Creating the New Earth Together

Posts tagged ‘Immanuel Velikovsky’

War in Heaven and on Earth, page 3


                       Our Solar Entity – Celestial Body of the Archangel

Earthlings saw angels doing battle in the heavens and archangels slaying dragons.  They saw Lucifer, the Morning Star, cut down from on high; they even saw witches flying on broomsticks — the stuff of legends, folklore, and religious beliefs. They prophesied the end of the world and made human sacrifices to placate the gods and stave off the destruction of the world. Such was the climate for hundreds of years during cataclysmic events Immanuel Velikovsky writes about in his heavily documented Worlds in Collision — from which I will share a few more excerpts.

Lucifer Cut Down

It can be said that the planet Mars saved the terrestrial globe from a major catastrophe by colliding with Venus. Since the days of Exodus and Joshua, Venus was dreaded by the peoples of the earth.

For about seven hundred years this terror hung over mankind like the sword of Damocles. Human sacrifices were made to Venus in both hemispheres in order to propitiate her. After centuries of terror, one sword of Damocles was removed from above the heads of mankind, only to be replaced by another. Mars became the dread of the peoples, and its return was feared every fifteen years. Before this, Mars had absorbed the blow, even the repeated blows of Venus, and had saved the earth.

Venus, which collided with the earth in the fifteenth century before the present era, collided with Mars in the eighth century. At that time Venus was moving at a lower elliptical velocity than when it first encountered the earth; but Mars, being only about one­-eighth the mass of Venus, was no match for her. It was therefore a notable achievement that Mars, though thrown out of the ring, never­theless was instrumental in bringing Venus from an elliptical to a nearly circular orbit. Looked at from the earth, Venus was removed from a path that ran high to the zenith and over the zenith to its present path in which it never retreats from the sun more than 48 degrees, thus becoming a morning or an evening star that precedes the rising sun or follows the setting sun. The awe of the world for many centuries, Venus became a tame planet.

Isaiah, referring figuratively to the king of Bbylon who destroyed cities and made the land into a wilderness, uttered his remarkable words about Lucifer that fell from heaven and was cut down to the ground. The commentators recognized that behind these words applied to the king of Babylon must have been some legend about the Morning Star. The metaphor regarding the king of Babylon implied that his fate and the fate of the Morning Star were not dissimilar; both of them fell from on high. But what could it mean that the Morning Star fell from the heights? asked the commentators.

Significant are the words of Isaiah about the Morning Star, that it “weakened the nations” before it was cut down to the ground. It weakened the nations in two collisions with the earth, and it weakened the nations by keeping them in constant fear for centuries.

The Book of Isaiah, in every chapter, provides abundant evidence that with the removal of Venus, so that it no longer crossed the orbit of the earth, danger was not eliminated, but became even more threatening. . . .

Meteorites fell from the sky as stones.  One of those stones is the “black stone of Kaaba” venerated as the holiest thing in Mecca which pilgrims come from afar to kiss.  According to Moslem tradition, it fell from the planet Venus, although another legend says that Archangel Gabriel brought it down.

Kaaba is older than Mohammedanism. Mohammed, in the early part of his career, worshiped Venus (al- Uzza) and other planetary gods, which even today enjoy great veneration among the Moslems as the “daughters of the god.”

Who, then, is this Archangel Gabriel?

The Archangels

In the Scriptures the destruction of the army of Sennacherib is said to have been caused by a “blast,” and a few verses later it is said to have been the act of an angel of God.” The Talmudic and Midrashic sources, which relate that the army of Sennacherib was destroyed by a blast and scourge accompanied by a terrible din on the night following the day when the shadow of the sun returned ten degrees, are
more specific: the scourge was inflicted by the Archangel Gabriel “in the guise of a column of fire.”  In the present research it has been established that it was the work of Mars.

Are archangels planets? “An old tradition, dating back to Gaonic times, had it that there are seven archangels, each of whom is associated with a planet.”  “The seven archangels were believed to play an important part in the universal order through their association with the planets and the constellations. There is some variation, in the different versions, in the angels assigned to the planets.”  In some medieval writings Gabriel is associated with the moon, but in one or two with Mars.”

