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Archive for the ‘Music of the Spheres’ Category

Planetary Archetypes . . . . . . . . . . Man in a Cosmic Context

Out beyond ideas of wrongdoing and rightdoing there is a field. I’ll meet you there. When the soul lies down in that grass the world is too full to talk about….  Rumi

Thank you, Rumi, for your rumination. The world is indeed too full to talk about, so I will simply write about it.  In this series, I’ve been considering the history of archetypes and its parallel evolution with that of human consciousness. The source of my research is Richard Tarnas’ epic book COSMOS AND PSYCHE, which I am finding incredibly fascinating and enlightening a read and study.  

In the previous post I shared Tarnas’ research into the history and evolution of the concept of archetypes and how human consciousness has evolved with it, as though the archetypes and human psyche are intimately blended and impacted by one another. (It may well be that the human psyche itself is the originator of the concept of archetypes.)  In this post, I will share the planetary aspects of the author’s perspective gained in his exhaustive and detailed research.

Listen to the Message of the Planets Aligned

It is not by happenstance that this material has come into my hands just prior to the time of the current planetary alignment, which will end on February 20th, two days before this post will be published. My consciousness is attuned to the energetic messages being transmitted to Earth at this pivotal and chaotic time when the most powerful person in man’s world is about to be chosen by the citizens of the United States of America—who are divided amongst themselves with fear and hatred governing hearts and minds. There is an encoded message for us in the music streaming from these aligned spheres, and one message I am hearing is

“Nothing is wrong. Everything matters. Let not your hearts be troubled. Let love fill them and radiate without concern for results.” 

As I write, I am aware that some of my readers may not have space in their minds and hearts to think and care much about these cosmic events. There is so much to keep up and deal with in our lives these days. And with one’s “nose up against the grindstone,” so-to-speak, one is understandably oblivious to the larger drama of life taking place in the cosmic context.  I say this not in judgment or criticism but with compassion for the busy human state. For reasons that are emerging even as I write, these larger events taking place in our cosmic habitat have projected themselves into my consciousness for consideration at this time.  So I will indulge them and give them due consideration—and I do welcome and appreciate comments and feedback from my readership, which fluctuates up and down with the subject matter.  Currently it’s up, so I’ll keep moving with this consideration—the next one already presenting itself in the back of my mind and having something to do with myths and memories of Paradise.  Hmm, sounds inviting.

Asking your forbearance, I burden you once again with an excerpt from COSMOS AND PSYCHE for your consideration and, hopefully, your edification and intellectual pleasure.  My mind loves to be engaged by truth—not that what follows is true at all levels, as there is always a higher truth.  This author writes from a higher level of consciousness than simply scientific and mental. It’s his spiritual perspectives, which he shares amidst all the astronomical and astrological data, that draws me to his writings—and to sharing them here. (Emphasis mine) 

PLANETARY ARCHETYPES

The astrological thesis as developed within the Platonic-Jungian lineage holds that these complex, multidimensional archetypes governing the forms of human experience are intelligibly connected with the planets and their movements in the heavens. This association is observable in a constant coincidence between specific planetary alignments and specific archetypally patterned phenomena in human affairs. . . . It does not appear to be accurate to say that astrologers have in essence arbitrarily used the mythological stories of the ancients about the gods Jupiter, Saturn, Venus, Mars, Mercury, and the rest to project symbolic meaning onto the planets, which are in actuality merely neutral material bodies without intrinsic significance [I cannot agree with Tarnas here, as all material forms, especially the planets, have spiritual, or vibrational, significance.] Rather, a considerable body of evidence suggests that the movements of the planets named Jupiter, Saturn, Venus, Mars, and Mercury tend to coincide with patterns of human experience that closely resemble the character of those planets’ mythical counterparts. That is, the astrologer’s insight, perhaps intuitive and divinatory in its ancient origins, appears to be fundamentally an empirical one. This empiricism is given context and meaning by a mythic, archetypal perspective, a perspective that the planetary correlations seem to support and illustrate with remarkable consistency. The nature of these correlations presents to the astrological researcher what appears to be an orchestrated synthesis combining the precision of mathematical astronomy with the psychological complexity of the archetypal imagination, a synthesis whose sources seemingly exist a priori within the fabric of the universe.

Here is where the distinction between the ancient philosophical (Platonic) and the modern psychological (earlier Jungian) conceptions of archetypes becomes especially relevant.  Whereas the original Jungian archetypes were primarily considered to be the basic formal principles of the human psyche, the original Platonic archetypes were regarded as the essential principles of reality itself, rooted in the very nature of the cosmos.  What separated these two views was the long development of Western thought that gradually differentiated a meaning-giving human subject from a neutral objective world, thereby locating the source of any universal principles of meaning exclusively within the human psyche. Integrating these two views (much as Jung began to do in his final years under the influence of synchronicities), contemporary astrology suggests that archetypes possess a reality that is both objective and subjective, one that informs both outer cosmos and inner human psyche, “as above, so below.” 

In effect, planetary archetypes are considered to be both “Jungian” (psychological) and “Platonic” (metaphysical) in nature: universal essences or forms at once intrinsic to and independent of the human mind, that not only endure as timeless universals but are also co-creatively enacted and recursively affected through human participation. And they are regarded as functioning in something like a Pythagorean-Platonic cosmic setting, i.e., in a cosmos pervasively integrated through the workings of a universal intelligence and creative principle. What distinguishes the contemporary astrological view is the additional factor of human co-creative participation in the concrete expressions of this creative principle, with the human being recognized as itself a potentially autonomous embodiment of the cosmos and its creative power and intelligence. 

In Jungian terms, the astrological evidence suggests that the collective unconscious is ultimately embedded in the macrocosm itself, with the planetary motions a synchronistic reflection of the unfolding archetypal dynamics of human experience. In Platonic terms, astrology affirms the existence of an anima mundi informing the cosmos, a world soul in which the human psyche participates as a microcosm of the whole. Finally, the Platonic, Jungian, and astrological understandings of archetypes are all complexly linked, both historically and conceptually, to the archetypal structures, narratives, and figures of ancient myth. Thus [Joseph] Campbell’s famous dictum: 

It would not be too much to say that myth is the secret opening through which the inexhaustible energies of the cosmos pour into human cultural manifestation. 

. . . .  For conceptual clarity, then, when we consider the meaning and character of each planetary archetype in the following chapters, it will be useful to understand these principles in three different senses: in the Homeric sense as a primordial deity and mythic figure; in the Platonic sense as a cosmic and metaphysical principle; and in the Jungian sense as a psychological principle (with its Kantian and Freudian background)—-with all of these associated with a specific planet.

For example, the archetype of Venus can be approached on the Homeric level as the Greek mythic figure of Aphrodite, the goddess of beauty and love, the Mesopotamian Ishtar, the Roman Venus. On the Platonic level Venus can be understood in terms of the metaphysical principle of Eros and the Beautiful. And on the Jungian level Venus can be viewed as the psychological tendency to perceive, desire, create, or in some other way experience beauty and love, to attract and be attracted, to seek harmony and aesthetic or sensuous pleasure, to engage in artistic activity and in romantic and social relations. These different levels or senses are distinguished here only to suggest the inherent complexity of arche­types, which must be formulated not as literal concretely definable entities but rather as dynamic potentialities and essences of meaning that cannot be localized or restricted to a specific dimension.

Finally, alongside this essential multidimensionality of archetypes is their equally essential multivalence. The Saturn archetype can express itself as judgment but also as old age, as tradition but also as oppression, as time but also as mortality, as depression but also as discipline, as gravity in the sense of heaviness and weight but also as gravity in the sense of seriousness and dignity. Thus Jung:

The ground principles, the archai, of the unconscious are indescribable because of their wealth of reference, although in themselves recognizable. The discriminating intellect naturally keeps on trying to establish their singleness of meaning and thus misses the essential point; for what we can above all establish as the one thing consistent with their nature is their manifold meaning, their almost limitless wealth of reference, which makes any unilateral formulation impossible.

