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As Below So Above—Divine Cosmology

“When quietly fall the shades on parting day
And whispering shadows ush’ring in the night
Creep o’er the hills and vales imbibing light.
When, harsh, the eye of heaven ceases prey
On verdant sights of Nature’s vast array,
And all that’s bright seems lost, to my dismay.
Then lift I, mind and heart, to heav’n’s embrace,
And there behold in awe majestic wealth:
A myriad worlds and worlds of heavenly dust,
In splendor clad with awe-inspiring grace.
Nay, what seemed lost to darkest night’s cruel stealth
Doth shine against that darkness thrice august.”

(The poem is my attempt at sonnet writing in English Lit Class.  I got an A− on it.  I thought it deserved an A+ of course.  But I was pleased anyway to have the teacher’s recognition of my budding poetry writing talent.  I loved English Literature.)

AS BELOW SO ABOVE 

The Design of the Inner Realms of Light is exactly and precisely mirrored in the design of the Cosmos, where heavenly bodies orbit around central hubs of focused light, all governed by the Law of Attraction.  Also known as The One Law and The Law of Love, this Law simply stated is: Positive Radiation and Negative Response. Everything in the Cosmic Universe radiates God’s love and responds to God’s radiance.  Love is the sole Focus of Divinity, as well as of the Cosmos.  Love is all there is in the entire Universe.

The extension of the One Law in the unfolding of the Creative Process is stated by Lloyd A. Meeker (Uranda):  “Radiation Response Attraction Union Unified Radiation.”  As can be demonstrated with a set of magnets, a positive attracts a negative and repels another positive. Spiraling galaxies are held together by this One Law.  Suns hold their planetary satellites and planets their moons in orbits around them on the basis of this Law of Attraction.  Creation unfolds on the basis of this Creative Process, manifesting the beauty and precision of a Divine Order and Design. 

A DESIGN OF FOCUSED CONTROL & GOVERNANCE

Looking up at the night sky, one can behold that order and design made manifest.  The Design of God, which involves level upon level of focalized spiritual essences and coordinated creative activity.  Every galaxy embodies a Divine Entity in charge of that particular galaxy surrounded by angelic hosts.  Every Sun in each and every galaxy provides a cloak for a LORD God.  Our Sun provides the outer radiant garment for the LORD of Love, also known as the LORD of Lords and KING of Kings, who has visited our planet a number of times.  I am reminded of the opening words from a powerful sacred solo written and sung by two dear friends:

How shall we give Thee glory, who art the Living God? Power? Who art the very flame of Love. Kingdom? When the Universe of stars is but a cloak to Thee. Thou art all things. All things come from Thee, return again unto Thee, and abide always in Thee . . . .

At the supreme apex of Being is the GOD of Gods encircled by heavenly hosts whose “cloak” is the entire vast Cosmos. There is focalized order, in other words, throughout GOD’s Heaven reflected in the Cosmos.  When we pray the “Lord’s Prayer” we invite this heavenly design and order to manifest itself in our world: “Thy will be done on Earth as it is in Heaven.”

Would that we inhabitants of the Earth would follow through with that invitation by allowing this prayer to manifest, to allow the order and harmony in the invisible realms of Light, GOD’s Heaven, to create order and harmony in the visible realm here on Earth. I grant you that no earthly soul has the faintest clue as to what that would look like.  All we can know is that the Creating Spirit of God, Love, is an organizing Force that alone knows how to bring order out of chaos.  All we have to do is let the light of Love shine through us into the whirling chaos and watch the impeccable order and beautiful harmony of Heaven appear through us on Earth, manifesting in season a true community, a community of friends of God and of one another.

DESIGN AND CONTROL THROUGHOUT THE COSMOS

In that Design are various combinations and configurations of 3’s, 7’s, 12’s 13’s 17’s, etc., and an infinite number of pairs of opposites.  It is by way of the various designs and configurations of stars in the Cosmos that control and governance is extended so that order and harmony are made possible.  Without design, control cannot be offered, and chaos results. It is due to our resistance to design and control that the world is in a chaotic state today.

We can observe the control of the positive and negative aspects of the One Law, where a positive central Sun attracts a negative and responsive field of planets and satellites, while at the same time repelling another solar system or galaxy with their radiant positive core, thereby keeping them from colliding with one another.  In this dynamic, repulsion is as crucial to order as attraction, otherwise everything would compress into a gigantic chaotic mass.  The Law works to maintain order and harmony, provided it is allowed to work the way it is designed to work. 

