cosmic step in this beautiful writing. . . .

7 VIBRATIONS IN NATURE

Vibration 1:   Lines of Love Force radiate into the unformed. 

Vibration 2:   The unformed is attracted to and becomes stimulated by Vibration 1. A Womb for Vibration 1 is established and becomes Vibration 2. In harmony with Vibration 1, Vibration 2 begins to radiate Lines of Force further into the unformed.    

Vibration 3:   The Radiation of the harmonization of Vibration 1 and Vibration 2 create patterns of complexity in the unformed which blossom into Vibration 3, the Life Force.

Vibration 4:   The radiance of Vibration 3 moves out into a wider radius, enticing greater complexity.  Eurythmic relationships emerge between existing complexities. This intermingling sets in motion a new pulsation that adds Assurance and Clarity to the Lines of Love Force.  

Vibration 5:   Lines of Force moving through Vibration 4 bring about an urge for greater specificity. Direction and Purpose are established within the matrix of complexities by the radiation of Sanctification.

Vibration 6:   The radiation of Vibration 5 brings a calming influence to the creative cauldron out of which a focus of intelligence and coordination comes into play and begins to apply itself as the Force of Tranquility, flowing gently within the matrix of complexities.

Vibration 7:   The Vibration 6 Lines of Force pour out into atomic substance causing it to tremble. Cymatic patterns of design begin to appear in the atomic substance that in time find relationship in symbiotic configurations that grow in complexity. In Patience a New Earth is born.

In this new beginning in our day, God is incarnate on Earth in a body of heavenly hosts who have found one another and connected along ancient lines of eternal friendship. A new Heaven has already descended upon human consciousness for a New Earth, a void awaiting its birth.  Darkness is once again upon the face of the deep of tomorrow.  The Spirit of God once again moves upon the face of the waters; and the angelic host incarnate and awake say in one voice with one accord: “Let there be light!” And there is light. And in the Light of Love there is peace in the heart and stillness in the outer mind.  And the peace and stillness allows the minute and specific details of design and control in Heaven for the New Earth to unfold and reveal themselves, all in the seasons of the Lord and the rhythms of the Music of the Spheres.  Patience is the call of the day.  Let it all unfold naturally.

The light of love shines in the darkness, and the darkness does not comprehend it, for the darkness thinks itself to be the light, the dim and waning light of “knowledge” worshipped by the human intellect.  Nevertheless, the light of love shines in the darkness and enlightens the world and human consciousness so that the New Earth can be clearly seen coming down from God out of Heaven, and joyously welcomed.

And we’ve only just begun Day One.  Let love shine into the darkness without concern for tomorrow.  All is well and well in our hands, the hands of God on Earth.  Let it be so.

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Spirit of the New Earth Vibration, page 3: Reshaping Hallowed Space

“Sacred tones our voices sound, reshaping hallowed space.  Let Love command.  Let wonders form.  Let heaven’s beauty shine.  Let every living breath sing praise for light divine.” ¹

In this series I have been sharing excerpts from the section of my book SACRED ANATOMY focusing on the endocrine Gonad glands and the vibrational essence of the Spirit of the New Earth.  The larger context for this post is available in a previous post, which I recommend reading first, if you haven’t already done so.  In this post I share my meditation on the musical aspect of this sacred seal . . . along with some thoughts on current issues. 

This is an area in which, as a musician, I have a passionate interest; one that led me to explore in depth the spiritual or vibrational essences that create the body temple.  My exploration led me to write and publish my research and experimentation in a second book, ATTUNEMENT WITH SACRED SOUND, wherein I offer energy healers a methodology for the use of sacred sound as a carrier wave for Spirit and intention.

THE CREATING POWER OF WORDS

Before I proceed, I will say a few words about the hymn I excerpted a few lines from above.  It was written by a friend and colleague as a worshipful tribute to the Word that articulates the “Whole Holy World,” as Uranda described Creation.  The term word signifies sound, a vocal utterance, as it has done from the Beginning:  “And darkness was upon the face of the deep . . . and God said: Let there be light.”
St. John resounds these words from Genesis in his Gospel:

“In the beginning was the Word, and the Word was with God, and the Word was God. The same was in the beginning with God.  All things were made by him; and without him was not anything made that was made. (John: 1-3)

I would like to give some thought to the creating power of words. The Word, spelled with a capital W, signifies the Divine utterance of the Tone that creates and shapes the visible world.  The “Word made flesh” refers to the incarnation of the Lord of Love in the man Jesus. By the same principle, our words, imbued with spirit and emotion, are also made flesh in that they manifest form and shape our worlds. 

Words are born of intention.  It is the intention encoded in the words we speak that shapes our experiences in life and our worlds.  In the larger context of the collective body of humanity, our shared world is shaped and conditioned by what’s issuing forth from out of our collective heart, mind and consciousness—our music, for instance. 

Concerts put forth an abundance of emotion-driven words and thoughts that speak for the masses of young people who field and applaud them.  What issues forth from the mouths of bands and rock and rap artists, conveyed on the carrier waves of sound, has its influence on the consciousness of those attending and participating, who then return to their worlds and lives and shape both out of their consciousness.   

In this day, that issuance via various media is largely one of fear, anger, futility, longing, hoping and praying, leading to deep depression and desperation in many to the point of suicide . . . notably among an increasing number of youths and even children, where “virtual reality” and “social media” simply do not substitute for actual reality and social activities with friends and piers at school.  

Through the eyes of such conditioning, we view a world falling apart when in reality it is our species that is threatened by extinction in a collapsing ecology and economy, under siege by a virus from out of the natural world.  Chaos is global, erupting this week in Myanmar.   It is we who are coming apart as a gregarious species sentenced to isolation from one another for too long. 

Profiteering in high places is rampant in this pandemic. No one needs to be profiting from this catastrophe that has produced so much irreparable damage and brought so much pressure on everyone, especially on our youth.  The pressure will only increase as we move toward the end of this pandemic and into the next phase of our collective transformation.  There is light at the end of the tunnel. 

UNDER PRESSURE

My son John in Ashland, Oregon posted this on Facebook a few days ago that depicts the climate in the world presently, as well as his beautiful attitude of compassion:

Feeling this song pretty hard tonight. The pressure just keeps increasing and increasing, and I see it affecting everyone around me. Some take it better than others. I mean, are we diamonds yet? We’re just… Trying to be good people. Trying to save the planet. Trying to love each other. Trying to keep a house. Trying to make enough money. Trying to feed the poor. Trying to be good parents. Trying to be good partners. Trying to be good friends. Trying harder and harder and harder. And it’s never “enough.” There’s a reason for that.  Having A LOT of compassion for all those getting squeezed by life right now. You’re not alone. Together we walk. It is We, not just you and I.

“Why can’t we give love that one more chance?
‘Cause love’s such an old fashioned word
And love dares you to care for
The people on the (People on streets) edge of the night
And loves (People on streets) dares you to change our way of
Caring about ourselves
This is our last dance
This is ourselves
Under pressure”

(Video: Queen & David Bowie  UNDER PRESSURE )  To read Lyrics click here

It’s the terror of knowing what this world is about
Watching some good friends screaming let me out
Pray tomorrow gets me higher
Pressure on people, people on streets

[The phenomenal crowds that flocked to Queen concerts back in the 1980’s speaks to the revolutionary awakening of that era sparked and shaped by the words and sounds of Queen and similar concerts . . . and still doing so.  Just this one particular video was viewed by 272,254,215 people in March of 2013, a quarter of a century after the song had been performed at every Queen concert between 1981 and ’86.] 

PRESSURE ESSENTIAL TO CHANGE

Without pressure, change cannot occur. There is no greater potential for shaping the hallowed space of darkness upon the deep of our yet uncreated worlds than from the sacred ground of our sexuality.  Here at the first level in the planes of being are all the essences from the levels above that go to create and empower the world in which we live and have our being.  So there’s much pressure coming to bear at this lower level with at least six levels stacked up on top of it. What we do here in this place of holy communion, and why we do it, sets into motion the energetic and vibrational factors that will most assuredly shape our world and our experience of life. 

If we approach this potent area of sexual intimacy for the purpose of relieving the pressures of life, or simply pleasuring ourselves — or, worse yet, profiting financially from human and sex trafficking —  then we compromise whatever creative processes are unfolding.  We also enforce our intention to seek pleasure and profits from the world that we create, and the world given to us by our Creator.  

This is not in keeping with the intention of our divine Self, the angels we are, who have incarnated to co-create a heaven on earth with other angels who have incarnated with the same intention.  We are wise, then, to be fully conscious as we approach this potent creative activity.  And I know I’m preaching to the choir here as those in “gross darkness” cannot begin to comprehend the light.  Nevertheless, I send my words into the mass consciousness through you, my precious and cherished reader, along with deep appreciation.  

That said, I will now proceed to share this excerpt from my book. 

Musical Shaping of Sacred Space 

   THIS FIRST-LEVEL CENTER for the differentiation of the awesome power of Love emits a vibration that corresponds with the longest of the seven dominant wavelengths in the light spectrum, Red, correlating with the musical pitch of A 220,  the lower octave of A 440 , which re-sounds the vibratory pitch of invisible ultra-violet light at the top of the spectrum. This lower vibration moves down to a G Natural red at the root Chakra, which represents the grounding our bodies provide between the current of the Creative Process and the natural world of the Good Earth, which is a further extension of the continuum spectrum of energy as it manifests in shades of red and brown earth tones, and which provides the materials for the construction of the body temple.

   The invisible, inaudible Music of the Spheres begins to be made visible in singing flesh.  Perhaps there is a significant correlation, as we considered earlier, with the intonation of the pitch A 440 by the Concert Master in tuning the orchestra just before the conductor enters to start the music.  The symphony of each life expression begins with the pitch of A 440.  Everything we see external to ourselves is but a reflection and echo of the designs found throughout the anatomy and physiology of the body temple.  