The following, however, makes the identification of Gabriel possible: Gabriel is connected with the foundation of Rome. The Jewish legend says that when Solomon took the daughter of Pharaoh to wife, “the Archangel Gabriel descended from heaven and inserted a reed in the sea. About this reed more and more earth was gradually deposited, and, on the day on which Jeroboam erected the golden calves, a little hut was built on the island. This was the first dwelling-place of Rome.” Here Gabriel is cast in the role the Romans ascribed to Mars, that of the founder of Rome?* Our assumption that it was the planet Mars which caused the destruction of the army of Sennacherib in the spring of -687 is implied also by rabbinic sources: Since the Archangel Gabriel is another name for the planet Mars, the ancient Jews knew the origin of the “blast” and the identity of “the angel of the Lord” who destroyed the Assyrian army.

*It was Aeneas who founded the city of Rome in the eighth century before the present era after he was saved when Troy was captured and went to Carthage and from there to Italy.

Gabriel is the angel appointed over fire; he is also, according to Origen,” the angel of war. Thus we again recognize in him Mars Nergal. The rabbinical tradition says that the Assyrians of the host of  Sennacherib, before they died, were permitted by Gabriel to hear “the song of the celestials,” which can be interpreted as the sound caused by a close approach of the planet. The words of Isaiah (33 : 3) 
“at the noise of the tumult [hamon] the people fled,” should, according to the Jewish tradition as related by Jerome, refer to Gabriel, Hamon being another of his names.”

The planet Mars is red, and Maadim (the red or the one who redens) is the name for Mars in the Hebrew astronomical texts. On­e text says: “The Holy One created Mars–Maadim–that he should throw them [the nations] down into hell.”

A few rabbinical sources attribute the destruction of Sennacherib’s army to the action of the Archangel Michael; some ascribe it to both archangels.

Who, then, is the Archangel Michael?

The entire story of Exodus is connected with the Archangel Michael. In Exodus 14 : 19 the pillar of fire and of cloud is called Angel of God. According to the Midrash it was the Archangel Michael who made himself “a wall of fire” between the Israelites and the Egyptians. Michael is said to be made of fire. The Haggadah states: “Michael was appointed High Priest of the celestial sanctuary at the same time that Aaron was made high priest of Israel,” that is, in the time of the Exodus. Michael was also the angel who appeared to Joshua, son of Nun.

The celestial struggle at the Sea of Passage is depicted in the familiar image of the Archangel Michael slaying the dragon. Michael produces fire by touching the earth, and it was the emanation of this archangel that was seen in the burning bush, He has his abode in heaven and is the forerunner of Shehina [Shekinah] or God’s presence, but as Lucifer, Michael falls from heaven and his hands are bound by God. All these attributes and acts of the Archangel Michae lead us to recognize which planet he represents: it is Venus.

The Archangel Michael, or the planet Venus, and the Archangel Gabriel, or the planet Mars, saved the people of Israel on two dramatic occasions. At the Sea of Passage, when the hosts of Egypt, pursuing the fleeing slaves, could be seen in the distance (“the chil­dren of Israel lifted up their eyes, and, behold, the Egyptians marched after them; and they were sore afraid,”  the sea was torn apart, and the slaves walked on the bottom of the sea and reached the other shore. Their enemies were thrown high by the released tides, which fell down when a spark passed between Venus and the earth.

Eight hundred years passed after the Exodus. The Assyrian hosts, which a generation earlier had removed the Ten Tribes of Israel to an exile from whence they never returned, invaded Judea with the express purpose of crushing rebellious Judah and removing him from his homeland and from the scene of history. A blast from the planet Mars fell upon the camp of the Assyrians and annihilated it. Those
rabbinical sources which ascribed this act to both archangels were not wrong. Venus pushed Mars toward the earth, and thus both were instrumental in the destruction.

The author of the apocryphal book of the Ascension [Assumption] of Moses knew that “Venus and Mars are each as large as the whole Earth.” 

Because of their intervention at moments when the national existence of Israel was at stake, Michael and Gabriel were looked upon as “guardian angels” of the eternal people.

Gabriel is the Hebrew Hercules (Heracles). Actually the classic authors made it clear that Hercules is another name for the planet Mars. In the Gospel of Luke (1:26) Gabriel is the angel of Annunciation to the Virgin.

In the Roman Catholic Church Michael is the conqueror of Satan, “head of the host of heaven and first of the saints after Mary.

Planet Worship in Judea in the Seventh Century

In the Northern Kingdom the process of disassociating the deity from the celestial object had not yet been completed when the Kingdom was destroyed (-723 or -722), and its population was led away into captivity, from which they did not return. “And they [the tribe of the Northern Kingdom] left all the commandments of the Lord their God, and made them molten images, even two calves, and made a grove, and worshiped all the host of heaven and served Baal” (II Kings 17: 16).