Physicists have learned they can manipulate this Law, to a point, by splitting the atom to release the awesome power of the Universe, which is the power of Love, by destroying the balance of the atomic fabric of Creation through fission.  But fission is not the result of Love’s power working through natural design and control principles.  The power of Love brings things together on the basis of fusion.  Fission is man’s bright idea realized tragically in the explosion of atomic warheads that kill and destroy.  Even in our use of fission to generate electricity we have harnessed power that destroys if accidentally released from a compromised atomic reactor.  On top of that, we’ve created an insoluble problem of storing used radioactive material in a safe place.   

Water is used to cool the radioactive rods and control the release of energy.  Of course, if the water leaks out through a damaged reactor, all hell breaks loose, as was the case with the Fukushima Daiichi nuclear disaster in Japan created by an earthquake and a tsunami.  Then there was the explosion of the nuclear plant at Chernobyl in the Ukraine that sent a plume into the atmosphere with radioactive fallout that was 400 times greater than that released in the atomic bombing of Hiroshima, which was an atrocity in itself, well justified of course.

 A SYMBOL OF TRUTH 

Water has been metaphorically used as a symbol of truth, because of how its design and consistency offers a controlling element, as well as a cleansing one.  Water is a excellent solvent as it loosens the bonds that hold certain elements together, like dirt and rust, freeing them from their structured settings.  Water is also used in plants to move building blocks and nutrients up into the fruit.  Water floats giant ships, as well as small fishing boats and canoes.  Water has a memory that records whatever is placed or mixed into it.  Another characteristic of water is its tendency to seek its own level all the way down from the snow-covered mountains to the rivers and creeks in the valley, even down to the swamps and marshlands, winding its way eventually back to its origin in the waters of the oceans and seas. We measure our land elevations on the basis of sea levels.  Water is a great symbol of truth. It is honest.

AS ABOVE SO BELOW

Design is a controlling factor in the formation of community.  For example, in Jesus’s ministry a community of 12 disciples was drawn together.  His presence in their midst at the central hub made 13 altogether.  So the numbers 12 and 13 have particular significance in the Sacred Geometry manifesting everywhere in our galaxy and solar system.

There were originally 12 planets, for example, orbiting around our Sun, which made a configuration of 13 heavenly bodies.  We can account for only 9 planets, which leaves 3 planets unaccounted for.  It is thought that the asteroid belt was once a planet that exploded, although NASA doesn’t validate this theory.  Then there is the Kuiper belt, which is home to three officially recognized dwarf planets: Pluto, Haumea and Makemake.  

It is believed that there is a “Ninth Planet” named Nibiru that travels an elongated orbit around our Sun, depicted by the blue orbit in this graphic.  My point is that our solar system is out of wack at the present time and therefore does not offer a balanced and coherent design through which control can be offered to its individual parts and through it to other star systems.  Design is an essential factor in controlling the development and movement of cosmic systems, all of which are contained in a web of magnetic energy force-fields. 

Here on Earth, we organize our societies and communities based on a pattern of focalization as well.  It’s the only way things work anywhere in the cosmos, even in and throughout our physical bodies. Having cut ourselves off from the whole where the One Law governs creation throughout the cosmic community, we have made our own laws by which we seek to govern and control people and nations.  Based on segmentation, segregation and border systems, our laws keep things separate rather than joined together as one global community, a oneness from which we cannot actually escape.  The fact is, the human race is one species, one community, separated only by man-made laws, constitutions declaring independence, and imaginary borers.  The fact also is we are very inter-dependent upon one another.  Our independence is an arbitrarily imposed illusion, a figment of human imagination.  We are inseparably one race, one people.

Do we not think that the power and force of the Light of Love can organize a global community that works as orderly as the cosmos it created and maintains without our bright mental ideas?  I have a feeling that we are on the verge of abandoning our mind-made world in lieu of a Spirit-made world.  What do you think, dear reader?  Are you ready to let go of what hasn’t worked, and doesn’t have enough time left to prove it can ever work, and let go to the way Love works in building true community?  Just look up at the night sky to the heavens and see the evidence all around us, around our planet and our solar system, that proclaim the genius and trustworthiness of Love to create a world that works in harmony with the rest of the Universe; that shouts out to us mortals . . .

“Let Love command!   Let wonders form!   Let Heaven’s beauty shine!   Let every living thing Sing praise for Light Divine.”