    For example, one can “hear” with one’s inner ear a pre-sounding of the vibratory pitches in the various parts of the anatomy.  I feel it in the area around my heart as well while sharing attunement with someone.  This is how I know what pitch to tone when I wish to work with sound as a carrier wave during a healing session.   It is really quite simple and very accurate, as I have discovered, offering a profound influence of sound vibration to facilitate the healing process. 

The audible music that we compose and play or sing is but a reflection of the inaudible “music” that is always sounding and resounding in sacred tones throughout our bodies.  It is what we are. We are music and light flowing like water through cool air and congealing like gelatin in an icy mold.  It is all one continuous river of sacred energy vibrating at different levels of frequency making itself visible here and there as it flows through the lattice work of force fields shaping sacred space along lines of force as functional design is given to living flesh.

   While focusing the attunement current in the region of the Gonads, I invariably have a deep sense of the sacred nature of this seal.   Here is the very seat of holiness in our sacred anatomy, an altar of worship upon which is sacrificed and sanctified the very finest molecules from the atomic world so that they might make their ascent into the temple of light. One may be compelled, as I am, to sound a sacred “OM” with deep, resonant tones.  Tender essences surely rise from these holy vessels as incense before the throne of God in our living temples. 

To close I simply say and sing “Let Love command.  Let wonders form.  Let heaven’s beauty shine.” I welcome your thoughts. Until my next post, blessings of light and love upon your path.  — Anthony  

CREDITS:  1. George C. Hanson, Let Love Command.  Hymn from Songs of Praise And Thanksgiving, hymnal of the Emissaries of Divine Light (©1986).

Spirit of the New Earth Vibration

“Blessed are the pure of heart, for they shall see God.” (Jesus)

In celebration of the world of creation, where angels incarnate to co-create heaven on the material plane of the earth, and where all the levels of being in this seven-dimensional world congeal into an experiential spectrum of creativity, where seeds are planted, germinate and sprout, and where trees grow and flowers blossom; where creatures great and small inhabit the earth, and where birds fly in the air and fishes of the sea plunge the deep, I turn to the beautiful and exquisite human body to meditate upon our awesome experience of the miracle of life.  The physical, material world is, after all, where all the levels of being can be enjoyed to the fullest.  It is the ultimate experience of life, of gods being human on planet Earth.

A scene from the movie MICHAEL, when John Travolta’s angelic character has to return to the realms of Light, touched my heart and jogged my memory. Looking at the trees blowing in the wind, Michael exclaimed “I’ll miss this world.” I was reminded that I too will one day have to leave this world and I will surely miss it.

That said, it is with much thought and hesitation that I proceed in sharing the following consideration from my book SACRED ANATOMY in a public forum such as this, as it is highly esoteric and sacred, intended for the initiated in the school of the Sacred Art of Living.  While pondering what my next blog series might be, and considering the theme of recent posts centered around the emergence of the New Earth out of the New Heaven, the chapter in my book featuring the Spirit of the New Earth and the endocrine Gonads presented itself as timely.  

Just as a preface to this series, the consideration of our sacred anatomy, presented here in the form of a meditation on transcendent essences, is not a scholarly study of human anatomy and physiology—although those aspects are given due consideration for accuracy. It is rather a presentation of firsthand esoteric knowledge, as previously noted, and inspired visionary insight and revelation. 

The book itself came to me to be written and published, a creative process that spanned a period of nine years.  The point of view of this sacred terrain, then, is that of the angel incarnate whose temple this body is, a temple for the presence and worship of the Living God on the physical plane of Being.  I ask you to read these words and meditations with your heart more than with your mind, with spiritual intelligence rather than scrutinizing human intellect. Spiritual essences are spiritually discerned and understood in the heart.

The larger context of this chapter is a section of the book dedicated to the consideration of the seven endocrine glands and their spiritual significance and functions as centers for the Seven Spirits before the throne of God—as described by St. John in his Book of Revelation—to enter the body temple and administer its creative processes.

These “Seven Spirits” were given names and characteristics by spiritual teacher and energy healing pioneer Lloyd Arthur Meeker (Uranda, 1907-1954)—such as the Spirit of Love for the Pineal gland, the Spirit of the Womb or Truth for the Pituitary gland, the Spirit of Life for the Thyroid gland, the Spirit of Purification for the Thymus gland, the Spirit of Blessing for the Islet of Langerhans in the Pancreas, the Spirit of the Single Eye for the Adrenal glands, and the Spirit of the New Earth for the Gonads.

While I fully embrace Uranda’s terminology and spiritual teachings and use them in this writing, from a vibrational standpoint these “Spirits” can be understood as the differentiations of the One Holy vibrational frequency of the Light of Love, just as rain drops differentiate the sun’s white light into the spectrum of the rainbow’s seven colors.  As we shall see, the color frequency of the Spirit of the New Earth is red, an earth tone.  Red is the longest frequency wave in the rainbow spectrum.  The quality of this first vibrational level is that of patience with the evolving cycles of creation and right expectance with regard to outcome.   

We’re speaking here of energy and various densities and textures of spiritual or vibrational substance, each focused energetic vortex playing a specific role in the body appropriate to its frequency.  It is with this in mind that I set forth twenty-five years ago to write SACRED ANATOMY.

These spirits, then, are focused sacred energic vibrations that are perceptible and known at a physical level in our human capacities, what are sometimes described as “body-mind-spirit continuums.” I envision a musical instrument with strings, perhaps a harp, for us angels to play heavenly music during our earthly sojourn. Each string or combination of strings could represent an organ or gland in the body, and seven of these strings could represent the seven endocrine glands and their corresponding “Spirits.” 

The point I wish to make here is though we speak and write using finite words to describe infinite realities and essences, the Spirit of God is practical and manifest forms by means of a spiritual or vibrational medium. Uranda called this medium “pneumaplasm” (spirit substance).  Think in terms of frequency and the differentiation of the Tone that first gives rise to a “mist” in the Garden of Consciousness wherein the seeds of creation are sown conveying the design and control factors of living forms into the vast field of undifferentiated cosmic dust and sets in motion the entire Universe.  This same Tone plays the “Music of the Spheres” through our Body Temples, and beyond them in the Cathedral of the Natural World—the “Whole Holy World,” as Uranda honored it.  These energy centers are also described as “seals” in their function as hormonal glands that release potent chemistry upon demand, opened by spiritual, or vibrational, signals of both creative and destructive qualities.  So, with all these things in mind, I present . . .

THE GONADS
Spirit of the New Earth

     OUR EXPLORATIONAL MEDITATION brings us now to a consideration of the first vibratory seal in this sacred temple, the Gonads (from the Greek gone, meaning seed).  These delicate yet powerful pairs of glands are located in the pelvic region of the human anatomy. The female aspects, the ovaries, are within the pelvic girdle in front of the sacrum, the triangular bone connecting the two pelvis blades and forming the dorsal portion of the pelvis.  The male aspects, the testes, are suspended outside the pelvic region and contained in the sac of the scrotum.  As their name implies, these glands produce the “seeds” that spawn human life.  The ancients believed that life originated from this region of the physical anatomy, thus the origin of the word sacrum, which means sacred bone.  They were not too far off the mark, as we shall see, for what does originate here in this region of our anatomy is truly of a sacred nature.  But first let us look at the hormonal chemistry and physiology of these pro-generative glands.

   The hormones produced by the Gonads play pivotal roles throughout the body temple.  Right at the start, their secretions determine the sexual characteristics of the embryo and then continue to influence the growth, maturation and development of the male and female forms. 

For example, the first role testosterone plays, as mentioned earlier in our consideration of hormones as “crystal messengers of light,” is to split the brain into two lobes in both the female and the male embryo.  The quantity of testosterone produced in the developing fetus will determine how much brain tissue remains connected between the two hemispheres. The female brain has more corpus callosum tissue connecting the two hemispheres than the male brain has, giving women greater integration between right brain and left brain in their thinking processes.  It is thought that this greater complexity tends to bring in more of the artistic and aesthetic “feelings” surrounding issues being considered, as compared to the male thinking processes which tend to be more logical, cold and calculating.

As we considered earlier also, estrogen and progesterone, the two primary ovarian hormones, give the female form its graceful curves and softness, as well as its emotional climate and the expression of feminine nurturing energies.  These two hormones work synergistically to provide for a controlled growth of new tissue wherever it is needed, as in the development of the endometrial lining of the uterus in preparation for the fertilized ovum, and in the process of bone replacement where both play an essential role together in breaking out old, brittle bone (progesterone’s role) and replacing it with new bone tissue (estrogen’s role).  The dominant presence of estrogen without the controlling factors progesterone offers into the process of new growth will result in an unbridled proliferation of neoplasm in the developing fetus, as well as elsewhere in the body temple where such proliferation may develop into cancerous tumors.

   When the young adolescent reaches puberty, the hypothalamus initiates hormonal changes in both the female and the male by secreting a chemical called gonadotropin-releasing hormone, or GnRH. Elevations in GnRh sends a signal to the pituitary gland of the young girl to release two hormones called follicle-stimulating hormone (FSH) and luteinizing hormone (LH), which initiates adult ovarian function. The girl becomes a childbearing woman.

     Testosterone, the male partner to estrogen, gives the male form its strong, muscular characteristics and provides for the expression of the masculine achieving energy.  These hormones are produced in the body under the initiative and direction of the Pituitary Gland, where, as we have seen, the Spirit of the Womb abides and oversees the Creative Process.  Both male and female hormones are to be found in men and women alike, with one more dominant than the other in each sex respectively, providing for the expression of the masculine and the feminine currents of energy through Man.  These highly charged energies work together as partners in co-creation with the Spirit of the New Earth.

Sacred Vessels   

Closely associated with the Gonads are the organs of reproduction themselves: the uterus which provides a womb for the conception, gestation and development of the human embryo; the fallopian tubes that convey an ovum into the uterus each and every month; and the erectile structure of the glans clitoridis (clitoris) which activates the contractions during sexual orgasm, as well as the ascension of the “kundalini,” the yogi life force that lies coiled at the base of the sacrum and rises up to the pineal gland atop the spinal cord at the base of the brain and opens this sacred seal to enlightenment. 