Only a few years after the deliverance of Judea from the hand of Sennacherib, Manasseh, son of Hezekiah, ”built altars for all the host of heaven in the two courts of the house of the Lord” (II King, 21: 5). “For he [Manasseh] built again high places which Hezekiah his father had broken down, and he reared up altars for Baalim, and he made groves, and worshipped all the host of heaven, and served
them” (II Chronicles 33 : 3). 

“Baalim” or “Baal” are shorter versions of Beelzebub (Baal Zevuv), names given to Venus when she was a comet. This sheds an historical light on the story of Elijah and his contest between the worshipers of Baal and those who worshiped the Lord God. Then there’s this legend behind our Halloween witches on broomsticks:

The Pageants of the Sky

Cosmic perturbations took place, catastrophes swept the globe, but did witches fly through the air on brooms? The reader would agree that cosmic catastrophes, if they occurred, could leave, and must have left, similar memories all around the world; but there are fantastic images that do not appear to represent realities. We shall follow this rule: if there exists a fantastic image that is projected against the sky and that repeats itself all around the world, it is most probably an image that was seen on the screen of the sky by many peoples at the same time. On one occasion a comet took the striking form of a woman riding on a broom, and the celestial picture was so clearly defined that the same impression was imposed on all the peoples of the world. It is well known how, in modern times, the forms of comets impress people.

Besides being a source for creative imaging (pareidolia), folklore, and religious beliefs, cataclysmic upheavals of the past tell us that we live in a world that is far from stable and that has its own cycles and seasons of evolution which impact our planet’s climate and weather far more than anything we humans could possibly do. I will continue sharing Velikovsky with you in the next post. Until then,

Be love. Be loved


Read my HealthLight Newsletter online for informative articles.





War in Heaven and on Earth, page 2

Collective Guilt and Amnesia 

Catastrophic events have always been perceived by the inhabitants of the Earth as punishment by the gods for their sinful and ungodly behavior – or, as one native tribe believed, for turning away from the Great Spirit. It hasn’t entered our guilt-laden consciousness that it is we, not the gods, who have brought the sky down upon our own heads, literally, by our failure to play our spiritual role as a vital cog in the Wheel of Life; our failure to remember that what we do here vibrationally impacts the entire solar system. The problem is compacted by the fact that we’ve forgotten our bloody and painful past, blotted it out of memory altogether, while tottering on the brink of repeating it. These blog posts are being written as a reminder of what has gone before — not millions of years ago, but in our own recent historical past.

Immanuel Velikovsky has reminded us of that cataclysmic past in his trilogy, Worlds in Collision, Earth in Upheaval and Ages in Chaos. I bring him forward now in a timely manner because the decisive hour of this civilization’s survival or utter collapse is at hand, and it doesn’t appear likely we are going to repent of our self-centered destructive ways soon enough to avert a man-made global catastrophe. Twice in our historical past our species has been blown to kingdom come and all but annihilated from the face of the earth. A third time would be our last. Just as in America’s favorite sport, three strikes and you’re out. What we need is a Home run.

Here are a few excerpts from Worlds in Collision, describing in graphic details what our species underwent during global cataclysms that took place five-thousand and twenty-seven hundred years ago – in the fifth century before the present era in the days of Noah when Atlantis sank into the ocean and in the eighth century before the present era when Moses led the Jewish Nation out of Egyptian captivity. These excerpts relate to the period following the latter of theses two events when the once-comet Venus, after wreaking havoc on planet Earth, was captured by our solar system after an encounter with Mars which pushed her into a stable orbit around the sun and added her to our planetary system — all of this the end conclusion of Velikovsk’s exhaustive research into the cataclysmic history of our planet.

The Year was -747


ABOUT seven hundred fifty years passed after the great catastrophe of the days of the Exodus, or seven centuries after the cosmic disturbance in the days of Joshua. During all this time the world was afraid of the recurrence of the catastrophe at the end of every jubilee period. Then, starting about the middle of the eighth century before the present era, a new series of cosmic upheavals took place at intervals of short duration.

It was the time of the Hebrew prophets whose books are preserved in writing, of Assyrian kings whose annals are excavated and deciphered, and of Egyptian pharaohs of the Libyan and Ethiopian dynasties; in short, the catastrophes which we are now about to describe did not take place in a mist-shrouded past: the period is part of the well authenticated history of the lands of the eastern Mediterranean. The eighth century also saw the beginning of the nations of Greece and Rome.

The seers who prophesied in Judea were versed in the lore of heavenly motion; they observed the ways of the planetary and cometary bodies and, like the stargazers of Assyria and Babylonia, they were aware of future changes.