Those lyrics are from an Emissaries of Divine Light hymnal, originally a global community drawn together on the basis of the truth of love as a light that human beings are designed to radiate into the world.  Its members are dispersed throughout the world now integrated into communities with other light-workers who share the common purpose of creating a New Earth out of the New Heaven that has emerged in human consciousness over the past decades.  There is no greater invitation and call-out to the inhabitants of the Earth than “Let Love Command.”  Let our Global Community be drawn together by Love, and under the dominion of the Lord of Love.  It’s the only Way Life can work to bring about peace and harmony between peoples and nations.  Let Love command our expression in life. I welcome your thoughts and comments on this post.  Until my next post,

Be love.  Be loved.

Anthony

tpal70@gmail.com  

Our Cymatic Universe: Shaped by “The Music of the Spheres”

“If you wish to understand the universe, think of energy, frequency and vibration.” –Tesla

As those who follow my blog know, I encompass many aspects and areas of life on planet Earth. Lately I’ve been exploring the heavens and cosmic influence of the planets upon human consciousness and behavior, having recently read Richard Tarnas’s epic book COSMOS AND PSYCHE — Intimations of a New World View, in which he examines the impact of planetary alignments and their archetypal influence on human consciousness and historical events.  In this post, I will share my thoughts on how this influence works on the basis of acoustic cymatics, the shaping of matter by sound vibrations.  Let me first define and demonstrate what cymatics is.

Our Cymatic Universe

Cymatics is the science of sound made visible. It is based on the principle that when sound encounters a membrane such as your skin or the surface of water, it imprints an invisible pattern of energy. In other words, the periodic vibrations in the sound sample are converted and become periodic water ripples, creating beautiful geometric patterns that reveal the once invisible realm of sound. If we could see the sounds around us with our eyes we would see myriads of holographic bubbles, each with a kaleidoscopic-like pattern on its surface. (John Stuart Reed)

Below is a picture graphic of cymatic images created by sounds, specifically the first octave of twelve piano notes with which all of our music here in the West is composed. (Right click on the image to open in a new tab for magnified viewing.) 

For a real treat, click on this link for a five-minute demonstration of cymatics created by music: https://www.youtube.com/watch?v=n_e-vhGbqFQ

In my book ATTUNEMENT WITH SACRED SOUND–The Magical Use of Sound in Energy Work and Healing, there’s an entire section devoted to this topic. (For a copy of my book, send me your request by email. Price with local postage is $40.)

Sound Bubbles

Vibrations move out from their source in all directions. The picture below, along with this excerpt from my book, demonstrate and describes this phenomenon.

The term “sound wave” tends to create in the mind’s eye an image of a wave of sound, rather like a water ripple, moving vibrations of air molecules toward your ear in a wave-like motion when, in reality, sound does not propagate as a wave but moves out from its source spherically with one small part of the sphere’s leading edge reaching your ear. According to acoustic physics researcher, John Stuart Reid, all sounds that humans hear propagate in this way. He calls these spheres “sound bubbles” and they carry the sound by contracting and expanding according to its pitch (if it is a musical sound) or its frequency. The violin bubble image (above) demonstrates this principle graphically, illustrating a musical note emerging from a violin. (More about John Stuart Reid’s work can be found at his website, Cymascope.com. 

Causality and Correlation

Richard Tarnas queries the causality and correlations in his research, asking how planetary alignments impact our psyche? What is the nature of the medium by which their influence is transmitted? (Highlights mine)

In the modern era, with the dominant Cartesian-Newtonian paradigm in the background of all thought and discourse on the subject, considerable confusion has been produced by the conventional scientific attempt to interpret—and thus reject the possibility of—astrological correspondences within a modern mecha­nistic cosmological framework. In effect, the Cartesian-Newtonian standpoint led to a single simple question that, within its framework, was regarded as decisive for the issue of astrology’s validity: How can the planets influence events on the Earth if no physical forces have been observed that could cause those events ?  . . . . To a great extent the question of physi­cal planetary influence reflected the residual strength of materialist and mechanistic assumptions in contemporary scientific thought, even after the conceptual shifts introduced by quantum physics. Physical forces represented the only kind of relationship that could be imagined to exist between celestial bodies and hu­man life. This approach to astrology also, less obviously, reflected certain lingering literalist and mechanistic tendencies in the astrological tradition itself that made it vulnerable to a reductionist critique after the ancient Ptolemaic-Aristotelian cosmology was rejected and replaced by Newtonian science. Above all, how­ever, the modern dismissal of astrology reflected the virtually universal modern conviction that the cosmos was disenchanted.