This discussion is directly relevant to the outcome of our earlier consideration of free will and determinism in astrology. If I may summarize that thesis in a single statement: It seems to be specifically the multivalent potentiality that is intrinsic to the planetary archetypes—their dynamic indeterminacy—that opens up ontological space for the human being’s full co-creative participation in the unfolding of individual life, history, and the cosmic process. It is just this combi­nation of archetypal multivalence and an autonomous participatory self that engenders the possibility of a genuinely open universe. The resulting cosmological metastructure is still Pythagorean-Platonic in essential ways, but the relationship of the human self and the cosmic principles has undergone a metamorphosis that fully reflects and integrates the enormous modern and postmodern developments.

Our philosophical understanding of archetypes, our scientific understanding of the cosmos, and our psychological understanding of the self have all undergone a profound evolution in the course of history, and they have done so in complexly interconnected ways at each stage in this development. Our experience of all these has evolved, century by century, and thus our theories have as well.

Theories abound in the mind-made world, but they only tend to confuse rather than clarify understanding. The questions I ask are: “Who is it that is trying to understand? And what self?”  It seems that the self who is looking IS the self who are trying to “psychologically” understand.  However, as we know, a state cannot observe itself.  I am reminded of words attributed to Saint Francis:  “What you are looking for is who is looking.”

There is one final excerpt I wish to share from Richard Tarnas’ book in which he speaks to where we are now in the 21st century relative to a century-long planetary configuration.  I think you will enjoy his take on the archetypal profile presently at play in the human psyche shaping human behavior and global events.

In the next series I will do my best to offer clarification and enlightenment from a higher perspective. Until then, I greet you in Rumi’s field “beyond ideas of wrongdoing and rightdoing.” 

Be love. Be loved.

Anthony

Email: tpal70@gmail.com

 

 

 

 

 

Archetypes, Gods and Planets and The Evolution of Consciousness

“The earth is the LORD’S, and the fullness thereof: the world and they that dwell therein. For he hath founded it upon the seas, and established it upon the floods.” (Psalm 24)

The Heart Nebula

Our conscious presence in a cosmic context has been more vividly and visually brought to our awareness, as well as recalled to remembrance, by pictures of the vast cosmos made with the Hubble Telescope and shared with the world by our tenaciously adventurous astronomers who keep peering deeper and deeper into the “dark space” around us. 

What they have brought to us is virtually overwhelming, certainly unfathomable. The greater wonder of it all, however, is our ability to take it all into our consciousness through our very tiny eyes and our very tiny brains. This speaks to the largeness of our Being and our shared Consciousness. We are truly Gods in the midst of Creation enjoying what We have co-created with the Great Spirit Creator, the Lord God and heavenly King, whose Earth it is, “and the fullness thereof, the world and they that dwell therein.” 

ARCHETYPES, GODS AND PLANETS

With that inspirational preface, I will continue from where I left off in my previous post with a consideration of the nature of archetypes and their planetary associations as explored by cultural historian and philosopher Richard Tarnas in his epic work COSMOS AND PSYCHE.

[A graduate of Harvard University and Saybrook Institute, Tarnas is also author of The Passion Of The Western Mind, currently holding professorship of philosophy and cultural history at the California Institute of Integral Studies in San Francisco, where he founded the graduate program in Philosophy, Cosmology, and Consciousness, and at Pacifica Graduate Institute in Santa Barbara.]

As we were considering, archetypes in Greek mythology were gods and goddesses who were enshrined by heavenly bodies, such as planets and constellations. As the Greek mind evolved out of “myth to reason,” archetypes lost their divinity with Plato’s philosophical mentality: (Emphasis mine)

Plato gave to the archetypal perspective its clas­sic metaphysical formulation. In the Platonic view, archetypes–the Ideas or Forms–are absolute essences that transcend the empirical world yet give the world its form and meaning. They are timeless universals that serve as the fundamental reality informing every concrete particular. Something is beautiful pre­cisely to the extent that the archetype of Beauty is present in it. Or, described from a different viewpoint, something is beautiful precisely to the extent that it participates in the archetype of Beauty. For Plato, direct knowledge of these Forms or Ideas is regarded as the spiritual goal of the philosopher and the intel­lectual passion of the scientist.

In turn, Plato’s student and successor Aristotle brought to the concept of universal forms a more empiricist approach, one supported by a rationalism whose spirit of logical analysis was secular rather than spiritual and epiphanic. In the Aristotelian perspective, the forms lost their numinosity but gained a new recog­nition of their dynamic and teleological character as concretely embodied in the empirical world and processes of life. For Aristotle, the universal forms primarily exist in things, not above or beyond them. Moreover, they not only give form and essential qualities to concrete particulars but also dynamically transmute them from within, from potentiality to actuality and maturity, as the acorn gradually metamorphoses into the oak tree, the embryo into the mature organism, a young girl into a woman. The organism is drawn forward by the form to a realization of its inherent potential, just as a work of art is actualized by the artist guided by the form in the artist’s mind. Matter is an intrinsic susceptibility to form, an un­qualified openness to being configured and dynamically realized through form….

The Aristotelian form thus serves both as an indwelling impulse that orders and moves development and as the intelligible structure of a thing, its inner nature, that which makes it what it is, its essence. For Aristotle as for Plato, form is the principle by which something can be known, its essence recognized, its universal character distinguished within its particular embodiment.

The idea of archetypal or universal forms then underwent a number of important developments in the later classical, medieval and Renaissance periods.” It became the focus of one of the central and most sustained debates of Scholastic philosophy, “the problem of universals,” a controversy that both reflected and mediated the evolution of Western thought as the focus of intelligible reality gradually shifted from the transcendent to the immanent, from the universal to the particular, and ultimately from the divinely given archetypal Form (eidos) to the humanly constructed general name (nomina) after a final efflorescence in the philosophy and art of the High Renaissance. The concept of archetypes gradually retreated and then virtually disappeared with the modern rise of nominalist philosophy and empiricist science. The archetypal perspective remained vital principally in the arts, in classical and mythological studies, and in Romanticism, as a kind of archaic afterglow. Confined to the subjective realm of interior meaning by the dominant Enlightenment world view, it continued in this form latent in the modern sensibility. The radiant ascent and dominance of modern reason coincided precisely with the eclipse of the archetypal vision.

The concept of archetypes evolved further over the decades, which Tarnas details further. I will conclude with his summary of its evolutionary journey: 

It was not until the turn of the twentieth century that the concept of archetypes, foreshadowed by Nietzsche’s vision of the Dionysian and Apollonian principles shaping human culture, underwent an unexpected renascence. The immediate matrix of its rebirth was the empirical discoveries of depth psychology, first with Freud’s formulations of the Oedipus complex, Eros and Thanatos, ego, id, and superego (a “powerful mythology,” as Wittgenstein called psychoanalysis), then in an expanded, fully articulated form with the work of Jung and archetypal psychology. Jung, as we have seen, drawing on Kant’s critical epistemology and Freud’s instinct theory yet going beyond both, described archetypes as autonomous primordial forms in the psyche that structure and impel all human experience and behavior. In his last formulations influenced by his research on synchronicities, Jung came to regard archetypes as expressions not only of a collective unconscious shared by all human beings but also of a larger matrix of being and meaning that informs and encompasses both the physical world and the human psyche….

Finally, further developments of the archetypal perspective emerged in the postmodern period, not only in post-Jungian psychology but in other fields such as anthropology; mythology, religious studies, philosophy of science, linguistic analysis, phenomenology, process philosophy, and feminist scholarship. Advances in understanding the role of paradigms, symbols, and metaphors in shaping human experience and cognition brought new dimensions to the archetypal understanding. In the crucible of postmodern thought, the concept of archetypes was elaborated and critiqued, refined through the deconstruction of rigidly essentialist “false universals” and cultural stereotypes, and enriched through an increased awareness of archetypes’ fluid, evolving, multivalent, and participatory nature. Reflecting many of the above influences, James Hillman sums up the archetypal perspective in depth psychology:

Let us then imagine archetypes as the deepest patterns of psychic functioning, the roots of the soul governing the perspectives we have of ourselves and the world. They are the axiomatic, self-evident images to which psychic life and our theories about it ever return …. There are many other metaphors for describing them: immaterial potentials of structure, like invisible crystals in solution or forms in plants that suddenly show forth under certain conditions; patterns of instinctual behavior like those in animals that direct actions along unswerving paths; the genres and topoi in literature; the recurring typicalities in history; the basic syndromes in psychiatry; the paradigmatic thought models in science; the worldwide figures, rituals, and relationships in anthropology.