In the eighth century, in the days of Uzziah, king of Jerusalem, there occurred a devastating catastrophe called raash or “commotion.” Amos, who lived at the time of Uzziah, began to predict a cosmic upheaval before the raash took place, and after the catastrophe Isaiah, Joel, Hosea, and Micah insisted unanimously and with great emphasis on the inevitability of another encounter of the earth with some cosmic body.

The prophecy of Amos was made two years before the raash (1:1). He declared that fire sent by the Lord would devour Syria, Edom, Moab, Ammon, and Philistia, as well as the far-off countries, “with a tempest in the day of the whirlwind” (1: 14). The land of Israel would not be exempted; “great tumult” would be on its mountains, and “great houses shall have an end” (3: 15). “He will smite the great house with breaches, and the little house with clefts” (6: 11). . . .

Amos, the earliest among the prophets of Judah and Israel whose speeches are preserved in writing,” reveals the concept of Yahweh in that remote period of history. Yahweh orders the planets. “He who maketh [ordains] Khima and Khesil,” and turneth the shadow of death into the morning, and maketh the day dark with night, and calleth for the waters of the sea, and poureth them out upon the face of the earth, the Lord [Yahweh] is his name: He strengtheneth the spoiled against the strong” (5: 8-9).

Amos prophesied: The land “shall rise up wholly as a Rood; and it shall be cast out and drowned, as by the flood of Egypt. And it shall come to pass in that day, saith the Lord God, that I will cause the sun to go down at noon, and I will darken the earth in the clear day” (8: 8-9). The “flood of Egypt” mentioned by Amos may be a reference to the catastrophe of the day of the Passage of the Sea; but more probably it refers to an event within the memory of the generation to which Amos spoke.

In the reign of Osorkon II of the Libyan Dynasty in Egypt, in the third year, the first month of the second season, on the twelfth day, according to a damaged inscription,” the flood came on, in this whole land . . . this land was in its power like the sea; there was no dyke of the people to withstand its fury. All the people were like birds upon it . . . the tempest . . . suspended . . . like the heavens. All the temples of Thebes were like marshes.” . . .

On the day of the approaching catastrophe, Amos says, there will be no place of escape, not even on Mount Carmel, rich in caves. “Though they climb up to heaven, thence will I bring them down. And though they hide themselves in the top of Carmel, I will search and take them out thence” (9: 2-3).

Earth will melt and the sea will be heaped up and thrown upon inhabited land. “And the Lord God of hosts is he that toucheth the land, and it shall melt. . . . He that calleth for the waters of the sea, and poureth them out upon the face of the earth” (9: 5-6).

Amos was persecuted and killed. The catastrophe did not fail to come at the appointed time. In anticipation and in fear of it, King Uzzlah went to the Temple to burn incense.” The priests opposed his appropriating their functions. “Suddenly the earth started to quake so violently that a great breach was torn in the Temple. On the west side of Jerusalem, half of a mountain was split off and hurled to the east.”  Flaming seraphim leaped in the air.”. .  

The Year -747

If the commotion of the days of Uzziah was of global character and was brought about by an extraterrestrial agent, it must have caused some disturbance in the motion of the earth on its axis and along its orbit. Such a disturbance would have made the old calendar obsolete and would have required the introduction of a new calendar.

In -747 a new calendar was introduced in the Middle East, and that year is known as “the beginning of the era of Nabonassar.” It is asserted that some astronomical event gave birth to this new calendar, but the nature of the event is not known. The beginning of the era of Nabonassar, otherwise an obscure Babylonian king, was an astronomical date used as late as the second Christian century by the great mathematician and astronomer of the Alexandrian school, Ptolemy, and also by other scholars. It was employed as a point of departure of ancient astronomical tables.

A Blast from Heaven Kills 185,000 Warriors

The destruction of the army of Sennacherib is described laconically in the Book of Kings: “And it came to pass that night, that the angel of the Lord went out, and smote in the camp of the Assyrians a hun­dred fourscore and five thousand; and when the people arose early in the morning, behold, they were all dead corpses. So Sennacherib king of Assyria departed, and went and returned, and dwelt in Nineveh.” It is Similarly described in the Book of Chronicles: “And the prophet Isaiah, the son of Amoz, prayed and cried to heaven. And the Lord sent an angel which cut off all the mighty men of valor, and the leaders and captains in the camp of the king of Assyria. So he [Sennacherib] returned with shame of face to his own land.