In the male the glans penis (penis), situated below and around the rim or head of the penis, serves this same dual purpose, triggering climatic waves that convey sperm from the testicles through the seminal vesicle—a highly convoluted duct called the “vas deferens”—and into the ejaculatory duct of the penis, passing through the prostate gland which secretes, as well as propels, an alkaline fluid containing the sperm through the penis and into the vagina during intercourse, where some of the sperm find their way through the cervix, the birthing portal of the womb, and into the uterus with intent to fertilize the ovum.   These organ/glands define at the physical level of procreation the giving and receiving aspects of the masculine and the feminine energies.

   The vessels of our sexual organs are especially sacred in that they connect the seven endocrine glands of the female temple with those of the male during sexual intercourse.  They may be seen, perhaps, as the right and left hand of the Creator, joined together in holy union—the positively-charged masculine with the negatively-charged feminine energies—for the purpose of releasing a unified current of love into the world.  Ultimately, as we shall explore, they are instrumental in generating the alchemy by which physical flesh is transmuted into the spiritualized substance of pneumaplasm, the silvery medium by which ecstatic union with the Divine is known in the ultimate sacramental ritual of sacred sex.   All of these glands and organs are the domain of the Spirit of the New Earth.

In my next post, I will continue to share excepts from this chapter on the Gonads and the Spirit of the New Earth. The topic will be the musical shaping of sacred space, the Kundalini fire of transmutation, and the ascension of the atomic molecules that give form to angels.  Until then,

Be love.  Be loved.
Anthony

tpal70@gmail.com                            

For a copy of SACRED ANATOMY, send your request to me by email. Price: $25 plus postage.      

 

“Cosmos and Psyche” part 2: Why History Will No Longer Repeat

“Watch and listen, you solitaries! From the future come winds with a stealthy flapping of wings; and good tidings go out to delicate ears.”
Fried
rich Nietzsche,Thus Spake Zarathustra

We have entered unprecedented times and space we’ve never occupied wherein intensifying energies and mounting pressures are bringing online a totally new version of the human species as our Earth undergoes an upgrade to a Fourth Density planet — recent and current events notwithstanding.  It’s onward and upward for the ordained representative of the Creator on Earth: Man, male and female, created equal in the image and likeness of Father God and Mother God.

In this post, I will bring forward the essence and some content from a previous post of January, 2020, to update our current cosmological conditions and context.

OUR SOLAR ENTITY

As I related then, my spiritual mentor once stated that the entire solar system, which he rather called a “Solar Entity,” is the embodiment of Man, total Man, with the planetary orbits serving as “wheels within wheels” turning the Human Psyche, the planets themselves being the manifest form of the collective Mind of Man orbiting a radiant star, the abode and outer garment of man’s Divine Source and that of all life on earth: the Lord of the Sacred Seven Rays and the absolute focalization of this Whole Holy World.

When I first heard this scenario back in the 1970’s, I thought it sounded wonderful, awesome, even plausible, although I didn’t quite understand what he was talking about, nor how it all worked. The idea was only a beautiful concept to me, which I gradually came to comprehend and adopt.  

Then just recently, I read COSMOS AND PSYCHE, an “epoch making” book by distinguished philosopher and cultural historian Richard Tarnas, who demonstrates precisely how the cosmic clock ticks off repetitive human behavior and world events. To borrow a quote by one impressed reader, “This is the closest my head has been to exploding while reading a book.” It was that powerful a read, all 492 pages.

Basically, the author assigns archetypal characteristics to the influence each planet exerts upon the human psyche.  He implies that the archetypes are not so much part of the energetic fields of the planets themselves as they are dormant in the collective human psyche where they are reawakened and brought forward into manifestation through individuals, as well as the collective body, during specific planetary alignments: conjunctions and oppositions, as well as other configurations.  Each planet triggers energetically a specific and unique characteristic and archetypal “personality” in the human psyche — (largely influenced, I should add, by the Zodiac House in which their alignments take place). It is a colossal and magnificent cosmic time piece.

HOW HISTORY HAS KEPT REPEATING

These planetary alignments occur repeatedly and with clockwork precision, a phenomenon that the author researches tenaciously and meticulously covering every significant alignment and event that have occurred on the planet since the birth of Jesus in 4 BC, and several decades prior to that, to the present millennium, and every significant historical figure from King Herod the Great and Jesus to the Bush presidencies up until the publication of his research in 2007.

The author calls these events “coincidences,” but the reader is given the incontrovertible impression of a causal relationship.  For a sampling of the author’s comparison of past planetary alignments to present and possibly future alignments and events, I refer you to my post of January, 2020. 

The overall perspective one is afforded as one moves with the author through the centuries of the previous two millennia and into the current era is the progressive nature of the evolutionary continuum guiding the transformation of human consciousness and life experiences, orchestrated by the symphony of our Solar System performing the “Music of the Spheres,” all accomplished and performed under the hand of Divine Providence, whose presence is clearly evident, as well as acknowledged by the author himself.

Each major event initiates a cycle, or advances the previous ongoing evolutionary cycle in its field, as one historic legend or memorialized actor on the world stage (inventor, artist, philosopher, writer, scientist, astronomer, discoverer) gives birth to something new, such as new ideas or inventions, or further develops and implements the ideas and inventions of those who had gone before — all guided and moved along by the clockwork precision of repeating planetary alignments.  

As I was writing that post, Mercury, Venus, Mars, Jupiter and Saturn had moved into alignment on January 6th, 2020 — which is, incidentally, the date when the Epiphany of the Magi is celebrated in the Christian world — and remained in alignment through February 20th.  As foretold by astrologist Pam Gregory, we did experience an energetic jolt and upgrade from this once-in-a-decade alignment. The last one occurred in 2005.

Richard Tarnas describes the archetypal characteristics of these planets, which I published in that post of January of 2020.  You can revisit that article and read his descriptions.  

PASSAGE THROUGH A GALACTIC CLOUD

The first two decades of the current millennium were years of radical change and evolution for the human species.  In his book, Richard Tarnas documents the repetition of history in meticulous detail and synchronistic chronology.  This was the experience of Humanity during millennia of travel through a galactic vibrational cloud, if you will, during which sojourn our vision was limited to the physical, material plane of mere existence and survival.  We were forewarned by the Creator in the Garden of Eden of this approaching period of clouded vision and instructed not to “eat of the fruit of the tree of the knowledge of good and evil,” as it is put in the creation story in Genesis — not to judge, in other words, or even touch the creative cycles in which forms evolve toward “good.” It was, and still is, our judgement of the evolutionary process, and our self-determination in interfering in the process to please our own desires and achieve our own ends and purposes that has resulted in our loss of Eden and consequent creation of evil upon our planet — such as genetically modified organisms and animal cloning, not to mention the redaction of sacred scriptures and the spinning of news stories by the media and politicians, and other distortion of truth.  In our blindness and arrogance we have brought about much misery and destruction upon our heads and upon the Garden of the Natural World. 

Thankfully, under the hand and by the grace of Divine Providence, we have managed to survive decades upon decades of repetitive cycles, initiated by jolts and waves of energy impacting the human psyche via planetary/zodiacal alignments, to arrive at this moment in time to see the dawn of a New Day.  We’ve moved out of the galactic cloud into the radiant light pouring out of the heart of our Milky Way Galaxy.  In this new year of our Lord 2021, a new dynamic has rendered inapplicable the predictability of the historical influences of planetary/Zodiac alignments upon the human psyche.  We are free from the influence of the “architypes” that have occupied our own human psyche from time immemorial.  Our vision is clearing, allowing us to see with the spiritual eyes of our hearts, presently undergoing a radical purification — which means we must tarry awhile until our spiritual Self fully emerges into radiant expression in an apocalypse of Light Divine.  That Day is nigh, even at the door.    

HISTORY NO LONGER REPEATS

According to the very popular astrologist and visionary Pam Gregory, we are no longer under the influence of the stars in the same repetitive way we have been for the past 12,000 years.  As she explains in the 23 minute video below, astrologists study cycles.  They look back on previous cycles and see what happened back then, what manifested, and put those aspects into current reality to see how they might manifest in our current time.

However, there are some massive changes that are happening right now that disable that methodology simply by reason of the fact that we are in a new place in the galaxy.  We have moved into a galactic photon belt we’ve never been in before, at least not in our race memory, where we are being bombarded by massive amounts of gamma light we haven’t known in our race’s lifetime.  The Schumann Resonance itself that measures the heartbeat of the earth is spiking beyond its recognized 8.3 Hertz.  The result of all these changes is that we are in an upgrade cycle, both as a planet and as a body of Humanity. “This is the biggest evolutionary leap for Humanity in about 12,000 years.”  For a clearer and exciting understanding of the energetic dynamics of the cosmic context into which we have now moved, I leave you with this 23 minute video.  Enjoy! 

Much is happening in our Solar Entity and cosmos.  So, pitch your frequency at unconditional love, as Pam directs.  Focus your heart’s love response in the Lord of the Sacred Seven Spirits, the quickest way to raise your frequency.  Let your mind be open to the present and free of the former things.  The New Earth is built upon a new design coming down from God out of the Heaven of heavens NOW, and not upon the archetypal patterns of old buried in the human psyche.  Let us recall that we are all angelic beings, members of the same body, the heavenly body of the Archangel, whose Whole Holy World this is, as we enter a new era of another Golden Age. 

I wrote a song back in the day of awakening that speaks to the dawning of a new age and a new world:

NEW AGE DAWNING

Chorus: There’s a new age dawning, you can feel it in the air. There’s a new world a forming, ’cause there are new people, true people there. 