But one thing is absolutely essential to the notion of archetypes: their emotional possessive effect, their bedazzlement of consciousness so that it becomes blind to its own stance. By setting up a universe which tends to hold everything we do, see, and say in the sway of its cosmos, an archetype is best comparable with a God. And Gods, religions sometimes say, are less accessible to the senses and to the intellect than they are to the imaginative vision and emotion of the soul. They are cosmic perspectives in which the soul participates. They are the lords of its realms of being, the patterns for its mimesis. The soul cannot be, except in one of their patterns. All psychic reality is governed by one or another archetypal fantasy, given sanction by a God. I cannot but be in them. 

There is no place without Gods and no activity that does not enact them. Every fantasy, every experience has its archetypal reason. There is nothing that does not belong to one God or another.

Archetypes thus can be understood and described in many ways, and much of the history of Western thought has evolved and revolved around this very issue. For our present purposes, we can define an archetype as a universal prin­ciple or force that affects–impels, structures, permeates–the human psyche and the world of human experience on many levels. One can think of them in mythic terms as gods and goddesses (or what Blake called “the Immortals”), in Platonic terms as transcendent first principles and numinous Ideas, or in Aris­totelian terms as immanent universals and dynamic indwelling forms. One can approach them in a Kantian mode as a priori categories of perception and cogni­tion, in Schopenhauerian terms as the universal essences of life embodied in great works of art, or in the Nietzschean manner as primordial principles sym­bolizing basic cultural tendencies and modes of being. In the twentieth-century context, one can conceive of them in Husserlian terms as essential structures of human experience, in Wittgensteinian terms as linguistic family resemblances linking disparate but overlapping particulars, in Whiteheadian terms as eternal objects and pure potentialities whose ingression informs the unfolding process of reality, or in Kuhnian terms as underlying paradigmatic structures that shape scientific understanding and research. Finally, with depth psychology, one can approach them in the Freudian mode as primordial instincts impelling and structuring biological and psychological processes, or in the Jungian manner as fundamental formal principles of the human psyche, universal expressions of a collective unconscious and, ultimately, of the unus mundus.

The Evolution of Human Consciousness

I bring this consideration of archetypes and the evolution of their meaning to the human experience of life on planet Earth forward for the overview it provides of the evolution of human consciousness and how we human beings viewed the larger cosmic context in which we live and have our being. For one thing, how we have desperately sought out God and our origins in the external world, hoping to find both “lo here or lo there.”  

Finally, after all these decades, our consciousness has evolved sufficiently to bring to our awareness the awakening realization that the “image and likeness of God” is within us and is who and what we are.  The Archetype of all archetypes is the Light from which all things are made. I love this passage from The Gospel of Thomas:

Jesus said: “The images are revealed to people. The light within them is hidden in the image of the Father’s light. He will be revealed. His image is hidden in the light. . . .  You are pleased when you see your own likeness. When you see your images that came into being before you did, immortal, invisible images, how much can you bear?” 

The Archetype of Man is God, is Spirit, and is hidden in the Light of Love. Our Sun is the origin of the light that encompasses Earth and all the planets. In that light is the essence, the Truth, that makes all things created what they are, what their purpose is in the larger Design, and how they function as integral and essential parts in the One Whole.  As the current planetary alignment draws to a close in six day on February 20th, let us let Love be the Archetypal Spirit that moves us forward as we co-create the New Earth.  

I will conclude this series with my next post. Until then,

Be Love. Be loved.

Happy Valentine’s Day !

Anthony

tpal70@gmail.com

Our Cymatic Universe: Shaped by “The Music of the Spheres”

“If you wish to understand the universe, think of energy, frequency and vibration.” –Tesla

As those who follow my blog know, I encompass many aspects and areas of life on planet Earth. Lately I’ve been exploring the heavens and cosmic influence of the planets upon human consciousness and behavior, having recently read Richard Tarnas’s epic book COSMOS AND PSYCHE — Intimations of a New World View, in which he examines the impact of planetary alignments and their archetypal influence on human consciousness and historical events.  In this post, I will share my thoughts on how this influence works on the basis of acoustic cymatics, the shaping of matter by sound vibrations.  Let me first define and demonstrate what cymatics is.

Our Cymatic Universe

Cymatics is the science of sound made visible. It is based on the principle that when sound encounters a membrane such as your skin or the surface of water, it imprints an invisible pattern of energy. In other words, the periodic vibrations in the sound sample are converted and become periodic water ripples, creating beautiful geometric patterns that reveal the once invisible realm of sound. If we could see the sounds around us with our eyes we would see myriads of holographic bubbles, each with a kaleidoscopic-like pattern on its surface. (John Stuart Reed)

Below is a picture graphic of cymatic images created by sounds, specifically the first octave of twelve piano notes with which all of our music here in the West is composed. (Right click on the image to open in a new tab for magnified viewing.) 

For a real treat, click on this link for a five-minute demonstration of cymatics created by music: https://www.youtube.com/watch?v=n_e-vhGbqFQ

In my book ATTUNEMENT WITH SACRED SOUND–The Magical Use of Sound in Energy Work and Healing, there’s an entire section devoted to this topic. (For a copy of my book, send me your request by email. Price with local postage is $40.)

Sound Bubbles

Vibrations move out from their source in all directions. The picture below, along with this excerpt from my book, demonstrate and describes this phenomenon.

The term “sound wave” tends to create in the mind’s eye an image of a wave of sound, rather like a water ripple, moving vibrations of air molecules toward your ear in a wave-like motion when, in reality, sound does not propagate as a wave but moves out from its source spherically with one small part of the sphere’s leading edge reaching your ear. According to acoustic physics researcher, John Stuart Reid, all sounds that humans hear propagate in this way. He calls these spheres “sound bubbles” and they carry the sound by contracting and expanding according to its pitch (if it is a musical sound) or its frequency. The violin bubble image (above) demonstrates this principle graphically, illustrating a musical note emerging from a violin. (More about John Stuart Reid’s work can be found at his website, Cymascope.com. 

Causality and Correlation

Richard Tarnas queries the causality and correlations in his research, asking how planetary alignments impact our psyche? What is the nature of the medium by which their influence is transmitted? (Highlights mine)

In the modern era, with the dominant Cartesian-Newtonian paradigm in the background of all thought and discourse on the subject, considerable confusion has been produced by the conventional scientific attempt to interpret—and thus reject the possibility of—astrological correspondences within a modern mecha­nistic cosmological framework. In effect, the Cartesian-Newtonian standpoint led to a single simple question that, within its framework, was regarded as decisive for the issue of astrology’s validity: How can the planets influence events on the Earth if no physical forces have been observed that could cause those events ?  . . . . To a great extent the question of physi­cal planetary influence reflected the residual strength of materialist and mechanistic assumptions in contemporary scientific thought, even after the conceptual shifts introduced by quantum physics. Physical forces represented the only kind of relationship that could be imagined to exist between celestial bodies and hu­man life. This approach to astrology also, less obviously, reflected certain lingering literalist and mechanistic tendencies in the astrological tradition itself that made it vulnerable to a reductionist critique after the ancient Ptolemaic-Aristotelian cosmology was rejected and replaced by Newtonian science. Above all, how­ever, the modern dismissal of astrology reflected the virtually universal modern conviction that the cosmos was disenchanted.