What kind of destruction was this? Malach, translated as “angel,” means in Hebrew “one who is sent to execute an order,” supposed to be an order of the Lord. It is explained in the texts of the Books of Kings and Isaiah that it was a “blast” sent upon the army of Sennacherib.! “I will send a blast upon him … and [he] shall return to his own land,” was the prophecy immediately preceding the catastrophe. . . . The Talmud and Midrash sources, which are numerous, all agree on the manner in which the Assyrian host was destroyed: a blast fell from the sky on the camp of Sennacherib. It was not a flame, but a consuming blast: “Their souls were burnt, though their garments remained intact.” The phenomenon was accompanied by a terrific noise.”


Here is a story, told to Shelton by the Snohomish tribe on Puget Sound, about the origin of the exclamation “Yahu,” to which I have already referred briefly. “A long time ago, when all the animals were still human beings, the sky was very low. It was so low that the people could not stand erect. . . . They called a meeting together and discussed how they could raise the sky. But they were at a loss to know how to do so. No one was strong enough to lift the sky.  Finally the idea occurred to them that possibly the sky might be  moved by the combined efforts of the people, if all of them pushed against it at the same time. But then the question arose of how it would be possible to make all the people exert their efforts at exactly the same moment. For the different peoples would be far away from one another, some would be in this part of the world, others in an­other part. What signal could be given that all people would lift at precisely the same time? Finally, the word ‘Yahu!’ was invented for this purpose. It was decided that all the people should shout ‘Yahu!’ together, and then exert their whole strength in lifting the sky. In accordance with this, the people equipped themselves with poles, braced them against the sky, and then all shouted ‘Yahu!’ in unison. Under their combined efforts the sky rose a little. Again the people shouted ‘Yahu!’ and lifted the heavy weight. They repeated this until the sky was sufficiently high.” Shelton says that the word “Yahu” is used today when some heavy object like a large canoe is being lifted. 

It is easy to recognize the origin of this legend. Clouds of dust and gases enveloped the earth for a long time; it seemed that the sky had descended low. The earth groaned repeatedly because of the severe twisting and dislocation it had experienced. Only slowly and gradu­ally did the clouds lift themselves from the ground.

One can only imagine what horror human beings experienced in those days. I will share more of Velikovsky in my next post.

Read my HealthLight Newsletter online at  for informative articles on health.





War in Heaven and on Earth, page 1

A mighty strife had waxen great within the members of the sphere.                                                                                                — Empedocles

John Gray coined the phrase “Men are From Mars, Women are from Venus” in his 1992 best seller by the same name. The story line goes something like this:

Once upon a time Martians and Venusians met, fell in love, and had happy relationships together because they respected and accepted their differences. Then they came to Earth and amnesia set in: they forgot they were from different planets.

I’ve been enjoying revisiting Velikovsky’s trilogy on world cataclysmic upheavals and planetary collisions which he heavily  documents in Worlds In Collision, Earth In Upheaval and Ages In Chaos. In my last post, I wrote about comet Venus’s near collision with Earth and the havoc she wrought during the period of the Exodus of the Jewish Nation from Egypt and its forty-years of wandering in the desert under Moses’ leadership. In this post I will share a poetic blow-by-blow account of collisions in the heavens between Mars and Venus which took place about 750 years later, interestingly enough, concurrently with the Trojan Wars in the eighth century before the present era (700 BC). Men were waging wars on Earth while planet gods were warring in the heavens – or so were they characterized by the poet Homer in his story of the Iliad.

I am reminded of the phrase “The war between the sexes” that’s been around for some time now. Interestingly enough, the Trojan War was fought over a woman, Helen of Sparta, who eloped with Trojan prince Paris. Her jilted husband Menelaus got his brother Agamemnon, king of Mycenae, to lead an expedition to retrieve her. The story has the makings of a Greek opera. Nothing much has changed in twenty-seven hundred years in male-female behavior warring over power and control. In our day we are witnessing the “rise of the feminine” on the world stage; this after centuries of suppression by the male of our species — Mars Vs Venus.

Mars, the “god of war”

Mars was named and greatly feared as the “god of war” when it allegedly got knocked out of its orbit by once-comet-now-planet Venus and dove toward Earth in a fiery display of macho masculine warlike behavior.  Not that Venus’s behavior over a hundred years was anything close to ladylike.  She was a bitch of a threat to Earth and its inhabitants causing great cataclysmic upheavals and global destruction by fire, brimstone, vermin and floods. It took an actual collision with Mars to finally put Venus into a more stable orbit around our sun as a new member of the solar system.