Given the nature of the evidence now known, it is difficult to imagine any physical factor that could serve as the ultimate source or medium of the observed astrological correlations. At least on the basis of the principal categories of data I have examined, it seems to me highly unlikely that the planets send out physical emanations, like electromagnetic radiation, that causally influence events in human life in a mechanistic way so as to produce the observed correlations. The range of correspondences between planetary positions and human existence is just too vast and multidimensional—too manifestly ordered by structures of meaning, too suggestive of creative intelligence, too vividly informed by aes­thetic patterning, too metaphorically multivalent, too experientially complex and nuanced, and too responsive to human participatory inflection—to be explained by straightforward material factors alone. Given as well the consistent nature of correlations involving the Sun, the Moon, and all the planets of the solar system from Mercury and Venus to Neptune and Pluto, irrespective of their size or dis­tance from Earth, any causal factor resembling gravitational influence seems to be equally improbable.

I believe that a more plausible and comprehensive explanation of the avail­able evidence would rest on a conception of the universe as a fundamentally and irreducibly interconnected whole, informed by creative intelligence and pervaded by patterns of meaning and order that extend through every level, and that are expressed through a constant correspondence between astronomical events and human events. Such a view is concisely reflected in the Hermetic axiom “as above, so below,” which describes a universe all of whose parts and dimensions are integrated into an intelligible whole. In the perspective I am suggesting here, reflecting the dominant trend in contemporary astrological theory, the planets do not “cause” specific events any more than the hands on a clock “cause” a specific time. Rather, the planetary positions are indicative of the cosmic state of archetypal dynamics at that time. The words of Plotinus, the most influential philoso­pher of later classical antiquity, speak directly to this understanding:

The stars are like letters which inscribe themselves at every moment in the sky. … Everything in the world is full of signs …. All events are co­ordinated. . . . All things depend on each other; as has been said, “Everything breathes together.”

I resonate with his perspective. As one reads through Tarnas’s book, one is made aware of the progressive changes in human consciousness and the developments of civilizations, one development leading to another from century to century in perfect sequence and synchronicity with repeating cycles of planetary alignments.  We have been moved along the path of evolution by a Universal Intelligence, if you will, playing, upgrading and rewriting the “Music of the Spheres.”

The questions that arises in my mind are “What did Hermes imply when he envisioned the axiom ‘As above, so below’?”  Was he thinking only in terms of a physical universe, with the stars and planets “above” and the earth “below,” or was he envisioning a spiritual, vibrational causal dimension above this physical manifestation of a Divine order and harmony infusing and shaping the cosmos?  And is the enchantment of the universe inspired by the presence of a Divine Entity or merely by figments of human imagination projected upon the dark screen of outer space? Or perhaps a combination of both?

I envision a “unified field” of spirit clothed by form, of a Creator outfitted by Creation, bringing the inaudible Music of the Realms of Light into the audible realm of form, orchestrating and playing the “Music of the Spheres” upon the stars in the heavens and the planets orbiting our Star in the Milky Way Galaxy. 

Cymatic Archetypal Patterning

Here is my contribution to Richard Tarnas’s exhaustive research into the repetitive coincidences of planetary alignments and global events and human behavior . . . and, most significantly, human evolution.

Vibrational imprints upon the sea of human consciousness, produced by Zodiac constellations and planets in various configurations of alignment, may well be what give rise to the archetypal patterns of subtle energy that tend to shape human behavior and historical events, both personal and social—all on the basis of the principle of resonance.

As is demonstrated in the cymatic graphics above, sound, vibrations, energy, when impacting the sea of the collective consciousness of humanity, create kaleidoscopic-like patterned ripples that activate certain archetypal characteristics, their light side as well as their shadow side, which shape and manifest in global events, as well as in individuals born under specific “zodiacal signs” during specific planetary alignments. Their lives and life’s work alter the course of history and move humanity forward in the ongoing cycles of evolution and transformation. All that has gone before has brought us to this moment in time and space in our evolution. The hand of God is firmly upon these cycles. The Tone is sounding at its source in our Sun moving out to create resonant vibrations in all the planets. When they align, their collective vibrations and combined “music” bring about changes in the cymatic pattern on the surface of the human consciousness and consequently in human behavior; changes in our Earth and in all life on the planet.  Our Universe is shaped by the Tone sounding in the Music of the Spheres.

Notice I did not say “predetermine” or “predestine” human behavior, but only “shape.” There is still free will and personal choice in our determinations and behavior, a topic I will entertain shortly in another post.

Evolution Driven by Sound Vibrations

Evolution is in the hands of Divine Providence who sets forth the “ordinances of heaven.” How the ordinances of heaven are “set in the earth” is on the basis of vibrations, sound, the “Music of the Spheres,” as mathematical physicist Pythagoras described the orchestral symphony of our Universe.