Given the nature of the evidence now known, it is difficult to imagine any physical factor that could serve as the ultimate source or medium of the observed astrological correlations. At least on the basis of the principal categories of data I have examined, it seems to me highly unlikely that the planets send out physical emanations, like electromagnetic radiation, that causally influence events in human life in a mechanistic way so as to produce the observed correlations. The range of correspondences between planetary positions and human existence is just too vast and multidimensional—too manifestly ordered by structures of meaning, too suggestive of creative intelligence, too vividly informed by aes­thetic patterning, too metaphorically multivalent, too experientially complex and nuanced, and too responsive to human participatory inflection—to be explained by straightforward material factors alone. Given as well the consistent nature of correlations involving the Sun, the Moon, and all the planets of the solar system from Mercury and Venus to Neptune and Pluto, irrespective of their size or dis­tance from Earth, any causal factor resembling gravitational influence seems to be equally improbable.

I believe that a more plausible and comprehensive explanation of the avail­able evidence would rest on a conception of the universe as a fundamentally and irreducibly interconnected whole, informed by creative intelligence and pervaded by patterns of meaning and order that extend through every level, and that are expressed through a constant correspondence between astronomical events and human events. Such a view is concisely reflected in the Hermetic axiom “as above, so below,” which describes a universe all of whose parts and dimensions are integrated into an intelligible whole. In the perspective I am suggesting here, reflecting the dominant trend in contemporary astrological theory, the planets do not “cause” specific events any more than the hands on a clock “cause” a specific time. Rather, the planetary positions are indicative of the cosmic state of archetypal dynamics at that time. The words of Plotinus, the most influential philoso­pher of later classical antiquity, speak directly to this understanding:

The stars are like letters which inscribe themselves at every moment in the sky. … Everything in the world is full of signs …. All events are co­ordinated. . . . All things depend on each other; as has been said, “Everything breathes together.”

I resonate with his perspective. As one reads through Tarnas’s book, one is made aware of the progressive changes in human consciousness and the developments of civilizations, one development leading to another from century to century in perfect sequence and synchronicity with repeating cycles of planetary alignments.  We have been moved along the path of evolution by a Universal Intelligence, if you will, playing, upgrading and rewriting the “Music of the Spheres.”

The questions that arises in my mind are “What did Hermes imply when he envisioned the axiom ‘As above, so below’?”  Was he thinking only in terms of a physical universe, with the stars and planets “above” and the earth “below,” or was he envisioning a spiritual, vibrational causal dimension above this physical manifestation of a Divine order and harmony infusing and shaping the cosmos?  And is the enchantment of the universe inspired by the presence of a Divine Entity or merely by figments of human imagination projected upon the dark screen of outer space? Or perhaps a combination of both?

I envision a “unified field” of spirit clothed by form, of a Creator outfitted by Creation, bringing the inaudible Music of the Realms of Light into the audible realm of form, orchestrating and playing the “Music of the Spheres” upon the stars in the heavens and the planets orbiting our Star in the Milky Way Galaxy. 

Cymatic Archetypal Patterning

Here is my contribution to Richard Tarnas’s exhaustive research into the repetitive coincidences of planetary alignments and global events and human behavior . . . and, most significantly, human evolution.

Vibrational imprints upon the sea of human consciousness, produced by Zodiac constellations and planets in various configurations of alignment, may well be what give rise to the archetypal patterns of subtle energy that tend to shape human behavior and historical events, both personal and social—all on the basis of the principle of resonance.

As is demonstrated in the cymatic graphics above, sound, vibrations, energy, when impacting the sea of the collective consciousness of humanity, create kaleidoscopic-like patterned ripples that activate certain archetypal characteristics, their light side as well as their shadow side, which shape and manifest in global events, as well as in individuals born under specific “zodiacal signs” during specific planetary alignments. Their lives and life’s work alter the course of history and move humanity forward in the ongoing cycles of evolution and transformation. All that has gone before has brought us to this moment in time and space in our evolution. The hand of God is firmly upon these cycles. The Tone is sounding at its source in our Sun moving out to create resonant vibrations in all the planets. When they align, their collective vibrations and combined “music” bring about changes in the cymatic pattern on the surface of the human consciousness and consequently in human behavior; changes in our Earth and in all life on the planet.  Our Universe is shaped by the Tone sounding in the Music of the Spheres.

Notice I did not say “predetermine” or “predestine” human behavior, but only “shape.” There is still free will and personal choice in our determinations and behavior, a topic I will entertain shortly in another post.

Evolution Driven by Sound Vibrations

Evolution is in the hands of Divine Providence who sets forth the “ordinances of heaven.” How the ordinances of heaven are “set in the earth” is on the basis of vibrations, sound, the “Music of the Spheres,” as mathematical physicist Pythagoras described the orchestral symphony of our Universe.

Space is Not a Silent Void

Space is full of sound. All of the Planets and Stars generate radio waves that can be reproduced as sound. Contrary to popular belief, Space is NOT a silent void, there is a lot going on that we cannot see. Some of the stars have beautiful voices, some of them are not so pleasant, but all this represents much more than we can imagine beyond Quantum Physics, so Please Enjoy and Acknowledge. (by JARI)

(The second half of this 18-minute video is a beautiful, uplifting visual and musical meditation on the “Music of the Spheres,” which I know you will enjoy. View it on your expanded screen with auxiliary speakers.)

 

The Missing Essential Link . . . Restored

However, it is more than sound by which the ordinances of heaven are set in the earth. From the Beginning, it has been ordained by the Divine Design of Man that the ordinances of heaven be set in the earth by way of Man’s Consciousness polarized upward in Divine Consciousness and in oneness with the Creator.  This essential link and interface between heaven and earth has been missing . . . until now.  We are awakening to our rightful place in the Divine Design for Man and our role in the Creative Process.  Human consciousness is once again becoming available to and engaged with the Creator of the New Heaven and the emerging New Earth.  A reminder of this Divine ordination has been handed down to us — as my friend noted in his letter featured in my previous post — in what is called “The Lord’s Prayer” by these oft-repeated words: “Thy will be done on earth as it is in heaven”— which will provide topic for a future post. Until my next post,

Be love. Be loved.

Anthony

tpal70@gmail.com

“Cosmos and Psyche” page 2: Enchanted Universe

“Knowest thou the ordinances of heaven? Canst thou set the dominion thereof in the earth?” (Job 38:33)

I enjoy reading books whose authors agree with my way of thinking and resonate with my depth of knowing. Don’t we all? COSMOS AND PSYCHE, authored by Richard Tarnas, is such a book whose author I’ve come to know and regard as a soul brother and kindred spirit. Although he uses large words and long sentences at times, his spirit flows through the lines and between the pages with unfettered authenticity.  He is a joy to read, and I am happy to share that joy here,

AN ENCHANTED UNIVERSE

There was a time when the cosmos was an enchanted world of mythological characters and soulful presence with which human beings enjoyed an intimate relationship and worshipful communion. The “primal mind” this author ascribes to the Greeks, for instance, knew the cosmos as having a soul. That all shifted with the emergence of the “modern mind” which stripped the cosmos of soul and created a cosmology of  a “disenchanted” universe of lifeless matter, as though Earth were the only planet capable of supporting life.  What ignorance and darkened understanding to limit the vital creative energy of Life to organic matter. Life is everywhere and in all things, organic and inorganic!

Here’s an excerpt from the summary chapter of Tanas’s “epoch making” book that speaks to this evolution of our world view.  In this summation, he addresses the issue of coincidences within the context of accumulated data on the compelling evidence of synchronous events in the heavens with unfolding life experiences on earth, along with his own conviction of a “cosmic ordering principle” governed by a “complex creative intelligence.”

Sources of the World Order

In every field of inquiry, an adequate paradigm reveals patterns of coherent relations in what are otherwise inexplicable random coincidences. A good theory makes observed patterns intelligible. As the physicist and philosopher of science P. W. Bridgman famously observed, “coincidences” are what are left over after one has applied a bad theory. In the course of the three decades during which I have examined  correlations between planetary movements and the patterns of human affairs, I found there were simply too many such “coincidences” evident in the data, which were too consistently coherent with the corresponding archetypal principles, and too strongly suggestive of the workings of some form of complex creative intelligence, to assume that they were all meaningless chance anomalies. Plato’s words from his final dialogue, the Laws, when he criticized the disenchanted mechanistic cosmology of the physicists and Sophist philosophers of the preceding century, now seemed to me uncannily prophetic.