When you look this old world over, pay no heed to what you see.  Lift your heart, reveal the glory and the joy to live and be.  Bless the people and the places that you touch from day to day, and the new world will appear ’cause you are there. (Chorus)

Let your heart be warm and loving, let your mind be open free. Let your spirits soar like eagles o’er the mountains, shore and sea.  Let the reason for your coming be the life with all you share, and the new world will appear ’cause you are there. (Chorus)

Now the past is gone forever, and the future’s but a dream.  Life is in the moment flowing like a cool, clear mountain stream.  Let the beauty that’s within you fill the moment that’s at hand, and the new world will appear ’cause you are there. (Chorus)

Yes, there’s a new world a forming, ’cause there are new people, true people, you people me people there. 

Have a wonderful and joyful trip around our Star on our beautiful planet in 2021. Until my next post,

Be love. Be loved.

Anthony

Email: tpal70@gmail.com

 

 

 

Our Cymatic Universe: Shaped by “The Music of the Spheres”

“If you wish to understand the universe, think of energy, frequency and vibration.” –Tesla

As those who follow my blog know, I encompass many aspects and areas of life on planet Earth. Lately I’ve been exploring the heavens and cosmic influence of the planets upon human consciousness and behavior, having recently read Richard Tarnas’s epic book COSMOS AND PSYCHE — Intimations of a New World View, in which he examines the impact of planetary alignments and their archetypal influence on human consciousness and historical events.  In this post, I will share my thoughts on how this influence works on the basis of acoustic cymatics, the shaping of matter by sound vibrations.  Let me first define and demonstrate what cymatics is.

Our Cymatic Universe

Cymatics is the science of sound made visible. It is based on the principle that when sound encounters a membrane such as your skin or the surface of water, it imprints an invisible pattern of energy. In other words, the periodic vibrations in the sound sample are converted and become periodic water ripples, creating beautiful geometric patterns that reveal the once invisible realm of sound. If we could see the sounds around us with our eyes we would see myriads of holographic bubbles, each with a kaleidoscopic-like pattern on its surface. (John Stuart Reed)

Below is a picture graphic of cymatic images created by sounds, specifically the first octave of twelve piano notes with which all of our music here in the West is composed. (Right click on the image to open in a new tab for magnified viewing.) 

For a real treat, click on this link for a five-minute demonstration of cymatics created by music: https://www.youtube.com/watch?v=n_e-vhGbqFQ

In my book ATTUNEMENT WITH SACRED SOUND–The Magical Use of Sound in Energy Work and Healing, there’s an entire section devoted to this topic. (For a copy of my book, send me your request by email. Price with local postage is $40.)

Sound Bubbles

Vibrations move out from their source in all directions. The picture below, along with this excerpt from my book, demonstrate and describes this phenomenon.

The term “sound wave” tends to create in the mind’s eye an image of a wave of sound, rather like a water ripple, moving vibrations of air molecules toward your ear in a wave-like motion when, in reality, sound does not propagate as a wave but moves out from its source spherically with one small part of the sphere’s leading edge reaching your ear. According to acoustic physics researcher, John Stuart Reid, all sounds that humans hear propagate in this way. He calls these spheres “sound bubbles” and they carry the sound by contracting and expanding according to its pitch (if it is a musical sound) or its frequency. The violin bubble image (above) demonstrates this principle graphically, illustrating a musical note emerging from a violin. (More about John Stuart Reid’s work can be found at his website, Cymascope.com. 

Causality and Correlation

Richard Tarnas queries the causality and correlations in his research, asking how planetary alignments impact our psyche? What is the nature of the medium by which their influence is transmitted? (Highlights mine)

In the modern era, with the dominant Cartesian-Newtonian paradigm in the background of all thought and discourse on the subject, considerable confusion has been produced by the conventional scientific attempt to interpret—and thus reject the possibility of—astrological correspondences within a modern mecha­nistic cosmological framework. In effect, the Cartesian-Newtonian standpoint led to a single simple question that, within its framework, was regarded as decisive for the issue of astrology’s validity: How can the planets influence events on the Earth if no physical forces have been observed that could cause those events ?  . . . . To a great extent the question of physi­cal planetary influence reflected the residual strength of materialist and mechanistic assumptions in contemporary scientific thought, even after the conceptual shifts introduced by quantum physics. Physical forces represented the only kind of relationship that could be imagined to exist between celestial bodies and hu­man life. This approach to astrology also, less obviously, reflected certain lingering literalist and mechanistic tendencies in the astrological tradition itself that made it vulnerable to a reductionist critique after the ancient Ptolemaic-Aristotelian cosmology was rejected and replaced by Newtonian science. Above all, how­ever, the modern dismissal of astrology reflected the virtually universal modern conviction that the cosmos was disenchanted.

Given the nature of the evidence now known, it is difficult to imagine any physical factor that could serve as the ultimate source or medium of the observed astrological correlations. At least on the basis of the principal categories of data I have examined, it seems to me highly unlikely that the planets send out physical emanations, like electromagnetic radiation, that causally influence events in human life in a mechanistic way so as to produce the observed correlations. The range of correspondences between planetary positions and human existence is just too vast and multidimensional—too manifestly ordered by structures of meaning, too suggestive of creative intelligence, too vividly informed by aes­thetic patterning, too metaphorically multivalent, too experientially complex and nuanced, and too responsive to human participatory inflection—to be explained by straightforward material factors alone. Given as well the consistent nature of correlations involving the Sun, the Moon, and all the planets of the solar system from Mercury and Venus to Neptune and Pluto, irrespective of their size or dis­tance from Earth, any causal factor resembling gravitational influence seems to be equally improbable.

I believe that a more plausible and comprehensive explanation of the avail­able evidence would rest on a conception of the universe as a fundamentally and irreducibly interconnected whole, informed by creative intelligence and pervaded by patterns of meaning and order that extend through every level, and that are expressed through a constant correspondence between astronomical events and human events. Such a view is concisely reflected in the Hermetic axiom “as above, so below,” which describes a universe all of whose parts and dimensions are integrated into an intelligible whole. In the perspective I am suggesting here, reflecting the dominant trend in contemporary astrological theory, the planets do not “cause” specific events any more than the hands on a clock “cause” a specific time. Rather, the planetary positions are indicative of the cosmic state of archetypal dynamics at that time. The words of Plotinus, the most influential philoso­pher of later classical antiquity, speak directly to this understanding:

The stars are like letters which inscribe themselves at every moment in the sky. … Everything in the world is full of signs …. All events are co­ordinated. . . . All things depend on each other; as has been said, “Everything breathes together.”

I resonate with his perspective. As one reads through Tarnas’s book, one is made aware of the progressive changes in human consciousness and the developments of civilizations, one development leading to another from century to century in perfect sequence and synchronicity with repeating cycles of planetary alignments.  We have been moved along the path of evolution by a Universal Intelligence, if you will, playing, upgrading and rewriting the “Music of the Spheres.”

The questions that arises in my mind are “What did Hermes imply when he envisioned the axiom ‘As above, so below’?”  Was he thinking only in terms of a physical universe, with the stars and planets “above” and the earth “below,” or was he envisioning a spiritual, vibrational causal dimension above this physical manifestation of a Divine order and harmony infusing and shaping the cosmos?  And is the enchantment of the universe inspired by the presence of a Divine Entity or merely by figments of human imagination projected upon the dark screen of outer space? Or perhaps a combination of both?

I envision a “unified field” of spirit clothed by form, of a Creator outfitted by Creation, bringing the inaudible Music of the Realms of Light into the audible realm of form, orchestrating and playing the “Music of the Spheres” upon the stars in the heavens and the planets orbiting our Star in the Milky Way Galaxy. 

Cymatic Archetypal Patterning

Here is my contribution to Richard Tarnas’s exhaustive research into the repetitive coincidences of planetary alignments and global events and human behavior . . . and, most significantly, human evolution.

Vibrational imprints upon the sea of human consciousness, produced by Zodiac constellations and planets in various configurations of alignment, may well be what give rise to the archetypal patterns of subtle energy that tend to shape human behavior and historical events, both personal and social—all on the basis of the principle of resonance.

As is demonstrated in the cymatic graphics above, sound, vibrations, energy, when impacting the sea of the collective consciousness of humanity, create kaleidoscopic-like patterned ripples that activate certain archetypal characteristics, their light side as well as their shadow side, which shape and manifest in global events, as well as in individuals born under specific “zodiacal signs” during specific planetary alignments. Their lives and life’s work alter the course of history and move humanity forward in the ongoing cycles of evolution and transformation. All that has gone before has brought us to this moment in time and space in our evolution. The hand of God is firmly upon these cycles. The Tone is sounding at its source in our Sun moving out to create resonant vibrations in all the planets. When they align, their collective vibrations and combined “music” bring about changes in the cymatic pattern on the surface of the human consciousness and consequently in human behavior; changes in our Earth and in all life on the planet.  Our Universe is shaped by the Tone sounding in the Music of the Spheres.

Notice I did not say “predetermine” or “predestine” human behavior, but only “shape.” There is still free will and personal choice in our determinations and behavior, a topic I will entertain shortly in another post.

Evolution Driven by Sound Vibrations

Evolution is in the hands of Divine Providence who sets forth the “ordinances of heaven.” How the ordinances of heaven are “set in the earth” is on the basis of vibrations, sound, the “Music of the Spheres,” as mathematical physicist Pythagoras described the orchestral symphony of our Universe.

Space is Not a Silent Void

Space is full of sound. All of the Planets and Stars generate radio waves that can be reproduced as sound. Contrary to popular belief, Space is NOT a silent void, there is a lot going on that we cannot see. Some of the stars have beautiful voices, some of them are not so pleasant, but all this represents much more than we can imagine beyond Quantum Physics, so Please Enjoy and Acknowledge. (by JARI)

(The second half of this 18-minute video is a beautiful, uplifting visual and musical meditation on the “Music of the Spheres,” which I know you will enjoy. View it on your expanded screen with auxiliary speakers.)