Space is Not a Silent Void

Space is full of sound. All of the Planets and Stars generate radio waves that can be reproduced as sound. Contrary to popular belief, Space is NOT a silent void, there is a lot going on that we cannot see. Some of the stars have beautiful voices, some of them are not so pleasant, but all this represents much more than we can imagine beyond Quantum Physics, so Please Enjoy and Acknowledge. (by JARI)

(The second half of this 18-minute video is a beautiful, uplifting visual and musical meditation on the “Music of the Spheres,” which I know you will enjoy. View it on your expanded screen with auxiliary speakers.)

 

The Missing Essential Link . . . Restored

However, it is more than sound by which the ordinances of heaven are set in the earth. From the Beginning, it has been ordained by the Divine Design of Man that the ordinances of heaven be set in the earth by way of Man’s Consciousness polarized upward in Divine Consciousness and in oneness with the Creator.  This essential link and interface between heaven and earth has been missing . . . until now.  We are awakening to our rightful place in the Divine Design for Man and our role in the Creative Process.  Human consciousness is once again becoming available to and engaged with the Creator of the New Heaven and the emerging New Earth.  A reminder of this Divine ordination has been handed down to us — as my friend noted in his letter featured in my previous post — in what is called “The Lord’s Prayer” by these oft-repeated words: “Thy will be done on earth as it is in heaven”— which will provide topic for a future post. Until my next post,

Be love. Be loved.

Anthony

tpal70@gmail.com

Gallery

The Hero’s Journey, part 3: The Timeline of the Golden Age

This is one of many depictions of the Rainbow Body from Tibet

This is one of many depictions of the Rainbow Body from Tibet

My Chorale PicThe Age of Aquarius is ushering in a Golden Age when time and death will be no more and humanity will finally be rewarded the Elixir of Immortality. Already, as mentioned in my last post, there are thousands of cases of the “Rainbow Body” phenomena reported in China and India. So the path to illumination and union with the divine is open and available to those who seek the Elixir of Immortality, the worthy quest of the Hero’s Journey.

The question I will entertain in this post is:  When does the curtain fall on humanity’s journey in this third density of the “valley of the shadow of death” and our final conquest over the social-political-religious nemesis that’s hiding this elixir from sight going to bring us finally and fully into the Fourth Density experience of total enlightenment and eternal life — the Golden Age foretold by ancient prophecies?

For possible and interesting answers, I will turn to my favorite historical author David Wilcock and reference passages in his 2013 literary release, The Synchronicity Key. One thing I can say about David Wilcock is that he did his homework before putting pen to paper — some thirty years of research. This lends a lot of credibility to his writings. So, let’s examine some of his findings.

First of all, the timeline is based on cosmic cycles. There’s the cycle of the Biblical seven days of creation Moses described in the Book of Genesis. This begs the question as to what is the actual span of a Biblical “day?”  We can find a variety of Biblical passages where a “day” symbolizes a year.

The prophet Daniel tells in 12:11 of his encounter with “a glowing, linen-clad man in a vision, which many readers of the Bible believe was a vision of Jehoshua [Jusus], writes Wilcock. He goes on to say “This glowing man in linen told Daniel there would be a final cycle of 1,290 ‘days’ before the end of an age.  (Underscore mine)

Then we have the Mayan “Great Year” that consists of twelve cycles of 1,290 years adding up to 25,920 years, the time it takes for the axis of the earth to cycle through the twelve Ages of the Zodiac. A larger cycle yet is revealed in Walter Cruttenden’s epic achievement Lost Star of Myth and Time in which he gives “compelling evidence,” writes Wiscock, “that our sun is orbiting a neighboring star….” That cycle is 2,160 years, which is subdivided into four 540-year quarter cycles. These four quarters mark the four corners of a square inside a circle.  Each of these quarter cycles can be visualized as circles, as we are orbiting around our sun, which is orbiting around another star.

Here we have the makings of what is called “Sacred Geometry.” We are impacted significantly by the energy field of this neighboring star. Each time we move through a quarter cycle of 540 years and come to the same point in the larger circle as before, Wilcock explains, “we experience bleed-throughs from events that occurred the last time.” In other words, history repeats itself . . . that is, if we allow it to and do nothing to change human behavior, which has a significant influence upon our experience of these cosmic cycles of creation and re-creation. Recall the words of the One standing in the midst of the seven golden candlesticks St. John writes about in his Book of Revelation: “Behold, I make all things new.”  So can we, and we have a golden opportunity, literally, to make our experience of life and our world new as this Golden Age dawns at the end of a long cycle and the beginning of another.