The truth is just the opposite of the opinion which once prevailed among men, that the sun and stars are without soul. . . . For in that shortsighted view, the entire moving contents of the heavens seemed to them only stones, earth, and other soulless bodies, though these furnish the sources of the world order.

Yet the data that has now emerged suggests that what Plato called the “world order” is of a special kind. The evidence points to a cosmic ordering principle whose combination of participatory co-creativity, multivalent complexity, and dynamic indeterminacy was not entirely comprehensible to the ancient vision, even a vision as intricate and penetrating as Plato’s. The relationship between the unfolding realities of human life and a dynamic archetypal order reflected in the planetary movements appears to be more fluid and complex, more creatively unpredictable, and more responsive to human intention and quality of consciousness or unconsciousness than was articulated in the classical tradition.

One important task before us, therefore, is to understand the long development that separates Plato’s vision of an archetypal participatory cosmos from our own. Another is to grasp how the nearly pervasive astrological cosmology of classical antiquity, after deeply influencing the medieval and Renaissance imagination, gradually receded in cultural significance and intellectual legitimacy until it came to appear utterly untenable to the modern mind. Yet another task is to seek insight into why it has reemerged in our own time, radically transfigured. Running through all these questions, I believe, is the great mystery of the unfolding Copernican revolution, which seems to have played the role of cosmological vessel and mediator of a vast initiatory process in the evolution of the modern self.

It was Copernicus in 1543 who proposed a heliocentric model of the solar system, positioning the sun near the center of the then known Universe, motionless, with Earth and the other planets orbiting around it in circular paths. It’s an indictment on the human mind’s myopic and self-centered view of the Universe that less than 500 years ago, a cosmic fraction of a second, we thought the sun and all the planets orbited around us here on Earth.

I would say the human race has emerged from Plato’s “cave” and into the light of day. Since discovering the vastness of the macrocosm, and the bottomless microcosm, we have ventured inward to explore the realm of spirit and consciousness, only to realize there’s an invisible One around which the Cosmos and all of Creation orbits—and the “ordinances of heaven” are being set in the earth by this One without our help or interference. 

Tarnas concludes his findings: 

The current body of accumulated data makes it difficult to sustain the modern assumption that the universe as a whole is best understood as a blind, mechanistic phenomenon of ultimately random processes with which human consciousness is fundamentally incoherent, and in which the Earth and human beings are ultimately peripheral and insignificant. The evidence suggests rather that the cosmos is intrinsically meaningful to and coherent with human consciousness; that the Earth is a significant focal point of this meaning, a moving center of cosmic meaning in an evolving universe, as is each individual human being; that time is not only quantitative but qualitative in character, and that dif­ferent periods of time are informed by tangibly different archetypal dynamics; and, finally, that the cosmos as a living whole appears to be informed by some kind of pervasive creative intelligence—an intelligence, judging by the data, of scarcely conceivable power, complexity, and aesthetic subtlety, yet one with which human intelligence is intimately connected, and in which it can consciously participate. I believe that a widespread understanding of the potent but usually unconscious archetypal dynamics that coincide with planetary cycles and alignments, both in individual lives and in the historical process, can play a crucial role in the positive unfolding of our collective future….

….I have found the archetypal astrological perspective, properly understood, to be uniquely capable of illuminating the inner dynamics of both cultural history and personal biography. It provides extraordinary insight into the deeper shifting patterns of the human psyche, both individual and collective, and into the complexly participatory nature of human reality. It places the modern mind and the modern self in an altogether new light, radically recontextualizing the modern project. Perhaps most important, it promises to contribute to the emergence of a new, genuinely integral world view, one that, while sustaining the irreplaceable insights and achievements of the modern and postmodern development, can reunite the human and the cosmic, and restore transcendent meaning to both.

The oneness of Heaven and Earth is pretty much a given in today’s modern mind that has been awakened to the reality of a multi-dimensional world. Why should we not also be conscious of a dynamic state of oneness between the human psyche and the cosmos?

Since Richard Tarnas published his research in 2007, there’s been a radical shift in our understanding and experience of the oneness of the New Heaven and the emerging New Earth. We have experienced an exponential ascension of human consciousness in the last decade.  And now, with five planets aligning with the earth this month and through February 20, further transformation and awareness are being given an energetic launch into the new decade.

Will we see a Golden Age dawn in the twenty-first century? Not unless and until we include the natural world in it; a world both above us in the heavens and below us in the earth from which we have divorced ourselves. 

“THE WORLD WE STILL HAVE”

I would like to share an excerpt from the SUN of December, 2019, which features a candid and insightful interview by Fred Bahnson with Oregonian “nature writer” Barry Lopez. The title of the article speaks for the essence of the interview: “THE WORLD WE STILL HAVE — Barry Lopez on restoring our lost intimacy with Nature.” His compassion and empathy are inspiring.  

Bahnson: What is it that is looking back at us through the eyes of a wolf, or from a particular landscape? Some would name that God, or some other word for the Divine. How would you name that?

Lopez: I would say it’s an encounter between the two sides of a lopsided divorce. It’s a breach, you know. The agri­cultural revolution was a breach, a divorce. The industrial revolution was a worse breach. The surrounding material world was relegated, in both these instances, to the position of an employee, even a slave; a source of entertainment; a storehouse for natural resources. When wild animals look back at you, I can imagine what they might be thinking if your defense for the massive changes you’ve engineered in their world, and are responsible for, is “But look at this beautiful world we’ve built.” Many divorces are character­ized by incredibly lopsided thinking and misapprehension. I believe one of the reasons our lives are so difficult today is because of the separation from the rest of the natural world that we’ve insisted on having, our insistence on the primacy of human life. Human history, you know, is but one dimension of natural history. It’s not the other way around.

If you can imagine a divorce in which only one mem­ber of the dyad — modern humanity — made the decision to create a breach, and then enforced it, you can begin to understand what the growing malaise in human culture is about. It occurs to humanity that it has lost its spouse. That’s metaphorical, of course. But if you imagine what happens when divorce is forced on just one person, then you can begin to understand why traditional people are reluctant to make that same adjustment. They don’t want the breach. They see the destructive injustice. Why accept a separation from all the rest of creation? Everybody I spoke with in villages across the Arctic in the seventies and eighties, when I asked them to offer me adjectives for people in my culture, the one word I heard repeatedly was lonely. They see us as deeply lonely people — and one of the reasons we’re lonely, if you agree with that, is that we’ve cut ourselves off from the nonhuman world, and have called this “progress.”

Bahnson: So perhaps those moments of numinous encounter are really moments of regrounding ourselves in reality?

Lopez: Yeah, reconnection. It’s reconnection. And this brings us around to the issue of memory. I recall every day the moments of primal contact I’ve experienced with the nonhuman world — with pronghorn antelope and wild salmon and scarlet tanagers — and with the nonhuman world’s most intimate and knowledgeable interpreters: indigenous people. The memories regenerate me; they
boost my desire to try to work in my writing as a media­tor of some sort between the dehumanized natural world and my own acquisitive culture.

Bahnson: What, specifically, are those moments of primal contact?

Lopez: They’re private moments of animated contact with the world outside the human. Watching animals, just sitting with a friend and watching animals for a long time, not saying much. I think of those moments at Lake Clif­ton in Australia that I describe in Horizon: standing out there on the boardwalk with two friends, drinking it in. Or in Antarctica, at Cape Crozier, watching the emperor penguins. It’s not about interpreting or “figuring out” what these wild animals are doing. You just give in to the spectacle. You become a participant.

Can we save the world we still have? Watching Saturday morning “Nature” programs almost every weekend on PBS, I see many incidences of intimate human contact with the wild kingdoms. It’s encouraging, to say the least, and very heart warming. It causes me to believe that we can do this. We must do it.