The Missing Essential Link . . . Restored

However, it is more than sound by which the ordinances of heaven are set in the earth. From the Beginning, it has been ordained by the Divine Design of Man that the ordinances of heaven be set in the earth by way of Man’s Consciousness polarized upward in Divine Consciousness and in oneness with the Creator.  This essential link and interface between heaven and earth has been missing . . . until now.  We are awakening to our rightful place in the Divine Design for Man and our role in the Creative Process.  Human consciousness is once again becoming available to and engaged with the Creator of the New Heaven and the emerging New Earth.  A reminder of this Divine ordination has been handed down to us — as my friend noted in his letter featured in my previous post — in what is called “The Lord’s Prayer” by these oft-repeated words: “Thy will be done on earth as it is in heaven”— which will provide topic for a future post. Until my next post,

Be love. Be loved.

Anthony

tpal70@gmail.com

As Below So Above—Divine Cosmology

“When quietly fall the shades on parting day
And whispering shadows ush’ring in the night
Creep o’er the hills and vales imbibing light.
When, harsh, the eye of heaven ceases prey
On verdant sights of Nature’s vast array,
And all that’s bright seems lost, to my dismay.
Then lift I, mind and heart, to heav’n’s embrace,
And there behold in awe majestic wealth:
A myriad worlds and worlds of heavenly dust,
In splendor clad with awe-inspiring grace.
Nay, what seemed lost to darkest night’s cruel stealth
Doth shine against that darkness thrice august.”

(The poem is my attempt at sonnet writing in English Lit Class.  I got an A− on it.  I thought it deserved an A+ of course.  But I was pleased anyway to have the teacher’s recognition of my budding poetry writing talent.  I loved English Literature.)

AS BELOW SO ABOVE 

The Design of the Inner Realms of Light is exactly and precisely mirrored in the design of the Cosmos, where heavenly bodies orbit around central hubs of focused light, all governed by the Law of Attraction.  Also known as The One Law and The Law of Love, this Law simply stated is: Positive Radiation and Negative Response. Everything in the Cosmic Universe radiates God’s love and responds to God’s radiance.  Love is the sole Focus of Divinity, as well as of the Cosmos.  Love is all there is in the entire Universe.

The extension of the One Law in the unfolding of the Creative Process is stated by Lloyd A. Meeker (Uranda):  “Radiation Response Attraction Union Unified Radiation.”  As can be demonstrated with a set of magnets, a positive attracts a negative and repels another positive. Spiraling galaxies are held together by this One Law.  Suns hold their planetary satellites and planets their moons in orbits around them on the basis of this Law of Attraction.  Creation unfolds on the basis of this Creative Process, manifesting the beauty and precision of a Divine Order and Design. 

A DESIGN OF FOCUSED CONTROL & GOVERNANCE

Looking up at the night sky, one can behold that order and design made manifest.  The Design of God, which involves level upon level of focalized spiritual essences and coordinated creative activity.  Every galaxy embodies a Divine Entity in charge of that particular galaxy surrounded by angelic hosts.  Every Sun in each and every galaxy provides a cloak for a LORD God.  Our Sun provides the outer radiant garment for the LORD of Love, also known as the LORD of Lords and KING of Kings, who has visited our planet a number of times.  I am reminded of the opening words from a powerful sacred solo written and sung by two dear friends:

How shall we give Thee glory, who art the Living God? Power? Who art the very flame of Love. Kingdom? When the Universe of stars is but a cloak to Thee. Thou art all things. All things come from Thee, return again unto Thee, and abide always in Thee . . . .

At the supreme apex of Being is the GOD of Gods encircled by heavenly hosts whose “cloak” is the entire vast Cosmos. There is focalized order, in other words, throughout GOD’s Heaven reflected in the Cosmos.  When we pray the “Lord’s Prayer” we invite this heavenly design and order to manifest itself in our world: “Thy will be done on Earth as it is in Heaven.”

Would that we inhabitants of the Earth would follow through with that invitation by allowing this prayer to manifest, to allow the order and harmony in the invisible realms of Light, GOD’s Heaven, to create order and harmony in the visible realm here on Earth. I grant you that no earthly soul has the faintest clue as to what that would look like.  All we can know is that the Creating Spirit of God, Love, is an organizing Force that alone knows how to bring order out of chaos.  All we have to do is let the light of Love shine through us into the whirling chaos and watch the impeccable order and beautiful harmony of Heaven appear through us on Earth, manifesting in season a true community, a community of friends of God and of one another.

DESIGN AND CONTROL THROUGHOUT THE COSMOS

In that Design are various combinations and configurations of 3’s, 7’s, 12’s 13’s 17’s, etc., and an infinite number of pairs of opposites.  It is by way of the various designs and configurations of stars in the Cosmos that control and governance is extended so that order and harmony are made possible.  Without design, control cannot be offered, and chaos results. It is due to our resistance to design and control that the world is in a chaotic state today.

We can observe the control of the positive and negative aspects of the One Law, where a positive central Sun attracts a negative and responsive field of planets and satellites, while at the same time repelling another solar system or galaxy with their radiant positive core, thereby keeping them from colliding with one another.  In this dynamic, repulsion is as crucial to order as attraction, otherwise everything would compress into a gigantic chaotic mass.  The Law works to maintain order and harmony, provided it is allowed to work the way it is designed to work. 

Physicists have learned they can manipulate this Law, to a point, by splitting the atom to release the awesome power of the Universe, which is the power of Love, by destroying the balance of the atomic fabric of Creation through fission.  But fission is not the result of Love’s power working through natural design and control principles.  The power of Love brings things together on the basis of fusion.  Fission is man’s bright idea realized tragically in the explosion of atomic warheads that kill and destroy.  Even in our use of fission to generate electricity we have harnessed power that destroys if accidentally released from a compromised atomic reactor.  On top of that, we’ve created an insoluble problem of storing used radioactive material in a safe place.   

Water is used to cool the radioactive rods and control the release of energy.  Of course, if the water leaks out through a damaged reactor, all hell breaks loose, as was the case with the Fukushima Daiichi nuclear disaster in Japan created by an earthquake and a tsunami.  Then there was the explosion of the nuclear plant at Chernobyl in the Ukraine that sent a plume into the atmosphere with radioactive fallout that was 400 times greater than that released in the atomic bombing of Hiroshima, which was an atrocity in itself, well justified of course.

 A SYMBOL OF TRUTH 

Water has been metaphorically used as a symbol of truth, because of how its design and consistency offers a controlling element, as well as a cleansing one.  Water is a excellent solvent as it loosens the bonds that hold certain elements together, like dirt and rust, freeing them from their structured settings.  Water is also used in plants to move building blocks and nutrients up into the fruit.  Water floats giant ships, as well as small fishing boats and canoes.  Water has a memory that records whatever is placed or mixed into it.  Another characteristic of water is its tendency to seek its own level all the way down from the snow-covered mountains to the rivers and creeks in the valley, even down to the swamps and marshlands, winding its way eventually back to its origin in the waters of the oceans and seas. We measure our land elevations on the basis of sea levels.  Water is a great symbol of truth. It is honest.

AS ABOVE SO BELOW

Design is a controlling factor in the formation of community.  For example, in Jesus’s ministry a community of 12 disciples was drawn together.  His presence in their midst at the central hub made 13 altogether.  So the numbers 12 and 13 have particular significance in the Sacred Geometry manifesting everywhere in our galaxy and solar system.

There were originally 12 planets, for example, orbiting around our Sun, which made a configuration of 13 heavenly bodies.  We can account for only 9 planets, which leaves 3 planets unaccounted for.  It is thought that the asteroid belt was once a planet that exploded, although NASA doesn’t validate this theory.  Then there is the Kuiper belt, which is home to three officially recognized dwarf planets: Pluto, Haumea and Makemake.  

It is believed that there is a “Ninth Planet” named Nibiru that travels an elongated orbit around our Sun, depicted by the blue orbit in this graphic.  My point is that our solar system is out of wack at the present time and therefore does not offer a balanced and coherent design through which control can be offered to its individual parts and through it to other star systems.  Design is an essential factor in controlling the development and movement of cosmic systems, all of which are contained in a web of magnetic energy force-fields. 

Here on Earth, we organize our societies and communities based on a pattern of focalization as well.  It’s the only way things work anywhere in the cosmos, even in and throughout our physical bodies. Having cut ourselves off from the whole where the One Law governs creation throughout the cosmic community, we have made our own laws by which we seek to govern and control people and nations.  Based on segmentation, segregation and border systems, our laws keep things separate rather than joined together as one global community, a oneness from which we cannot actually escape.  The fact is, the human race is one species, one community, separated only by man-made laws, constitutions declaring independence, and imaginary borers.  The fact also is we are very inter-dependent upon one another.  Our independence is an arbitrarily imposed illusion, a figment of human imagination.  We are inseparably one race, one people.

Do we not think that the power and force of the Light of Love can organize a global community that works as orderly as the cosmos it created and maintains without our bright mental ideas?  I have a feeling that we are on the verge of abandoning our mind-made world in lieu of a Spirit-made world.  What do you think, dear reader?  Are you ready to let go of what hasn’t worked, and doesn’t have enough time left to prove it can ever work, and let go to the way Love works in building true community?  Just look up at the night sky to the heavens and see the evidence all around us, around our planet and our solar system, that proclaim the genius and trustworthiness of Love to create a world that works in harmony with the rest of the Universe; that shouts out to us mortals . . .

“Let Love command!   Let wonders form!   Let Heaven’s beauty shine!   Let every living thing Sing praise for Light Divine.”

Those lyrics are from an Emissaries of Divine Light hymnal, originally a global community drawn together on the basis of the truth of love as a light that human beings are designed to radiate into the world.  Its members are dispersed throughout the world now integrated into communities with other light-workers who share the common purpose of creating a New Earth out of the New Heaven that has emerged in human consciousness over the past decades.  There is no greater invitation and call-out to the inhabitants of the Earth than “Let Love Command.”  Let our Global Community be drawn together by Love, and under the dominion of the Lord of Love.  It’s the only Way Life can work to bring about peace and harmony between peoples and nations.  Let Love command our expression in life. I welcome your thoughts and comments on this post.  Until my next post,

Be love.  Be loved.