LOOPS OF FORCE IN AN ELECTRICAL CURRENT ARE WOUND UP CENTRIPETALLY, JUST AS SOLAR AND STELLAR SYSTEMS ARE WOUND UP IN THE HEAVENS. CENTRIFUGAL FORCE UNWINDS THEM FOR REWINDING AND REPETITION

LOOPS OF FORCE IN AN ELECTRICAL CURRENT ARE WOUND UP CENTRIPETALLY, JUST AS SOLAR AND STELLAR SYSTEMS ARE WOUND UP IN THE HEAVENS. CENTRIFUGAL FORCE UNWINDS THEM FOR REWINDING AND REPETITION

To further expand on our visual image of these cycles within cycles — or “wheels within wheels” as the Prophet Ezekiel described them — envision these heavenly bodies moving forward through our Milky Way Galaxy while at the same time orbiting around one another and you see a spiraling pattern of celestial movement through the galaxy and the cosmos. So we are moving in spirals through space rather than in circles around heavenly bodies. 

To expand even further upon this model, consider that these spirals do not necessarily stay the same width nor extend the same repetitious lengths. Some may be moving away from a single point of origin and others moving toward a single point “in nice and neat geometric intervals.”  This diagram from Walter Russell’s inspired writing in The Secret of Light demonstrates this perspective. It is a representation of his vision of how our electrical universe works to keep things in harmony and order. The spiral is Nature’s secret way of imbuing forms, such as trees, with strength and keeping a firm control on the integrative and disintegrative cycles of forms throughout the cosmos. It’s the Creative Process in action. We do, after all, live in an electrical universe, and it is electrical currents that drive and direct these cycles. Such is the magnificence of the Mind of the Creator.

TIME ENCODED PROPHECIES

Prophets apparently enjoy a depth of insight into these cosmic cycles, upon which they base their prophecies. They are, after all, heavenly — perhaps extraterrestrial — messengers who have visited us throughout the ages to give us some sense of direction our earthly journey is taking, along with warnings about repeating cycles that may bring about radical and even catastrophic changes in our planet’s evolutionary journey through the cosmos.  

Here’s one such prophecy Wilcock spends a lot of time with and upon which he places considerable weight in arriving at a time when time will be no more. Let me see if I can condense his reasoning into a couple of paragraphs, because Wilcock moves through a lot of history in his book, framing events within the context of cycles, a very fascinating, though complex, achievement that makes for entertaining reading — that is, if one stays focused in his line of thinking, which is somewhat a challenge. 

The main key to figuring out cycles is to determine their starting and ending points. Some thought to observe events occurring in human affairs throughout history as surface signs of the energetic cycles driving them from behind the scenes. For example, French scholars Michel Helmer and Francois Masson revealed in or around 1958 the hidden truth about repetitive cycles in human affairs. Masson saw the growth cycles of major religions in three phases of 720-year cycles. He suggested the “every major culture will go through stages of its spiritual and religious development that divide up into nice and neat 720-year cycles.”  Taking the birth of Jesus as a starting point, Masson describes the rise and fall of Christianity in cyclical phases:

‘The first phase . . . is the prophetic period of every religion. The second is the clerical phase, and the third is that of the supremacy of the temporal [physical] power over the spiritual power. For example: [the time of] the Christ’s teaching to the years 720-730 corresponds to the mystical epoch of Christianity. From A.D. 720-750 to 1440-1470, the times changed. This was the epoch of the mastery of the ecclesiastical [Church] hierarchy over peoples and governments.

Again, using the birth of Jesus as the starting point of the current cycle we are in, Masson cites the period of iconoclasm, around the year A.D. 726 when Byzantine emperor Leo III ordered the removal of an image of Jesus’s face over the entrance to the Great Palace of Constantinople, as the ‘first major crisis of the Catholic Church’ and the end of the first phase of Christianity’s 2,160-year cycle.

Iconoclasm is defined as “a technical-sounding word for a curture deliberately destroying its own religious icons for political or spiritual reasons.”  We have an example of iconoclasm in our time in the effort to remove prayer in public places, such as schools, and the word “God” from the our national anthem. Wilcock writes:

The use of Christ’s face as an icon in Christianity was considered an ‘abomination.’  This was the first time that the Church’s authority was questioned on such a widespread level. It was the first time that the people became aware that their beloved religion had become corrupted and was being used as a tool of social and political oppression. The church militarized and became an obviously direct arm of the government for the first time in its history. [Not much different from current trends in our government today.]