 Until my next post,

Be love. Be loved,

Anthony

tpal70@gmail.com   

 

“Cosmos and Psyche”— How History Repeats

“Watch and listen, you solitaries! From the future come winds with a stealthy flapping of wings; and good tidings go out to delicate ears.”
Fried
rich Nietzsche,Thus Spake Zarathustra

My spiritual mentor once stated that the entire solar system, which he rather called a “Solar Entity,” is the embodiment of Man, is Man, with the planets’ orbits serving as “wheels within wheels” turning the thinking Mind of Man, the planets themselves being the manifest form of Mind.

When I first heard this scenario back in the 1970’s, I thought it sounded wonderful, even plausible, although I didn’t quite understand what he was talking about, nor how it all worked. 

The idea was only a beautiful theory—-until I read COSMOS AND PSYCHE, an “epoch making” book by distinguished philosopher and cultural historian Richard Tarnas, who shows exactly how it works.  To borrow a quote from the back cover of the book by one impressed reader, “This is the closest my head has been to exploding while reading a book.” It was that powerful a read, all 492 pages.

Basically, the author assigns archetypal energetic characteristics to the influence each planet in our solar system exerts upon the human psyche. The archetypes are not in the energetic fields of the planets themselves, but are rather latent in the collective human psyche and brought forward into manifestation, through individuals as well as the collective body, during specific alignments (conjunctions and oppositions, as well as other dynamic configurations) of the planets. Each planet has its own characteristic and archetypal “personality.”

HOW HISTORY KEEPS REPEATING

These planetary alignments occur repeatedly and with clockwork precision, a phenomenon that the author researches tenaciously and meticulously covering every significant alignment and event that have occurred on the planet since the birth of Jesus in 4 BC, and several decades prior to that, to the present millennium, and every significant historical figure from King Herod the Great and Jesus to the Bush presidencies up until the publication of his research in 2007.  

The author calls these events “coincidences,” but the reader is given the incontrovertible impression of a cause-and-effect relationship.  Just to give a sampling of the author’s comparison of past planetary alignments to present and possibly future alignments and events, here’s an excerpt from his book:

From the survey of planetary cycles we have already studied we can tentatively extrapolate from previous correlations as well as from current trends to assess what kinds of cultural and historical phenomena might coincide with these next alignments. The immediately preceding alignments of any cycle tend to be especially relevant. For example, the already approaching Uranus-Pluto square alignment that will extend through 2020 points to the possibility of a significant cyclical development of the cultural impulses and archetypal dynamics that emerged during the 1960s. Characteristic themes we have observed for this cycle in past centuries include heightened impulses for radical social change and cultural creativity, accelerated technological and scientific advance, the empowerment of progressive and reformist political movements, intensified feminist civil rights, and countercultural activity, increased drive for freedom and autonomy at both the individual and collective level, pressure towards radicalization in many spheres of action and ideas, intensified ecological activism, and awakening of the instincts and nature in many senses, changes in the global balance of power, large demographic shifts, and the activation of mass energies and mass movements of various kinds. Generally speaking, Uranus-Pluto eras have tended to bring forth the catalyzing of powerful forces in many forms, the awakening of a will to power that can be both creative and destructive, and a tangible intensification and acceleration of human experience.

All of these specific themes have been strongly in evidence during past Uranus-Pluto alignments with considerable consistency. Yet as to which of them will be visible during these next fifteen years, we of course cannot know. If we consider feminism, for example—from Mary Wollstonecraft and the women of the French Revolution through the Seneca Falls women’s rights convention in 1848 and the suffragettes of the early 1900’s to the women’s liberation awakening of the 1960’s—the Uranus-Pluto cycle has been highly consistent in its correlation. The developing diachronic pattern suggests that with this next dynamic alignment of Uranus-Pluto another period of both the spontaneous empowerment of women and an intensified striving for equality and self-sovereignty is on the immediate horizon. Because the alignment is a square [90 degrees], the potential for stress and struggle in that process is high, but considering the clear sequence past correlations, it seems to me altogether likely that another feminist propulsion will infuse itself into the culture and that women will emerge from the next decade and a half with considerably more political and economic power than now. Yet one can never be certain how these archetypal forces will become concretely embodied, only that they will tend to do so in a way that is consistent with their character and grounded in the developing cultural context. . . .

The natural human tendency is to want to know that the general outlook for the foreseeable future is uniformly positive and will only get better, with blue skies as far as the eye can see. Yet there are advantages to knowing of a poten­tially challenging reality in advance, facing it squarely, preparing for it, and rec­ognizing its signs and characteristic motifs, its dangers, and its positive potential when it is consciously assimilated and enacted. Perhaps equally important, it can be psychologically centering and spiritually fortifying to recognize that such periods may represent the unfolding of larger cycles of archetypal development and human evolution in a context that is in some sense cosmic, subtly ordered and intelligible, rather than arbitrary, random, and meaningless.

The overall perspective one is afforded as one moves with the author through the centuries of the previous two millennia and into the current era is the progressive nature of the evolutionary continuum guiding the transformation of human consciousness, orchestrated by the symphony of our Solar System performing the “Music of the Spheres,” all accomplished and performed under the hand of Divine Providence, whose Presence is clearly evident, as well as acknowledged by the author himself.

Each major event initiates a cycle, or advances the previous ongoing evolutionary cycle in its field, and one historic legend or memorialized actor on the world stage (inventor, artist, philosopher, writer, scientist, astronomer, discoverer) gives birth to something new, such as new ideas or inventions, or further develops and implements the ideas and inventions of those who had gone before—all guided and moved along by the clockwork precision of the repeating planetary alignments, one such occurring even as I write.

FIVE PLANETS ALIGN THIS MONTH

Mercury, Venus, Mars, Jupiter and Saturn moved into alignment on January 6th and will stay in alignment through February 20, 2020. We are likely to experience an energetic jolt and upgrade from this once-in-a-decade alignment. The last one occurred in 2005.

Richard Tarnas describes the archetypal characteristics of these planets in his book. Here is a brief summary:

Mercury: the principle of mind, thought, communication, that which articulates the primary creative energy and renders it intelligible; the impulse and capacity to think, conceptualize, to connect and mediate, to use words and language, to give and receive information….

Venus: the principle of desire, love, beauty, value, the impulse and capacity to attract and be attracted, to love and be loved, to seek and create beauty and harmony, to engage in social and romantic relations, sensuous pleasure, artistic and aesthetic experience; the principle of Eros and the Beautiful; Aphrodite, the goddess of love and beauty. 

Mars: the principle of energetic force; the impulse and capacity to assert, to act and move energetically and forcefully, to have an impact, to press forward and against, to defend and offend, to act with sharpness and ardor; the tendency to experience aggressiveness, anger, conflict, harm, violence, forceful physical energy; to be combative, competitive, courageous, vigorous; Ares, the god of war.

Jupiter: the principle of expansion, magnitude, growth, elevation, superiority; the capacity and impulse to enlarge and grow, to ascend and progress, to improve and magnify, to incorporate that which is external, to make greater wholes, to inflate; to experience success, honor, advancement, plenitude, abundance, prodigality, excess, surfeit; the capacity or inclination for magnanimity, optimism, enthusiasm, exuberance, joy, joviality, liberality, breadth of experience, philosophical and cultural aspiration, comprehensiveness and largeness of vision, pride, arrogance, aggrandizement, extravagance; fecundity, fortune, and providence; Zeus, the king of the Olympian gods.

Saturn: the principle of limit, structure, contraction, constraint, necessity, hard materiality, concrete manifestation; time, the past, tradition, age, maturity, mortality, the endings of things; gravity and gravitas, weightiness, that which burdens, binds, challenges, fortifies, deepens; the tendency to confine and constrict, to separate, to divide and define, to cut and shorten, to negate and oppose, to strengthen and forge through tension and resistance, to rigidify, to repress, to maintain a conservative and strict authority; to experience difficulty, decline, depri­vation, defect and deficit, defeat, failure, loss, alienation; the labor of existence, suffering, old age, death; the weight of the past, the workings of fate, character, karma, the consequences of past action, error and guilt, punishment, retribution, imprisonment, the sense of “no exit”; pessimism, inferiority, inhibition, isolation, oppression and depression; the impulse and capacity for discipline and duty, order, solitude, concentration, conciseness, thoroughness and precision, discrimination and objectivity, restraint and patience, endurance, responsibility, seriousness, authority, wisdom. . . .