Anthony

tpal70@gmail.com  

Planetary Archetypes . . . . . . . . . . Man in a Cosmic Context

Out beyond ideas of wrongdoing and rightdoing there is a field. I’ll meet you there. When the soul lies down in that grass the world is too full to talk about….  Rumi

Thank you, Rumi, for your rumination. The world is indeed too full to talk about, so I will simply write about it.  In this series, I’ve been considering the history of archetypes and its parallel evolution with that of human consciousness. The source of my research is Richard Tarnas’ epic book COSMOS AND PSYCHE, which I am finding incredibly fascinating and enlightening a read and study.  

In the previous post I shared Tarnas’ research into the history and evolution of the concept of archetypes and how human consciousness has evolved with it, as though the archetypes and human psyche are intimately blended and impacted by one another. (It may well be that the human psyche itself is the originator of the concept of archetypes.)  In this post, I will share the planetary aspects of the author’s perspective gained in his exhaustive and detailed research.

Listen to the Message of the Planets Aligned

It is not by happenstance that this material has come into my hands just prior to the time of the current planetary alignment, which will end on February 20th, two days before this post will be published. My consciousness is attuned to the energetic messages being transmitted to Earth at this pivotal and chaotic time when the most powerful person in man’s world is about to be chosen by the citizens of the United States of America—who are divided amongst themselves with fear and hatred governing hearts and minds. There is an encoded message for us in the music streaming from these aligned spheres, and one message I am hearing is

“Nothing is wrong. Everything matters. Let not your hearts be troubled. Let love fill them and radiate without concern for results.” 

As I write, I am aware that some of my readers may not have space in their minds and hearts to think and care much about these cosmic events. There is so much to keep up and deal with in our lives these days. And with one’s “nose up against the grindstone,” so-to-speak, one is understandably oblivious to the larger drama of life taking place in the cosmic context.  I say this not in judgment or criticism but with compassion for the busy human state. For reasons that are emerging even as I write, these larger events taking place in our cosmic habitat have projected themselves into my consciousness for consideration at this time.  So I will indulge them and give them due consideration—and I do welcome and appreciate comments and feedback from my readership, which fluctuates up and down with the subject matter.  Currently it’s up, so I’ll keep moving with this consideration—the next one already presenting itself in the back of my mind and having something to do with myths and memories of Paradise.  Hmm, sounds inviting.

Asking your forbearance, I burden you once again with an excerpt from COSMOS AND PSYCHE for your consideration and, hopefully, your edification and intellectual pleasure.  My mind loves to be engaged by truth—not that what follows is true at all levels, as there is always a higher truth.  This author writes from a higher level of consciousness than simply scientific and mental. It’s his spiritual perspectives, which he shares amidst all the astronomical and astrological data, that draws me to his writings—and to sharing them here. (Emphasis mine) 

PLANETARY ARCHETYPES

The astrological thesis as developed within the Platonic-Jungian lineage holds that these complex, multidimensional archetypes governing the forms of human experience are intelligibly connected with the planets and their movements in the heavens. This association is observable in a constant coincidence between specific planetary alignments and specific archetypally patterned phenomena in human affairs. . . . It does not appear to be accurate to say that astrologers have in essence arbitrarily used the mythological stories of the ancients about the gods Jupiter, Saturn, Venus, Mars, Mercury, and the rest to project symbolic meaning onto the planets, which are in actuality merely neutral material bodies without intrinsic significance [I cannot agree with Tarnas here, as all material forms, especially the planets, have spiritual, or vibrational, significance.] Rather, a considerable body of evidence suggests that the movements of the planets named Jupiter, Saturn, Venus, Mars, and Mercury tend to coincide with patterns of human experience that closely resemble the character of those planets’ mythical counterparts. That is, the astrologer’s insight, perhaps intuitive and divinatory in its ancient origins, appears to be fundamentally an empirical one. This empiricism is given context and meaning by a mythic, archetypal perspective, a perspective that the planetary correlations seem to support and illustrate with remarkable consistency. The nature of these correlations presents to the astrological researcher what appears to be an orchestrated synthesis combining the precision of mathematical astronomy with the psychological complexity of the archetypal imagination, a synthesis whose sources seemingly exist a priori within the fabric of the universe.

Here is where the distinction between the ancient philosophical (Platonic) and the modern psychological (earlier Jungian) conceptions of archetypes becomes especially relevant.  Whereas the original Jungian archetypes were primarily considered to be the basic formal principles of the human psyche, the original Platonic archetypes were regarded as the essential principles of reality itself, rooted in the very nature of the cosmos.  What separated these two views was the long development of Western thought that gradually differentiated a meaning-giving human subject from a neutral objective world, thereby locating the source of any universal principles of meaning exclusively within the human psyche. Integrating these two views (much as Jung began to do in his final years under the influence of synchronicities), contemporary astrology suggests that archetypes possess a reality that is both objective and subjective, one that informs both outer cosmos and inner human psyche, “as above, so below.” 

In effect, planetary archetypes are considered to be both “Jungian” (psychological) and “Platonic” (metaphysical) in nature: universal essences or forms at once intrinsic to and independent of the human mind, that not only endure as timeless universals but are also co-creatively enacted and recursively affected through human participation. And they are regarded as functioning in something like a Pythagorean-Platonic cosmic setting, i.e., in a cosmos pervasively integrated through the workings of a universal intelligence and creative principle. What distinguishes the contemporary astrological view is the additional factor of human co-creative participation in the concrete expressions of this creative principle, with the human being recognized as itself a potentially autonomous embodiment of the cosmos and its creative power and intelligence. 

In Jungian terms, the astrological evidence suggests that the collective unconscious is ultimately embedded in the macrocosm itself, with the planetary motions a synchronistic reflection of the unfolding archetypal dynamics of human experience. In Platonic terms, astrology affirms the existence of an anima mundi informing the cosmos, a world soul in which the human psyche participates as a microcosm of the whole. Finally, the Platonic, Jungian, and astrological understandings of archetypes are all complexly linked, both historically and conceptually, to the archetypal structures, narratives, and figures of ancient myth. Thus [Joseph] Campbell’s famous dictum: 

It would not be too much to say that myth is the secret opening through which the inexhaustible energies of the cosmos pour into human cultural manifestation. 

. . . .  For conceptual clarity, then, when we consider the meaning and character of each planetary archetype in the following chapters, it will be useful to understand these principles in three different senses: in the Homeric sense as a primordial deity and mythic figure; in the Platonic sense as a cosmic and metaphysical principle; and in the Jungian sense as a psychological principle (with its Kantian and Freudian background)—-with all of these associated with a specific planet.

For example, the archetype of Venus can be approached on the Homeric level as the Greek mythic figure of Aphrodite, the goddess of beauty and love, the Mesopotamian Ishtar, the Roman Venus. On the Platonic level Venus can be understood in terms of the metaphysical principle of Eros and the Beautiful. And on the Jungian level Venus can be viewed as the psychological tendency to perceive, desire, create, or in some other way experience beauty and love, to attract and be attracted, to seek harmony and aesthetic or sensuous pleasure, to engage in artistic activity and in romantic and social relations. These different levels or senses are distinguished here only to suggest the inherent complexity of arche­types, which must be formulated not as literal concretely definable entities but rather as dynamic potentialities and essences of meaning that cannot be localized or restricted to a specific dimension.

Finally, alongside this essential multidimensionality of archetypes is their equally essential multivalence. The Saturn archetype can express itself as judgment but also as old age, as tradition but also as oppression, as time but also as mortality, as depression but also as discipline, as gravity in the sense of heaviness and weight but also as gravity in the sense of seriousness and dignity. Thus Jung:

The ground principles, the archai, of the unconscious are indescribable because of their wealth of reference, although in themselves recognizable. The discriminating intellect naturally keeps on trying to establish their singleness of meaning and thus misses the essential point; for what we can above all establish as the one thing consistent with their nature is their manifold meaning, their almost limitless wealth of reference, which makes any unilateral formulation impossible.

This discussion is directly relevant to the outcome of our earlier consideration of free will and determinism in astrology. If I may summarize that thesis in a single statement: It seems to be specifically the multivalent potentiality that is intrinsic to the planetary archetypes—their dynamic indeterminacy—that opens up ontological space for the human being’s full co-creative participation in the unfolding of individual life, history, and the cosmic process. It is just this combi­nation of archetypal multivalence and an autonomous participatory self that engenders the possibility of a genuinely open universe. The resulting cosmological metastructure is still Pythagorean-Platonic in essential ways, but the relationship of the human self and the cosmic principles has undergone a metamorphosis that fully reflects and integrates the enormous modern and postmodern developments.

Our philosophical understanding of archetypes, our scientific understanding of the cosmos, and our psychological understanding of the self have all undergone a profound evolution in the course of history, and they have done so in complexly interconnected ways at each stage in this development. Our experience of all these has evolved, century by century, and thus our theories have as well.

Theories abound in the mind-made world, but they only tend to confuse rather than clarify understanding. The questions I ask are: “Who is it that is trying to understand? And what self?”  It seems that the self who is looking IS the self who are trying to “psychologically” understand.  However, as we know, a state cannot observe itself.  I am reminded of words attributed to Saint Francis:  “What you are looking for is who is looking.”

There is one final excerpt I wish to share from Richard Tarnas’ book in which he speaks to where we are now in the 21st century relative to a century-long planetary configuration.  I think you will enjoy his take on the archetypal profile presently at play in the human psyche shaping human behavior and global events.

In the next series I will do my best to offer clarification and enlightenment from a higher perspective. Until then, I greet you in Rumi’s field “beyond ideas of wrongdoing and rightdoing.” 

Be love. Be loved.

Anthony

Email: tpal70@gmail.com

 

 

 

 

 

Archetypes, Gods and Planets and The Evolution of Consciousness

“The earth is the LORD’S, and the fullness thereof: the world and they that dwell therein. For he hath founded it upon the seas, and established it upon the floods.” (Psalm 24)

The Heart Nebula

Our conscious presence in a cosmic context has been more vividly and visually brought to our awareness, as well as recalled to remembrance, by pictures of the vast cosmos made with the Hubble Telescope and shared with the world by our tenaciously adventurous astronomers who keep peering deeper and deeper into the “dark space” around us. 