Velikovsky tells the story with graphic details in Worlds In Collision. Venus and Mars had other names. Venus was called Athena by the Greeks and Mars was called Ares by the Trojans.

In this epic the story is told of the battles which the Greeks, besieging Troy, waged against the people of Priam, king of Troy. Deities took a prominent part in these battles and skirmishes. Two of them–Athene and Ares–were by far the most active. Athene was the protectress of the Greeks; Ares was on the side of the Trojans. They were the chief antagonists throughout the epopee.

At first Athene removed Ares from the battlefield:

And flashing-eyed Athene took furious Ares by the hand and spake to him, saying: “Ares, Ares, thou bane of mortals, thou blood-stained stormer of walls, shall we not now leave the Trojans and Achaeans to fight?” … [She] led furious Ares forth from the battle.”

But they met together again in the field; “furious Ares” was “abiding on the left of the battle.”

Aphrodite, the goddess of the moon, wished to participate in the war also, but Zeus, presiding in heavenly Olympus, told her:

“Not unto thee, my child, are given works of war; nay, follow thou after the lovely works of marriage, and all these things shall be the business of swift Ares and Athene.”

Thus the god of the planet Jupiter admonished the goddess of the moon to leave the combat that it might be fought out by the god of the planet Mars and the goddess of the planet Venus. Phoebus Apollo, the god of the sun, spoke to the god of the planet Mars:

Then unto furious Ares spake Phoebus Apollo: “Ares, Ares, thou bane of mortals, thou blood-stained stormer of walls, wilt thou not now enter into the battle?” …

And baneful Ares entered amid the Trojans’ ranks …. He called: . . . “How long will ye still suffer your host to be slain by the Achaeans?”

The battlefield was darkened by Ares:

And about the battle furious Ares drew a veil of night to aid the Trojans . . . he saw that Pallas Athene was departed, for she it was that bare aid to the Danaans.

Hera, the goddess of the earth, “stepped upon the flaming car” and “self-bidden groaned upon their hinges the gates of heaven which the Hours had in their keeping, to whom are entrusted great heaven and Olympus.” She spoke to Zeus:

“Zeus, hast thou no indignation with Ares for these violent deeds, that he hath destroyed so great and so goodly a host of the Achaeans recklessly? … Wilt thou in any wise be wroth with me if I smite Ares?”

And Zeus replied:

“Nay, come now, rouse against him Athene … who has ever been wont above others to bring sore pain upon him.” So came the hour of the battle.

Then Pallas Athene grasped the lash and the reins, and against Ares first she speedily drave …. Athene put on the cap of Hades, to the end that mighty Ares should not see her.

Ares, “the bane of mortals,” was attacked by Pallas Athene, who sped the spear [lightning bold] “mightily against his nethermost belly.” 

“Then brazen Ares bellowed loud as nine thousand warriors or ten thousand cry in battle, when they join in the strife of the War­god.”

Even as a black darkness appeareth from the clouds when after heat a blustering wind ariseth, even in such wise . . . did brazen Ares appear, as he fared amid the clouds unto broad heaven.

In heaven he appealed to Zeus with bitter words of complaint against Athene:

Remember that Venus was born out of Jupiter, who is given the god name Zeus by Homer.

“With thee are we all at strife, for thou art father to that mad and baneful maid, whose mind is ever set on deeds of lawlessness. For all the other gods that are in Olympus are obedient unto thee … but to her thou payest no heed . . . for that this pestilent maiden is thine own child.”

And Zeus answered: “Most hateful to me art thou of all gods that hold Olympus, for ever is strife dear to thee and wars and fightings.”

The first round was lost by Ares. “Hera and Athene . . . made Ares, the bane of mortals, to cease from his manslaying.”

In this vein the poem proceeds, its allegorical features being only too readily overlooked. In the fifth book of the Iliad Ares is called by name more than thirty times, and throughout the poem he never disappears from the scene, whether in the sky or on the battleground. The twentieth and twenty-first books describe the climax of the battle of the gods at the walls of Troy.

[Athene] would utter her loud cry. And over against her spouted Ares, dread as a dark whirlwind, calling with shrill tones to the Trojans.

Thus did the blessed gods urge on the two hosts to clash in battle, and amid them made grievous strife to burst forth. Then terribly thundered the father of gods and men from on high; and from beneath did Poseidon cause the vast earth to quake, and the steep crests of the mountains. All the roots of many-fountained Ida were shaken, and all her peaks, and the city of the Trojans, and the ships of the Achaeans. And seized with fear in the world below was Aidoneus, lord of the shades . . . lest above him the earth be cloven by Poseidon, the Shaker of Earth, and his abode be made plain to view for mortals and immortals . . . so great was the din that arose when the gods clashed in strife.