This will be an intense seven weeks under the stars . . . and a fabulously exciting decade of radical change and evolution for the human species, as astrologist Pam Gregory foretells in the clip below—well worth viewing.

Today, January 10th, we have a Lunar Eclipse.  Lots happening in our solar system and cosmos. I will share more from Richard Tarnas’s epoch book, COSMOS AND PSYCHE, in my next post of this new series. Until then,

Enjoy the ride,

Anthony

Email: tpal70@gmail.com

 

 

 

 

Attune to the Tone of the Seventh Angel’s Trumpet

“And the seventh angel sounded; and there were great voices in heaven, saying, THE KINGDOMS OF THIS WORLD ARE BECOME THE KINGDOMS OF OUR LORD AND OF HIS CHRIST; AND HE SHALL REIGN FOR EVER AND EVER.”  (Rev. 11:15)

We are just seven years into the Mayan Long-Count Calendar that began anew on the night of the Winter Solstice, December 21, 2012, when our solar system moved into the neutral zone of the galactic equator and aligned with the core of the Milky Way Galaxy where our planet is having a rebirth and vibrational upgrade. The powerful wave of high-frequency energy coming from the galactic center is impacting all life forms on Earth and all the planets in our solar system where severe climate changes are causing radical shifts in weather patterns. We are being called to attune to the Tone of the “Seventh Angel’s Trumpet,” the Tone of Love.

I continue in this series, “The Spiritual Significance of the Pineal Gland,” sharing excerpts from my book, SACRED ANATOMY — which I wrote between the years 1995 and 2004. Thus the reference to future events in this excerpt.

The Seventh Angel’s Trumpet

The Pineal Gland represents the Seventh Level of Being where Man knows oneness with God and with all of Creation. The angel of this “church” sounds a trumpet, as it were, a Tone that sets up the harmonic overtones and undertones that establish the vibrational foundations for our house of being.  This central little stone is not isolated unto itself, but rather resonates to the Tone of Love sounding eternally throughout the entire cosmos. That Tone establishes the vibrational foundation for the entire universe—including the kingdoms of this world.

There is, then, a design established for order and coordination in our galaxy and solar system. The Pineal Body does not originate the Tone that radiates through it into the body temple. That Tone originates in Source and is re-sounded by all heavenly bodies through a grid-work of vibratory lines of force which connect all things together in the giant fabric of the universe, a universe that is but a cloak to the Living God. 

Our sun compared in size to the        giant red star Arcturus

For example, Arcturus, a giant red star presently in the constellation of Bootes, visits us in this part of the Milky Way Galaxy every nine hundred years.  It has been close during periods of renaissance, for instance, and was at its most distant proximity during the “dark ages.”  It is presently closest to us and bringing its influence to bear in this part of the galaxy in which we live.

I think of Arcturus as a giant tuning fork which travels around our galaxy of some two hundred billion solar systems, giving off a vibratory frequency that “tunes” other heavenly bodies in its sphere of influence….

I am reminded of some questions the Lord posed to Job from out of the whirlwind: “Canst thou bind the sweet influences of Pleiades, or loose the bands of Orion? Canst thou bring forth Mazzaroth in his season? or canst thou guide Arcturus with his sons?  Knowest thou the ordinances of heaven? Canst thou set the dominion thereof in the earth?” (Job 38: 31-33)

These are peculiar questions unless we remember that we once functioned at a level of consciousness as co-creators with God and knew their answers. I have no doubt that we are remembering them once again. [Job was not an individual. Job was the collective body of Man, Co-Creator of Eden, after our fall from grace and disconnect from Source.] Arcturus, an ancient red star, may well be the father of the suns in our galaxy and continues to maintain their state of vibratory harmony.  We are to know these things so as to be in position to function intelligently as changes occur in the geophysical universe. Those changes are constant and ongoing.

Planetary and Galactic Alignments

There are many aspects of our galaxy and solar system which impact us vibrationally here on earth, not the least of which are planetary and galactic alignments. One such rather major planetary alignment occurred the first week of May, 2000. I remember that night well, as it was a night of utter peace and tranquility — reminiscent of the calm before a storm.

Coming up in the year 2012 is another event, this time a galactic one. According to astronomers and science authors, such as John Major Jenkins, who has published his exhaustive research in Maya Cosmogenesis 2012, a galactic alignment of our solar system with the core of the Milky Way Galaxy will take place on the Winter Solstice, December 21, 2012, a date which marks the end of the Mayan Long Count calendar and the beginning of the Aquarian Age.  It is believed that this is a time of rebirth for the Earth and her sister planets in the galaxy. 

The impact of this alignment has been felt since the mid 1980’s. We are undoubtedly in for some radical shifting of factors, spiritually, mentally and physically, as well as geophysical. Jenkins describes this phenomenon and what it means for human beings on Earth in words that stir the residue of the collective cosmic memory of past similar occurrences.

[The Mayans tell of “evil spirits” taking over the behavior of people who then acted out in violent eruptions during this time of alignment. It seems that all patterns of feeling, thinking and behavior are intensified during this time. Anger is one such pattern that’s erupting and taking over human behavior today.  Just recently a news reporter cited the shooting at a concert where one of the band members on stage shouted to the gunman “Stop! Why are you doing this?!” to which the shooter replied “Because I am very angry.” At the same time I see stories of exceptional kindness, selfless generosity and unconditional love.]

What will happen in the year 2012 is a conjunction of our Sun with the great bulge at the center of our Galaxy.  Occurring on the Winter Solstice, it will also be a rare conjunction of Earth, the Sun and the Galactic heart.  “More importantly, however, in A.D. 2012, the solstice meridian will cross over the Galactic equator.” 

 Jenkins explains the nature of the impact this may have here on Earth, a primary one being what he calls “field-dynamic reversals” as our solar system crosses over to the other half of the galaxy.  An example of this would be the reversal of direction in which water flows down the drain on opposite sides of the equator, as well as that of  hurricanes and tornadoes, all of which spin counterclockwise in the Northern Hemisphere and clockwise in the Southern Hemisphere. This “field-effect reversal” notion comes from the Mayans who recorded the passage of the Earth’s solstice meridian across the line of the Galactic equator and into a “paradoxical null-point.” Jenkins compares the effect to the still space in the eye of hurricane with spinning chaotic winds and rain on all sides of it.

[This “field reversal” would only occur in the event of a magnetic pole shift, which has not occurred . . . yet.]

The galactic center itself radiates an electromagnetic/photon force field with “dimensions of subtlety within the field—telluric or astral realms—extending beyond the physical forces of science to include spiritual planes of being.” Being in a “relationship of resonance” with Source, our connection with Center is at the core of our being, where we resonate not only with Source but with each other and with all other beings in this Milky Way Galaxy.  As we change position and orientation in this magnetic field, we are impacted by the lines of force emanating from its core. The impact is immediate and pervasive.

Jenkins speculates, based on historical evidence, what impact such field-effect reversals will have on the earth and its inhabitants as our “basic orientation will be inverted.” He predicts that our basic assumptions will be uncovered and we will embrace foundational values that have long been kept buried in the collective subconscious, something that has been occurring for some time now. 

We have come to the end of a road forged by rules and assumptions that no longer hold any sway. A completely opposite set of values and assumptions is determining human expression. Polarization is shifting from material to spiritual orientation, from masculine to feminine, from patriarchy to partnering between men and women. “The 2012 field-reversal can be seen as a moment in which the human spirit can emerge from unconscious patterns and blossom.”