Going forward 720 years to the year 1440, we have the dawning of the age of modern science as we know it and the beginning of the Renaissance. This is the second major crisis of the Catholic Church when its infallibility in matters of “truth” were challenged, which led to the Reformation when the Church was forced to relinquish its firm control over the Bible and allow the people to have access to sacred scriptures for the first time in its history.

What followed was the breaking away from the Catholic Church’s version of Christianity and the multiplication of religious sects. The Church began to fall apart as it lost its control over the minds of the people. It didn’t lose its fear-based control over their hearts, however, and it is in that very control pattern where the heart of the nemesis beats and pumps out the current of belief throughout the body of Christianity, and other major religions, that death is the only way to heaven, and it is only opens to those who obey its religious laws and decrees and remain tithe-paying members. 

WE COME TO THE END-TIME 

Moving forward 720 years from 1440 we come to the year 2160. This date comes well after the time the Great Year ends and the Golden Age is predicted to arrive by various world wide prophecies. Wilcock adds this consideration:

However, if we are dealing with a system of cycles that is somehow guided by our own collective consciousness and was intended to reach its final resolution surrounding the end of the Great Year — which was in or around the year 2012 — then perhaps other cycles took effect.

A prominent Russian mathematician by the name of Anatoly Fomenko also discovered repeating patterns in history. Only his cycle was 1,296 years long and was divided into a four-part story. The story can be broken up into the three-act Hero’s Journey structure that Hollywood films are based on. I will end with these concluding excerpts from Wilcock’s book:

Let’s not forget that once we include the midpoint in the screenplay, we break it up into four perfectly symmetrical pieces — pages 1 through 30, 30 through 60, 60 through 90, and 90 through 120. If Fomenko has found that the overall “story” is thirteen hundred years long, that’s very interesting, because if we knock off four years and shave it down just a bit to 1,260 years, we now have another perfect subdivision of the 25,920-year precession. There are exactly twenty cycles of 1.296 years within the Great Year itself. Each of these 1,296-year cycles divides neatly into four equal parts on Fomenko’s graph, giving us 324-year sections.There are exactly eighty of these 324-year cycles in the 25,920-year precession of the equinoxes.

Wilcock finally arrives at a likely date:

What if we take the year A.D. 720 as the beginning of a new cycle of a different length? What if A.D. 720 becomes the beginning of a new Hero’s Journey story? What if the political and social climate of A.D. 720 now represents the “ordinary world” which the “heroes” of our modern era must all ultimately be inspired to join a quest to escape from, as they move from lifetime to lifetime?

. . . . What if we use A.D. 720 as our starting point for one of Fomenko’s 1,296-year cycles? This would mean that the cycle will end in the year 2016. This is a very close fit with the end date for the precession and gives us another year to keep an eye on.

And that’s where I will leave you to consider these interesting findings on your own time. Read the book. It’s timely and pertinent to our Hero’s Journey. There’s little doubt that something huge is underway. I just recalled the Master Jesus’ invitation and perhaps even warning: “Come out of her my people.” 

This ends this series on the Hero’s Journey. Until we meet again in this blog, I wish you all a very Happy Thanksgiving Day and a beautiful, peaceful and joyous Christmas and New Year. 

Be love. Be loved.

Anthony

Read my HealthLight Newsletter on line at LiftingTones.com. The current issue features my article “Founded on Tone” which explores the potential of sound healing in our quest for a better and easier way to alter our health patterns.  

Here’s a clip about Indigo children that worth the hour of watching. Very inspiring and reassuring. Enjoy!

 

 

 

 

“Sonic Geometry” and the . . . . “Music of the Spheres”

Tony Pics for SA BookThis is a fascinating video, especially for the mathematicians and musicians among us, as well as those of us who know  Sacred Geometry. For the mathematician, the presentation delves into numbers and numerical ratios that form the basis for structure and shaping of life forms in our world and throughout the Universe. For the musician, it presents the geometrical basis for the Pythagorean determination of note frequency values and the musical scale used here in the West. For those knowledgeable of Sacred Geometry, you’ll find nothing new here but you may delight in the clarity and simplicity of the presentation of the profound design behind all of Creation. For the rest of us who are not mathematically, geometrically, or musically inclined, we will find the video full of interesting and thought-provoking historical facts and developments that have led to consciousness evolution and our simple enjoyment of the beauty of form in the Natural world, and of music itself. 