In this battle of gods above and beneath, Trojans and Achaeans clashed together and the whole universe roared and shivered. The battle was fought in gloom; Hera spread a thick mist. The river “Crushed with surging flood, and roused all his streams tumultuously.” Even the ocean was inspired with “fear of the lightning of great Zeus and his dread thunder, when so it crasheth from heaven.” Then rushed into the battle a “wondrous blazing fire. First on the plain was the fire kindled, and burned the dead … and all the plain was parched.” Then to the river turned the gleaming flame. “Tormented were the eels and the fish in the eddies, and in the fair streams they plunged this way and that. . . . The fair streams seethed and boiled.” Nor had the river “any mind to flow onward, but was stayed,” unable to protect Troy.

Upon the gods “fell strife heavy and grievous.” “Together then they clashed with a mighty din, and the wide earth rang, and round about great heaven pealed as with a trumpet. . . . Zeus–the heart within him laughed aloud in joy as he beheld the gods joining in strife.”

Ares . . . began the fray, and first leapt upon Athene, brazen spear in hand, and spake a word of reviling: “Wherefore now again, thou dog-fly, art thou making gods to clash with gods in strife … ? Rememberest thou not what time . . . thyself in sight of all didst grasp the spear  and let drive straight at me, and didst rend my fair flesh?” [These “spears” are bolts of electrical discharge between the planets]

This second encounter between Ares and Athene was also lost by Ares.

He [Ares] smote upon her tasselled aegis …. Thereon blood-stained Ares smote with his long spear. But she gave ground, and seized with her stout hand a stone that lay upon the plain, black and jagged and great. . . . Therewith she smote furious Ares on the neck, and loosed his limbs. . . .

Pallas Athene broke into a laugh. . . . “Fool, not even yet hast thou learned how much mightier than thou I avow me to be, that thou matchest thy strength with mine.”

Aphrodite came to wounded Ares, “took [him] by the hand, and sought to lead [him] away.” But “Athene sped in pursuit …. She smote Aphrodite on the breast with her stout hand . . . and her heart melted.”

These excerpts from the Iliad show that some cosmic drama was projected upon the fields of Troy. The commentators were aware that originally Ares was not merely the god of war, and that this quality is a deduced and secondary one. The Greek Ares is the Latin planet Mars; it is so stated in classic literature a multitude of times. In the so-called Homeric poems, too, it is said that Ares is a planet. The Homeric hymn to Ares reads:

Most mighty Ares . . . chieftain of valor, revolvrng thy fiery circle in ether among the seven wandering stars [planets], where thy flaming steeds ever uplift thee above the third chariot.”

But what might it mean, that the planet Mars destroys cities, or that the planet Mars is ascending the sky in a darkened cloud, or that it engages Athene (the planet Venus) in battle? Ares must have represented some element in nature, guessed the commentators. Ares must have been the personification of the raging storm, or the god of the sky, or the god of light, or a sun-god, and so on.” These explanations are futile. Ares-Mars is what his name says–the planet Mars.

I find in Lucian a statement which corroborates my interpretation of the cosmic drama in the Iliad. This author of the second century of the present era writes in his work On Astrology this most significant and most neglected commentary on the Homeric epics:

“All that he [Homer] hath said of Venus and of Mars his passion, is also manifestly composed from no other source than this science [astrology]. Indeed, it is the conjuncture of Venus and Mars that creates the poetry of Homer.”

To be continued in my next post. 





“Sonic Geometry” and the . . . . “Music of the Spheres”

Tony Pics for SA BookThis is a fascinating video, especially for the mathematicians and musicians among us, as well as those of us who know  Sacred Geometry. For the mathematician, the presentation delves into numbers and numerical ratios that form the basis for structure and shaping of life forms in our world and throughout the Universe. For the musician, it presents the geometrical basis for the Pythagorean determination of note frequency values and the musical scale used here in the West. For those knowledgeable of Sacred Geometry, you’ll find nothing new here but you may delight in the clarity and simplicity of the presentation of the profound design behind all of Creation. For the rest of us who are not mathematically, geometrically, or musically inclined, we will find the video full of interesting and thought-provoking historical facts and developments that have led to consciousness evolution and our simple enjoyment of the beauty of form in the Natural world, and of music itself. 