What they have brought to us is virtually overwhelming, certainly unfathomable. The greater wonder of it all, however, is our ability to take it all into our consciousness through our very tiny eyes and our very tiny brains. This speaks to the largeness of our Being and our shared Consciousness. We are truly Gods in the midst of Creation enjoying what We have co-created with the Great Spirit Creator, the Lord God and heavenly King, whose Earth it is, “and the fullness thereof, the world and they that dwell therein.” 

ARCHETYPES, GODS AND PLANETS

With that inspirational preface, I will continue from where I left off in my previous post with a consideration of the nature of archetypes and their planetary associations as explored by cultural historian and philosopher Richard Tarnas in his epic work COSMOS AND PSYCHE.

[A graduate of Harvard University and Saybrook Institute, Tarnas is also author of The Passion Of The Western Mind, currently holding professorship of philosophy and cultural history at the California Institute of Integral Studies in San Francisco, where he founded the graduate program in Philosophy, Cosmology, and Consciousness, and at Pacifica Graduate Institute in Santa Barbara.]

As we were considering, archetypes in Greek mythology were gods and goddesses who were enshrined by heavenly bodies, such as planets and constellations. As the Greek mind evolved out of “myth to reason,” archetypes lost their divinity with Plato’s philosophical mentality: (Emphasis mine)

Plato gave to the archetypal perspective its clas­sic metaphysical formulation. In the Platonic view, archetypes–the Ideas or Forms–are absolute essences that transcend the empirical world yet give the world its form and meaning. They are timeless universals that serve as the fundamental reality informing every concrete particular. Something is beautiful pre­cisely to the extent that the archetype of Beauty is present in it. Or, described from a different viewpoint, something is beautiful precisely to the extent that it participates in the archetype of Beauty. For Plato, direct knowledge of these Forms or Ideas is regarded as the spiritual goal of the philosopher and the intel­lectual passion of the scientist.

In turn, Plato’s student and successor Aristotle brought to the concept of universal forms a more empiricist approach, one supported by a rationalism whose spirit of logical analysis was secular rather than spiritual and epiphanic. In the Aristotelian perspective, the forms lost their numinosity but gained a new recog­nition of their dynamic and teleological character as concretely embodied in the empirical world and processes of life. For Aristotle, the universal forms primarily exist in things, not above or beyond them. Moreover, they not only give form and essential qualities to concrete particulars but also dynamically transmute them from within, from potentiality to actuality and maturity, as the acorn gradually metamorphoses into the oak tree, the embryo into the mature organism, a young girl into a woman. The organism is drawn forward by the form to a realization of its inherent potential, just as a work of art is actualized by the artist guided by the form in the artist’s mind. Matter is an intrinsic susceptibility to form, an un­qualified openness to being configured and dynamically realized through form….

The Aristotelian form thus serves both as an indwelling impulse that orders and moves development and as the intelligible structure of a thing, its inner nature, that which makes it what it is, its essence. For Aristotle as for Plato, form is the principle by which something can be known, its essence recognized, its universal character distinguished within its particular embodiment.

The idea of archetypal or universal forms then underwent a number of important developments in the later classical, medieval and Renaissance periods.” It became the focus of one of the central and most sustained debates of Scholastic philosophy, “the problem of universals,” a controversy that both reflected and mediated the evolution of Western thought as the focus of intelligible reality gradually shifted from the transcendent to the immanent, from the universal to the particular, and ultimately from the divinely given archetypal Form (eidos) to the humanly constructed general name (nomina) after a final efflorescence in the philosophy and art of the High Renaissance. The concept of archetypes gradually retreated and then virtually disappeared with the modern rise of nominalist philosophy and empiricist science. The archetypal perspective remained vital principally in the arts, in classical and mythological studies, and in Romanticism, as a kind of archaic afterglow. Confined to the subjective realm of interior meaning by the dominant Enlightenment world view, it continued in this form latent in the modern sensibility. The radiant ascent and dominance of modern reason coincided precisely with the eclipse of the archetypal vision.

The concept of archetypes evolved further over the decades, which Tarnas details further. I will conclude with his summary of its evolutionary journey: 

It was not until the turn of the twentieth century that the concept of archetypes, foreshadowed by Nietzsche’s vision of the Dionysian and Apollonian principles shaping human culture, underwent an unexpected renascence. The immediate matrix of its rebirth was the empirical discoveries of depth psychology, first with Freud’s formulations of the Oedipus complex, Eros and Thanatos, ego, id, and superego (a “powerful mythology,” as Wittgenstein called psychoanalysis), then in an expanded, fully articulated form with the work of Jung and archetypal psychology. Jung, as we have seen, drawing on Kant’s critical epistemology and Freud’s instinct theory yet going beyond both, described archetypes as autonomous primordial forms in the psyche that structure and impel all human experience and behavior. In his last formulations influenced by his research on synchronicities, Jung came to regard archetypes as expressions not only of a collective unconscious shared by all human beings but also of a larger matrix of being and meaning that informs and encompasses both the physical world and the human psyche….

Finally, further developments of the archetypal perspective emerged in the postmodern period, not only in post-Jungian psychology but in other fields such as anthropology; mythology, religious studies, philosophy of science, linguistic analysis, phenomenology, process philosophy, and feminist scholarship. Advances in understanding the role of paradigms, symbols, and metaphors in shaping human experience and cognition brought new dimensions to the archetypal understanding. In the crucible of postmodern thought, the concept of archetypes was elaborated and critiqued, refined through the deconstruction of rigidly essentialist “false universals” and cultural stereotypes, and enriched through an increased awareness of archetypes’ fluid, evolving, multivalent, and participatory nature. Reflecting many of the above influences, James Hillman sums up the archetypal perspective in depth psychology:

Let us then imagine archetypes as the deepest patterns of psychic functioning, the roots of the soul governing the perspectives we have of ourselves and the world. They are the axiomatic, self-evident images to which psychic life and our theories about it ever return …. There are many other metaphors for describing them: immaterial potentials of structure, like invisible crystals in solution or forms in plants that suddenly show forth under certain conditions; patterns of instinctual behavior like those in animals that direct actions along unswerving paths; the genres and topoi in literature; the recurring typicalities in history; the basic syndromes in psychiatry; the paradigmatic thought models in science; the worldwide figures, rituals, and relationships in anthropology.

But one thing is absolutely essential to the notion of archetypes: their emotional possessive effect, their bedazzlement of consciousness so that it becomes blind to its own stance. By setting up a universe which tends to hold everything we do, see, and say in the sway of its cosmos, an archetype is best comparable with a God. And Gods, religions sometimes say, are less accessible to the senses and to the intellect than they are to the imaginative vision and emotion of the soul. They are cosmic perspectives in which the soul participates. They are the lords of its realms of being, the patterns for its mimesis. The soul cannot be, except in one of their patterns. All psychic reality is governed by one or another archetypal fantasy, given sanction by a God. I cannot but be in them. 

There is no place without Gods and no activity that does not enact them. Every fantasy, every experience has its archetypal reason. There is nothing that does not belong to one God or another.

Archetypes thus can be understood and described in many ways, and much of the history of Western thought has evolved and revolved around this very issue. For our present purposes, we can define an archetype as a universal prin­ciple or force that affects–impels, structures, permeates–the human psyche and the world of human experience on many levels. One can think of them in mythic terms as gods and goddesses (or what Blake called “the Immortals”), in Platonic terms as transcendent first principles and numinous Ideas, or in Aris­totelian terms as immanent universals and dynamic indwelling forms. One can approach them in a Kantian mode as a priori categories of perception and cogni­tion, in Schopenhauerian terms as the universal essences of life embodied in great works of art, or in the Nietzschean manner as primordial principles sym­bolizing basic cultural tendencies and modes of being. In the twentieth-century context, one can conceive of them in Husserlian terms as essential structures of human experience, in Wittgensteinian terms as linguistic family resemblances linking disparate but overlapping particulars, in Whiteheadian terms as eternal objects and pure potentialities whose ingression informs the unfolding process of reality, or in Kuhnian terms as underlying paradigmatic structures that shape scientific understanding and research. Finally, with depth psychology, one can approach them in the Freudian mode as primordial instincts impelling and structuring biological and psychological processes, or in the Jungian manner as fundamental formal principles of the human psyche, universal expressions of a collective unconscious and, ultimately, of the unus mundus.

The Evolution of Human Consciousness

I bring this consideration of archetypes and the evolution of their meaning to the human experience of life on planet Earth forward for the overview it provides of the evolution of human consciousness and how we human beings viewed the larger cosmic context in which we live and have our being. For one thing, how we have desperately sought out God and our origins in the external world, hoping to find both “lo here or lo there.”  

Finally, after all these decades, our consciousness has evolved sufficiently to bring to our awareness the awakening realization that the “image and likeness of God” is within us and is who and what we are.  The Archetype of all archetypes is the Light from which all things are made. I love this passage from The Gospel of Thomas:

Jesus said: “The images are revealed to people. The light within them is hidden in the image of the Father’s light. He will be revealed. His image is hidden in the light. . . .  You are pleased when you see your own likeness. When you see your images that came into being before you did, immortal, invisible images, how much can you bear?” 

The Archetype of Man is God, is Spirit, and is hidden in the Light of Love. Our Sun is the origin of the light that encompasses Earth and all the planets. In that light is the essence, the Truth, that makes all things created what they are, what their purpose is in the larger Design, and how they function as integral and essential parts in the One Whole.  As the current planetary alignment draws to a close in six day on February 20th, let us let Love be the Archetypal Spirit that moves us forward as we co-create the New Earth.  

I will conclude this series with my next post. Until then,

Be Love. Be loved.

Happy Valentine’s Day !