POLE SHIFTS 

Jenkins gives an example of such reversals in the sociological patterns of human endeavors and beliefs as they are reflected in our mode of self-government. Rather than another one of many planetary “pole shifts” which have occurred in the past, and could occur again, giving rise to visions and fears of apocalyptic chaos and upheaval (which he attributes to our own Judeo-Christian implantations), he proposes a “pole shift in our collective psyche,” which is already underway, putting us squarely in the driver’s seat where we can offer a positive influence in the successful transformation of humanity and the entire natural world.

PARTNERSHIP MODE

 What I suspect this is about is already underway—a shift from the dominator mode so characteristic of our civilization to a partnership style.  Social historian Riane Eisler emphasizes that these terms—dominator and partnership— refer to an opposed orientation  in terms of cultural values, rather than qualities intrinsic to patriarchy (males) and matriarchy (females). Her distinction is important, for if patriarchy upholds the values of hierarchical dominance and territorial control, matriarchy is the exact same style of organization except with women, rather than men, at the top of the hierarchy. Both are dominator modes of social orientation. 

According to Eisler, the partnership mode, on the other hand, upholds the values of relationship, co-creation, and life-affirmation through partnership with nature and other human beings.  The partnership mode does not “belong” to the feminine principle any more than the dominator mode belongs to the masculine. We are, after all, both masculine and feminine in our energetic makeup, created in the image and likeness of the Creator.  (From Sacred Anatomy)

My personal experience in this area has been a challenging one having been brought up in the patriarchal mode. My generation’s role has been one of bridging between the old and the new paradigms. It is a real delight to see our offspring partnering in a natural way. 

We will see that this partnering mode is intrinsic to our anatomical makeup when we consider the Pituitary Gland with its masculine and feminine lobes that work together in bringing design and control to the expression of life in the body temple.

I will return in one week with the final installation in this series on “The Spiritual Significance of the Pineal Gland.” The final consideration will be “A Time of Radical Transformation.

I appreciate you my readers for sticking with me as I share at length things that have always been close to my heart and an integral part of my life’s work as a holistic physician.

I bring these excerpts from my book forward at this time as I feel they are germane to the process of transformation underway, both individual and collective, a transformation that we and all beings incarnate at this time have been chosen to undertake and steward. I consider it a great privilege to be on Earth in these exciting historical days. 

Until my next post,

Be love. Be loved

Anthony

tpal70@gmail.com

Graphic credits: The picture of the galaxy was photo-shopped by a Facebook friend, who superimposed the bright star-like image over the great bulge of the Milky Way Galaxy. The picture of Arcturus compared to our sun was borrowed from solarsystemquick.com.

 

 

  

My Heart a Sea of Glass. . .Mingled with Fire

ATTUNEMENT WITH THE ONE I AM

When my heart is quiet and my mind is still, my inner landscape becomes a sea of glass clear as crystal, mingled with fire.  Upon this crystal sea of quiet stillness is reflected the light of my spirit divine.  And I am immediately in love with what I see and what I know of who I am.

Then my heart wants to sing and I hear the sounds of light in heaven begging to be sounded on earth . . . the music of the spheres.   Thus am I guided in my quest for the sacred harmonies of the cosmos that make this world, my form, so beautiful, so magical.

I connect these two realms of heaven and earth with the music of the Soul of my soul. The inaudible becomes heard, the invisible  seen, the unspoken finds words in my heart, which alone understands the mystery of the Word made flesh.  The mystery of God is finished in my earth . . . and I know the awful power and sublime bliss of attunement with the One I Am.

Attunement with Sacred Sound

Sound is a natural carrier wave for spirit and for consciousness.  I have found it very useful in my attunement healing work.   I use tuning forks, singing bowls and voice to create sound waves.   Over the years I have collected several such tools for sacred sound. (Click on the above link to obtain a copy on my book exploring this methodology in depth.)

When I found an “A” bowl forged of Tibetan metals that sings a pure tone when stroked with the soft leather-bound end of the baton, I could then play three complete harmonious chords during attunement with sacred sound sessions. They are:

1) the A Major chord (A C# E) for the Spirit of the Womb (Pituitary and Crown Chakra),

2) the F Major chord (F A C) for the Spirit of Purification (Thymus gland and Heart Chakra), and

3) the D Major chord (D F# A) for the Spirit of the Single Eye (Adrenal glands and the Chi power center and/or Root Chakra).

Sacred Anatomy

Now, these pitches and chords are not etched in stone as the pitches and chords for specific energy sites in the body.   Like our physical forms, this is a work in progress, and as we continue to evolve spiritually in consciousness, the flesh of our body temples will continue to spiritualize, the cells that comprise the flesh thus oscillating to higher and higher frequencies, ascending as they shift frequencies.

This said, however, I am inclined to embrace my original inspired realization that the harmonic tones of the light of the sun and the light of love are comprised of relative frequencies, seven in number, and since our physical bodies are created by love from out of the vibrational substances of light and sound, and are positioned at the crossover point between these two creating forces of sunlight and lovelight,  the frequencies of the sacred energy sites of the seven endocrine glands and the seven Chakra are relative harmonics of the tones of these two luminous realities. Indeed, they are prisms for refracting the light of the Spirit of Love into seven spirits and the light of the sun into seven colors and musical pitches.

This is what I mean by the term “sacred anatomy” in my book by the same name. All of the anatomy of our body temples is sacred and connected to everything in heaven above and earth below, as are all things in the Universe. So, I’m not saying anything new here.   I only wish to emphasize the special role the seven hormonal glands of our endocrine system play, in concert with the seven chakras, grounding sacred energy and therein bringing the Creator in touch with Creation . . . God incarnate in human flesh.  Is there anything more special, more mystical and mysterious, more enjoyable than this?!  We have the best seat in the House of many mansions to enjoy the Symphony of the Music of the Spheres.

Is not this something worth being and living in attunement with?!  Worth keeping my heart and mind a sea of glass clear as crystal and mingled with the fire of my love for life?!  Surely it is.

How to do that and still live in the world of turmoil and strife?  The key lies in finding the still point of one’s turning world.  For once one finds it, one will never want to leave it, and once it finds you it will never let you leave it.  One can find it through attunement.  One can find it through meditation.  Of this be assured:  while you are looking for it, it is looking for you, for a creation without a creator is impossible and will always seek out its origins for sovereign benediction and for attunement with the Light of the Creator. Creation also seeks its creator for change and renewal.  Should it not find its creator, it will disintegrate without the blessing of its creator, and that is truly sad. This is why evening and morning sanctification, where one takes one’s world into one’s heart and hands for blessing and forgiveness, is so uplifting.  Because it’s also centering.

I start an attunement session by asking the person to come into the present moment completely with no thought of doing or accomplishing anything other than simply coming into the present moment and being now here.  Putting these two words together we have nowhere.  To help them I suggest they get in touch with the feeling that they will be here for the rest of their life with nothing demanding their attention, either from yesterday or tomorrow, not even in the immediate future after the session.  Be here now forever.  I take that attitude myself so that I can offer the greatest possible blessing.  I then assist them to come to a place where that is the truth of the matter, for the here and now can be taken into every moment of life.   Or, more accurately stated, every moment of living can be brought into the here and now.

So thoroughly can one become absorbed into the here and now and be present in the center of one’s turning world that one can lose the sense of going anywhere, as on a journey, and gain the sense that somewhere is always coming to where one is. One may have to don an automobile or a jet liner to accomplish this task, just as we had to don a physical body in order to walk in a world of space and time. But one no longer sees oneself as moving out of the present here and now at the center on one’s revolving world.  This simple change in perspective is the resolution of all forms of stress, for it puts to rest the desire to be somewhere other than where one is now, and to have anything more than what one has now. All things come to one who waits in patience upon the creative cycles that move one’s world toward the center where I am. And they come at a rate that I can easily handle them appropriately and successfully with the greatest of ease and to the blessing to all concerned.  Above all, it creates the unhurried atmosphere inside of a sea of glass clear as crystal mingled with fire.

Be love. Be loved.

Anthony

 

 

 

 

 

 

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