As a musician, I must say that I came away from viewing this video with a deep sense of sadness and disappointment over the changes made to the note frequencies in our modern day musical scale which is based on A 440 rather than on the ancient and more natural A 432, as you will see in the video. I don’t know exactly what to make of it, as all the beautiful music of the Masters we enjoy so much today is written for instruments tuned to an A 440 based scale. So, I don’t know what we’ve been missing out on; perhaps ecstatic sounds and harmonies infinitely more beautiful, uplifting and transforming than even Handel’s Alleluia Chorus. I’ve heard piano music played on a piano that was tuned according to “just tuning,” which is based on natural harmonics as opposed to contrived “even tuning.”  The music seemed to rise to infinite heights and plunge to bottomless depth. What I mostly fear is that the masses are once again being manipulated and kept imprisoned by those who seek to limit the evolution of human consciousness for political power and control purposes. Why did the “powers that be” back then find it so necessary to change these frequency values used to create our music? And why by 8 hertz, the difference between 432 and 440? 

Sacred Sound Tools

Sacred Sound Tools (click on picture to enlarge)

Just for example, take the ancient Solfaggio frequencies of a six-notes scale (ut, re, me, fa, sol, la) used in ancient chants that put people in an ecstatic state of communion with God, rendering the priesthood unnecessary and more of an impediment to the realization of the literal meaning and purpose of religion (which means to bind hack to, in this instance to God) than a facilitation. They were banned by the Catholic Church and forbidden to be used. Fortunately, they have been re-discovered and returned to use in sacred sound healing schools and by alternative healthcare practitioners. I use them in my sound healing work. Their overtones and undertones have no top or bottom. In other words, they are not boxed in as though they existed independent of a larger range of frequencies, like the modern musical scale suggests. There’s no “do” (or in this case “ut”) at the end of the scale to close it off to further expansion into the inaudible range of frequencies, so as to produce a sense that one has arrived at the end of the music. There’s no end to the music of the Salfaggio frequencies. They’re open ended.

Don’t get me wrong or misinterpret my implications here. Classical and even some modern music can warm the heart and bring peace and solitude to one’s soul and inner terrain, even bring one to a state of ecstasy — or perhaps mesmerize and lull one into an oblivious state of utter tranquility and receptivity to subliminal encoded suggestions. Don’t think it isn’t done in elevators and shipping malls and via the music played in the background of TV commercials. But does it facilitate real transformation and ascension of consciousness? Can it lift one’s spirit to ecstatic heights of union with God? Possibly. Handel was said to have exclaimed “I have seen the face of God!” upon completing his Alleluia Chorus. But did it change his life here on earth? To see God is not necessarily to know God. So many of the great classical composers left us heavenly music while their lives were less than heavenly and harmonious. Their music rather seemed to have driven some of them mad, as did art for some artists, like Dutch painter Vincent Van Gogh, whom Kirk Douglas portrayed so dramatically in Lust for Life.    

I had a dream many years ago when I began to explore sacred sound as a healing modality. And in this dream I heard a chord that ascended and descended in ranges of frequency to infinity. It had no beginning and no end but encompassed both earth and heaven as a connecting chord — perhaps the mythical and mystical “Lost Chord.”  I head that sound again many years later during a workshop intensive I was presenting in Attunement with Sacred Sound at a retreat center in Corona, California. We were combining sacred harmonies with sacred energy, using sound as a carrier wave for spirit. Apparently the sacred energy of love took the harmonies we were toning and lifted them up to their natural tones and overtones to carry it upward and outward for world healing. Heaven and earth were definitely connected by the sound wave of harmony we were generating. It was as though we had generated a tangible and malleable substance — what we know of a “pneumaplasm” in the Attunement Field — fine enough for the spirit of Love to move through and flow down out of heaven into the earth . . . and I now begin to see, even as I write these words, that perhaps this is what has been taken away by mind-oriented and manipulative man by changes made to the ancient musical scale based on A 432. Just perhaps. I would love to see the restoration of the original tone frequencies based on Sacred Geometry. It was encouraging to hear that a movement is underway among musicians to tune guitars, flutes and other instruments to A 432.

If you wish to read further on this historical and ongoing pitch battle, you’ll find this rather comprehensive article by Colin Dickey most informative and entertaining: “Pitch Battles — How a paranoid fringe group made musical tuning and international issue.”

Enjoy the video.

You can see it on YouTube here:

In my next post we will explore the electromagnetic universe and the Earth-Sun connection. Until then, 

Be love. Be loved. ~Anthony

Read my Health Light Newsletter online at for informative and inspiring articles on health and healing.  Current issue features “Food Our Medicine — Medicine Our Food.”  Thank you for following my blogs.



Tag Cloud