Anthony

tpal70@gmail.com

Our Cymatic Universe: Shaped by “The Music of the Spheres”

“If you wish to understand the universe, think of energy, frequency and vibration.” –Tesla

As those who follow my blog know, I encompass many aspects and areas of life on planet Earth. Lately I’ve been exploring the heavens and cosmic influence of the planets upon human consciousness and behavior, having recently read Richard Tarnas’s epic book COSMOS AND PSYCHE — Intimations of a New World View, in which he examines the impact of planetary alignments and their archetypal influence on human consciousness and historical events.  In this post, I will share my thoughts on how this influence works on the basis of acoustic cymatics, the shaping of matter by sound vibrations.  Let me first define and demonstrate what cymatics is.

Our Cymatic Universe

Cymatics is the science of sound made visible. It is based on the principle that when sound encounters a membrane such as your skin or the surface of water, it imprints an invisible pattern of energy. In other words, the periodic vibrations in the sound sample are converted and become periodic water ripples, creating beautiful geometric patterns that reveal the once invisible realm of sound. If we could see the sounds around us with our eyes we would see myriads of holographic bubbles, each with a kaleidoscopic-like pattern on its surface. (John Stuart Reed)

Below is a picture graphic of cymatic images created by sounds, specifically the first octave of twelve piano notes with which all of our music here in the West is composed. (Right click on the image to open in a new tab for magnified viewing.) 

For a real treat, click on this link for a five-minute demonstration of cymatics created by music: https://www.youtube.com/watch?v=n_e-vhGbqFQ

In my book ATTUNEMENT WITH SACRED SOUND–The Magical Use of Sound in Energy Work and Healing, there’s an entire section devoted to this topic. (For a copy of my book, send me your request by email. Price with local postage is $40.)

Sound Bubbles

Vibrations move out from their source in all directions. The picture below, along with this excerpt from my book, demonstrate and describes this phenomenon.

The term “sound wave” tends to create in the mind’s eye an image of a wave of sound, rather like a water ripple, moving vibrations of air molecules toward your ear in a wave-like motion when, in reality, sound does not propagate as a wave but moves out from its source spherically with one small part of the sphere’s leading edge reaching your ear. According to acoustic physics researcher, John Stuart Reid, all sounds that humans hear propagate in this way. He calls these spheres “sound bubbles” and they carry the sound by contracting and expanding according to its pitch (if it is a musical sound) or its frequency. The violin bubble image (above) demonstrates this principle graphically, illustrating a musical note emerging from a violin. (More about John Stuart Reid’s work can be found at his website, Cymascope.com. 

Causality and Correlation

Richard Tarnas queries the causality and correlations in his research, asking how planetary alignments impact our psyche? What is the nature of the medium by which their influence is transmitted? (Highlights mine)

In the modern era, with the dominant Cartesian-Newtonian paradigm in the background of all thought and discourse on the subject, considerable confusion has been produced by the conventional scientific attempt to interpret—and thus reject the possibility of—astrological correspondences within a modern mecha­nistic cosmological framework. In effect, the Cartesian-Newtonian standpoint led to a single simple question that, within its framework, was regarded as decisive for the issue of astrology’s validity: How can the planets influence events on the Earth if no physical forces have been observed that could cause those events ?  . . . . To a great extent the question of physi­cal planetary influence reflected the residual strength of materialist and mechanistic assumptions in contemporary scientific thought, even after the conceptual shifts introduced by quantum physics. Physical forces represented the only kind of relationship that could be imagined to exist between celestial bodies and hu­man life. This approach to astrology also, less obviously, reflected certain lingering literalist and mechanistic tendencies in the astrological tradition itself that made it vulnerable to a reductionist critique after the ancient Ptolemaic-Aristotelian cosmology was rejected and replaced by Newtonian science. Above all, how­ever, the modern dismissal of astrology reflected the virtually universal modern conviction that the cosmos was disenchanted.

Given the nature of the evidence now known, it is difficult to imagine any physical factor that could serve as the ultimate source or medium of the observed astrological correlations. At least on the basis of the principal categories of data I have examined, it seems to me highly unlikely that the planets send out physical emanations, like electromagnetic radiation, that causally influence events in human life in a mechanistic way so as to produce the observed correlations. The range of correspondences between planetary positions and human existence is just too vast and multidimensional—too manifestly ordered by structures of meaning, too suggestive of creative intelligence, too vividly informed by aes­thetic patterning, too metaphorically multivalent, too experientially complex and nuanced, and too responsive to human participatory inflection—to be explained by straightforward material factors alone. Given as well the consistent nature of correlations involving the Sun, the Moon, and all the planets of the solar system from Mercury and Venus to Neptune and Pluto, irrespective of their size or dis­tance from Earth, any causal factor resembling gravitational influence seems to be equally improbable.

I believe that a more plausible and comprehensive explanation of the avail­able evidence would rest on a conception of the universe as a fundamentally and irreducibly interconnected whole, informed by creative intelligence and pervaded by patterns of meaning and order that extend through every level, and that are expressed through a constant correspondence between astronomical events and human events. Such a view is concisely reflected in the Hermetic axiom “as above, so below,” which describes a universe all of whose parts and dimensions are integrated into an intelligible whole. In the perspective I am suggesting here, reflecting the dominant trend in contemporary astrological theory, the planets do not “cause” specific events any more than the hands on a clock “cause” a specific time. Rather, the planetary positions are indicative of the cosmic state of archetypal dynamics at that time. The words of Plotinus, the most influential philoso­pher of later classical antiquity, speak directly to this understanding:

The stars are like letters which inscribe themselves at every moment in the sky. … Everything in the world is full of signs …. All events are co­ordinated. . . . All things depend on each other; as has been said, “Everything breathes together.”

I resonate with his perspective. As one reads through Tarnas’s book, one is made aware of the progressive changes in human consciousness and the developments of civilizations, one development leading to another from century to century in perfect sequence and synchronicity with repeating cycles of planetary alignments.  We have been moved along the path of evolution by a Universal Intelligence, if you will, playing, upgrading and rewriting the “Music of the Spheres.”

The questions that arises in my mind are “What did Hermes imply when he envisioned the axiom ‘As above, so below’?”  Was he thinking only in terms of a physical universe, with the stars and planets “above” and the earth “below,” or was he envisioning a spiritual, vibrational causal dimension above this physical manifestation of a Divine order and harmony infusing and shaping the cosmos?  And is the enchantment of the universe inspired by the presence of a Divine Entity or merely by figments of human imagination projected upon the dark screen of outer space? Or perhaps a combination of both?

I envision a “unified field” of spirit clothed by form, of a Creator outfitted by Creation, bringing the inaudible Music of the Realms of Light into the audible realm of form, orchestrating and playing the “Music of the Spheres” upon the stars in the heavens and the planets orbiting our Star in the Milky Way Galaxy. 

Cymatic Archetypal Patterning

Here is my contribution to Richard Tarnas’s exhaustive research into the repetitive coincidences of planetary alignments and global events and human behavior . . . and, most significantly, human evolution.

Vibrational imprints upon the sea of human consciousness, produced by Zodiac constellations and planets in various configurations of alignment, may well be what give rise to the archetypal patterns of subtle energy that tend to shape human behavior and historical events, both personal and social—all on the basis of the principle of resonance.

As is demonstrated in the cymatic graphics above, sound, vibrations, energy, when impacting the sea of the collective consciousness of humanity, create kaleidoscopic-like patterned ripples that activate certain archetypal characteristics, their light side as well as their shadow side, which shape and manifest in global events, as well as in individuals born under specific “zodiacal signs” during specific planetary alignments. Their lives and life’s work alter the course of history and move humanity forward in the ongoing cycles of evolution and transformation. All that has gone before has brought us to this moment in time and space in our evolution. The hand of God is firmly upon these cycles. The Tone is sounding at its source in our Sun moving out to create resonant vibrations in all the planets. When they align, their collective vibrations and combined “music” bring about changes in the cymatic pattern on the surface of the human consciousness and consequently in human behavior; changes in our Earth and in all life on the planet.  Our Universe is shaped by the Tone sounding in the Music of the Spheres.

Notice I did not say “predetermine” or “predestine” human behavior, but only “shape.” There is still free will and personal choice in our determinations and behavior, a topic I will entertain shortly in another post.

Evolution Driven by Sound Vibrations

Evolution is in the hands of Divine Providence who sets forth the “ordinances of heaven.” How the ordinances of heaven are “set in the earth” is on the basis of vibrations, sound, the “Music of the Spheres,” as mathematical physicist Pythagoras described the orchestral symphony of our Universe.

Space is Not a Silent Void

Space is full of sound. All of the Planets and Stars generate radio waves that can be reproduced as sound. Contrary to popular belief, Space is NOT a silent void, there is a lot going on that we cannot see. Some of the stars have beautiful voices, some of them are not so pleasant, but all this represents much more than we can imagine beyond Quantum Physics, so Please Enjoy and Acknowledge. (by JARI)

(The second half of this 18-minute video is a beautiful, uplifting visual and musical meditation on the “Music of the Spheres,” which I know you will enjoy. View it on your expanded screen with auxiliary speakers.)

The Missing Essential Link . . . Restored

However, it is more than sound by which the ordinances of heaven are set in the earth. From the Beginning, it has been ordained by the Divine Design of Man that the ordinances of heaven be set in the earth by way of Man’s Consciousness polarized upward in Divine Consciousness and in oneness with the Creator.  This essential link and interface between heaven and earth has been missing . . . until now.  We are awakening to our rightful place in the Divine Design for Man and our role in the Creative Process.  Human consciousness is once again becoming available to and engaged with the Creator of the New Heaven and the emerging New Earth.  A reminder of this Divine ordination has been handed down to us — as my friend noted in his letter featured in my previous post — in what is called “The Lord’s Prayer” by these oft-repeated words: “Thy will be done on earth as it is in heaven”— which will provide topic for a future post. Until my next post,

Be love. Be loved.

Anthony

tpal70@gmail.com

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