As a musician, I must say that I came away from viewing this video with a deep sense of sadness and disappointment over the changes made to the note frequencies in our modern day musical scale which is based on A 440 rather than on the ancient and more natural A 432, as you will see in the video. I don’t know exactly what to make of it, as all the beautiful music of the Masters we enjoy so much today is written for instruments tuned to an A 440 based scale. So, I don’t know what we’ve been missing out on; perhaps ecstatic sounds and harmonies infinitely more beautiful, uplifting and transforming than even Handel’s Alleluia Chorus. I’ve heard piano music played on a piano that was tuned according to “just tuning,” which is based on natural harmonics as opposed to contrived “even tuning.”  The music seemed to rise to infinite heights and plunge to bottomless depth. What I mostly fear is that the masses are once again being manipulated and kept imprisoned by those who seek to limit the evolution of human consciousness for political power and control purposes. Why did the “powers that be” back then find it so necessary to change these frequency values used to create our music? And why by 8 hertz, the difference between 432 and 440? 

Sacred Sound Tools

Sacred Sound Tools (click on picture to enlarge)

Just for example, take the ancient Solfaggio frequencies of a six-notes scale (ut, re, me, fa, sol, la) used in ancient chants that put people in an ecstatic state of communion with God, rendering the priesthood unnecessary and more of an impediment to the realization of the literal meaning and purpose of religion (which means to bind hack to, in this instance to God) than a facilitation. They were banned by the Catholic Church and forbidden to be used. Fortunately, they have been re-discovered and returned to use in sacred sound healing schools and by alternative healthcare practitioners. I use them in my sound healing work. Their overtones and undertones have no top or bottom. In other words, they are not boxed in as though they existed independent of a larger range of frequencies, like the modern musical scale suggests. There’s no “do” (or in this case “ut”) at the end of the scale to close it off to further expansion into the inaudible range of frequencies, so as to produce a sense that one has arrived at the end of the music. There’s no end to the music of the Salfaggio frequencies. They’re open ended.

Don’t get me wrong or misinterpret my implications here. Classical and even some modern music can warm the heart and bring peace and solitude to one’s soul and inner terrain, even bring one to a state of ecstasy — or perhaps mesmerize and lull one into an oblivious state of utter tranquility and receptivity to subliminal encoded suggestions. Don’t think it isn’t done in elevators and shipping malls and via the music played in the background of TV commercials. But does it facilitate real transformation and ascension of consciousness? Can it lift one’s spirit to ecstatic heights of union with God? Possibly. Handel was said to have exclaimed “I have seen the face of God!” upon completing his Alleluia Chorus. But did it change his life here on earth? To see God is not necessarily to know God. So many of the great classical composers left us heavenly music while their lives were less than heavenly and harmonious. Their music rather seemed to have driven some of them mad, as did art for some artists, like Dutch painter Vincent Van Gogh, whom Kirk Douglas portrayed so dramatically in Lust for Life.    

I had a dream many years ago when I began to explore sacred sound as a healing modality. And in this dream I heard a chord that ascended and descended in ranges of frequency to infinity. It had no beginning and no end but encompassed both earth and heaven as a connecting chord — perhaps the mythical and mystical “Lost Chord.”  I head that sound again many years later during a workshop intensive I was presenting in Attunement with Sacred Sound at a retreat center in Corona, California. We were combining sacred harmonies with sacred energy, using sound as a carrier wave for spirit. Apparently the sacred energy of love took the harmonies we were toning and lifted them up to their natural tones and overtones to carry it upward and outward for world healing. Heaven and earth were definitely connected by the sound wave of harmony we were generating. It was as though we had generated a tangible and malleable substance — what we know of a “pneumaplasm” in the Attunement Field — fine enough for the spirit of Love to move through and flow down out of heaven into the earth . . . and I now begin to see, even as I write these words, that perhaps this is what has been taken away by mind-oriented and manipulative man by changes made to the ancient musical scale based on A 432. Just perhaps. I would love to see the restoration of the original tone frequencies based on Sacred Geometry. It was encouraging to hear that a movement is underway among musicians to tune guitars, flutes and other instruments to A 432.

If you wish to read further on this historical and ongoing pitch battle, you’ll find this rather comprehensive article by Colin Dickey most informative and entertaining: “Pitch Battles — How a paranoid fringe group made musical tuning and international issue.”

Enjoy the video.

You can see it on YouTube here: https://www.youtube.com/watch?v=FY74AFQl2qQ

In my next post we will explore the electromagnetic universe and the Earth-Sun connection. Until then, 

Be love. Be loved. ~Anthony

Read my Health Light Newsletter online at LiftingTones.com for informative and inspiring articles on health and healing.  Current issue features “Food Our Medicine — Medicine Our Food.”  Thank you for following my blogs.

 

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